Jean-Auguste-Dominique Ingres | Explore & Learn | The Metropolitan Museum of Art

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 "Four Seasons" Shawl, mid-19th century
French or Scottish
Jacquard-woven wool and silk; 74 1/2 x 72 1/4 in. (189.2 x 183.5 cm)
The Metropolitan Museum of Art, New York
Gift of Mrs. Edwin E. Butler, in memory of her father, Dudley B. Fuller, 1926 (26.179)
 Madame Jacques-Louis Leblanc, née Françoise Poncelle
A shawl was a required fashion accessory during much of the nineteenth century. In the early 1800s, long, rectangular, stole-like examples, handwoven in India with boteh (pine cone) or paisley patterns on the end panels, were coveted for use with Empire-style dresses. This type was followed by the square shawl and then, with the introduction of wider skirts, by "plaids"—a term used not to describe the pattern but to connote a very large and long shawl, usually ten feet by five feet. Stylistically, this shawl demonstrates both a "four seasons" layout (in which the ground color is different in each of the quadrants) and an organization à la pivot, in which the vegetative decoration swirls around a central point.

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