Shaiva
saint, Karaikkal Ammaiyar, Chola period (ca. 860–1279), ca.
late
13th century
Tamil Nadu, India
Copper alloy; H. 9 1/8 in. (23.2 cm)
The Metropolitan Museum of Art, Purchase, Edward J. Gallagher Jr. Bequest,
in memory of his father, Edward Joseph Gallagher, his mother, Ann Hay Gallagher,
and his son, Edward Joseph Gallagher III, 1982 (1982.220.11)
Devotees
of Shiva also pay homage to a group of sixty-three "slaves of the
lord," figures analogous to the Christian saints. Historical figures
who lived from the 6th through the 10th century, the saints were part
of a popularizing movement known as bhakti, which valued intense
devotion to an individual god
above adherence to religious tenets or the performance of rituals. The
saints traveled to sites in South India associated with Shiva
and wrote poems and songs praising the Lord in the popular language of
Tamil rather than the liturgical Sanskrit. Their poems figure prominently
in the sacred canon of Shiva and are often sung in religious ceremonies.
In this sculpture, bhakti saint Karaikkal Ammaiyar is shown playing
the cymbals as she chants one of her poems. Karaikkal Ammaiyar, who lived
in the 6th century, asked Shiva to take away her beauty so that she would
not be distracted from her worship of him. Shiva
complied, and she became the emaciated figure depicted in this and other
sculptures.
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