Select Bibliography on Degas
Boggs, Jean Sutherland, Henri Loyrette, Michael Pantazzi, and Gary Tinterow. Degas.
New York and Ottawa: The Metropolitan Museum of Art and National Gallery of Canada, 1988.
Callen, Anthea. The Spectacular Body: Science, Method and Meaning in the Work of
Degas. New Haven and London: Yale University Press, 1995.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society. New Haven
and London: Yale University Press, 1988.
Kendall, Richard and Griselda Pollock, eds. Dealing with Degas. London: Pandora,
1992.
Kendall, Richard. Degas: Beyond Impressionism London: National Gallery
Publications in association with the Art Institute of Chicago, 1996.
Lipton, Eunice. Looking into Degas: Uneasy Images of Women and Modern Life.
Berkeley: University of California Press, 1987.
McMullen, Roy. Degas: His Life, Times, and Work. Boston: Houghton Mifflin
Company, 1984.
Meier-Graefe, Julius. Degas. New York: Dover Publications, Inc., 1988.
Moffet, Charles S. The New Painting: Impressionism 1874-1886. San Francisco: The
Fine Arts Museums of San Francisco, 1986.
Nochlin, Linda. The Politics of Vision: Essays on Nineteenth-Century Art and Society.
New York: Harper & Row, Publishers, 1989.
Reff, Theodore. Degas: The Artist's Mind. New York: The Metropolitan Museum of
Art, Harper & Row, Publishers, 1976.
Rewald, John. The History of Impressionsim. New York: The Museum of Modern Art,
1987.
Thomson, Richard. Degas: The Nudes. London: Thames & Hudson, 1988.
Tinterow, Gary and Henri Loyrette. Origins of Impressionism. New York: The
Metropolitan Museum Art, 1994.
Varnedoe, Kirk. A Fine Disregard: What Makes Modern Art Modern. New York: Harry
N. Abrams, Inc., 1990.
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