Yamantaka
Mandala with Imperial Portraits, Silk tapestry (kesi), Yuan dynasty (1279–1368),
ca. 1330–32;
Warp 96 5/8 in. (245.5 cm); weft 82 1/4 in. (209 cm)
The Metropolitan Museum of Art, Lila Acheson Wallace Gift, 1992 (1992.54)
This woven
mandala (representation of a sacred realm) shows Yamantaka, the wrathful
manifestion of the Bodhisattva
Manjushri, as the central deity. This rich and complex mandala
follows the practices and tenets of Tibetan
Buddhism. Its subject suggest that it may have been made for
an initiation ceremony. Alternately, it may have been meant to be housed
or displayed in ancestral and portrait halls in temples connected with
the Mongol imperial family.
In the lower corners of this mandala are two male (on the left
side) and two female (on the right side opposite) donors. Identified
by Tibetan inscriptions in the cartouche above their portraits, they are
(from the left): Tugh Temur, great-great-grandson of Khubilai Khan, who
reigned as Emperor Wenzong of the Yuan dynasty in China from 1328 to 1332;
Khosila, elder brother of Tugh Temur, who reigned briefly in 1329 as Emperor
Minzhong; and Budashri and Babusha, their respective spouses.
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