Bowl
Afghanistan
12th–13th century, Ghaznavid
High tin bronze, cast, hammered, chased, punched, and engraved;
H. 7 1/6 in. (18 cm), Diam. 1 9/16 in. (4 cm)
The Metropolitan Museum of Art, Louis E. and Theresa S. Seley Purchase Fund for Islamic Art and Rogers Fund, 2000 (2000.57)

Metal objects produced during Ghaznavid rule in what is now Afghanistan (in part controlled at the time of Marco Polo's voyage by the Chaghadai khanate) often contain a high percentage of tin, hence their definition as "high-tin bronzes." Although this type of bronze is difficult to manipulate due to its hardness, it was favored because of its likeness to silver.

The design on this bowl, with its bold central six-pointed star and pseudo-vegetal elements all around, is especially successful and refined. Geometric and vegetal designs are, along with calligraphy, hallmarks of Islamic art. The various design elements of this small bowl are especially well integrated and fill most of the bowl's surface. Although characteristic of Islamic art, these same qualities can be found on the Chinese Blue-and-White Plate, indicating the transmission of artistic styles eastward.





 


In the Footsteps of Marco Polo Get Your Bearings |  The Journey |  Continue The Adventure |  Credits



Navigating This Site





Home | Works of Art | Curatorial Departments | Collection Database | Features | Timeline of Art History | Explore & Learn | The Met Store | Membership | Ways to Give | Plan Your Visit | Calendar | The Cloisters | Concerts & Lectures | Educational Resources | Events & Programs | FAQs | Special Exhibitions | My Met Museum | Press Room | Met Podcast | MetShare | Site Index | Now at the Met | MuseumKids

Photograph Credits

Copyright © 2000–2008 The Metropolitan Museum of Art. All rights reserved.  Terms and Conditions | Privacy Policy.