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Virginie Avegno (1859–1915) was born in Louisiana, the daughter of Major Anatole Avegno of New Orleans, a gentleman whose family had emigrated from Camogli, Italy, and Marie Virginie de Ternant of Parlange Plantation, Louisiana. After Major Avegno died of wounds suffered at the Battle of Shiloh, Mrs. Avegno took her daughters to Paris. There Virginie became a celebrated beauty and married a Parisian banker, Pierre Gautreau. Sargent probably met her in 1881. In 1882, he wrote, "I have a great desire to paint her portrait and have reason to think she would allow it and is waiting for someone to propose this homage to her beauty." He worked on the portrait in the Gautreaus' summer home in Brittany in 1883 and had difficulty finding both a suitable pose and perspective. Numerous studies show different attempts at the composition. The exhibition of the portrait at the Paris Salon of 1884 and its reception by the public and press—who were scandalized by the notoriety of the subject, her revealing décolletage, and the lavender coloring of her skin—marked the culmination of the artist's Parisian career.

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Madame X (Madame Pierre Gautreau), 1883–84
John Singer Sargent (1856–1925)
Oil on canvas; 82 1/8 x 43 1/4 in. (208.6 x 109.9 cm)
Arthur Hoppock Hearn Fund, 1916 (16.53)

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