Why is there only writing in this image?

Running Script

Emperor Lizong (1205–1264; r. 1224–64), a ruler of moderate temperament, was the most accomplished of the late Southern Song imperial calligraphers. Because running script is written more quickly than regular script, the angles of the characters are softened, and the swift movement of the calligrapher's brush is visible. In the four columns of running script in this fan, Emperor Lizong retains some of the taut brushwork found in regular script but uses lean, attenuated lines with occasional flaring strokes. A large Song palace seal impressed on the left side of this fan reads "Treasure of imperial writing."

Quatrain on Late Spring
Emperor Lizong (1205–1264; r. 1224–64)
Fan mounted as an album leaf; ink on silk; 9 5/8 x 9 1/4 in. (24.5 x 23.5 cm)
Bequest of John M. Crawford Jr., 1988 (1989.363.22)

 

In his poem Quatrain on Late Spring, the emperor laments the coming of old age:

How spring makes me sad!
Timidly I bear the passing of spring.
The young lady has no feeling for me,
She treats my love merely as that of a waning spring.

Back

Home | Works of Art | Curatorial Departments | Collection Database | Features | Heilbrunn Timeline of Art History | Explore & Learn | The Met Store | Membership | Ways to Give | Plan Your Visit | Calendar | The Cloisters | Concerts & Lectures | Study & Research | Events & Programs | FAQs | Special Exhibitions | My Met Museum | Press Room | Met Podcast | Met Share | Site Index | Now at the Met | MuseumKids

Photograph Credits

Copyright © 2000–2009 The Metropolitan Museum of Art. All rights reserved.  Terms and Conditions | Privacy Policy.