Gilman Collection, Purchase, Sam Salz Foundation Gift, 2005
Not on view
The Homestead Act of 1862 provided that any citizen or applicant for citizenship who was either the head of a family or twenty-one years of age (or, if younger, had served in wartime not less than fourteen days in the U.S. Army or Navy) could apply for ownership of 160 acres of unappropriated public land, and would acquire title to the land by residing on and cultivating the land for five years. An addendum to this act provided that after six months the land title could be acquired by paying $1.25 per acre. Somewhere in the Great Plains a family sits on the porch of their new home, taking the late afternoon breeze. The father tilts back in his chair with an air of satisfied ownership, and the mother shows off their child. In the raw expanse of the West, they are comforted by a bit of millwork gingerbread on the barn and by a slender white washed fence picketing their small yard. The photograph focuses on the essential relationship between family, shelter, and the land, and is a rare view of formative domesticity in the American West.
Inscription: [no inscriptions or annotations]
[Rinhart Galleries]; Gilman Paper Company Collection, New York, June 14, 1982
The Metropolitan Museum of Art. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25, 1993–July 4, 1993.
Edinburgh International Festival, Edinburgh, Scotland. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," August 7, 1993–October 2, 1993.
National Gallery of Art, Washington D.C. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," June 19, 1994–September 11, 1994.
Canadian Centre for Architecture. "The American Lawn: Surface of Everyday Life," June 16, 1998–November 8, 1998.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 42," January 10, 2006–April 23, 2006.
Apraxine, Pierre. Photographs from the Collection of the Gilman Paper Company. Reeds Springs, Mo.: White Oak Press, 1985. pl. 93.
Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Virginia Heckert, and Jeff L. Rosenheim. The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993. no. 116.
Date: 1880–1900; made in style of early 17th centuryMedium: Poplar back frame with applied upper moldings in walnut, ebony, and ebonized pearwood. Half-lapped back frame. Niello; crystal and lapis lazulipanels with silver leaf beneath; some with dragon's-blood glaze. Frieze: niello-bordered panels with radius-ended centers and square corners.Accession: 1975.1.2292On view in:Not on view