Paul Gauguin
French, 1848-1903
Delightful Land (Nave nave fenua), from "Noa Noa," 1893-94
Woodcut with touches of watercolor, mounted on blue paper
Rogers Fund, 1922 (22.26.11)
(The impression likely to have been in Degas's collection)
Gauguin spent much of 1893-94 in Paris working on the text and illustrations for Noa
Noa (Fragrance). The project began as a book to guide an uncomprehending public
through Gauguin's personal and artistic perceptions of Tahiti but ultimately became more
complex and mysterious than anything he had produced in the South Seas. The remarkable
series of ten woodbock prints that Gauguin made as illustrations bear no relationship to
his romanticized autobiographical text. Nor do they seem to follow a narrative sequence.
However, the imagery and themes of the prints--love and fear, creation and death, day and
night--do closely relate to Gauguin's earliest Tahitian paintings.