Explore and Learn
Met Logo
Home
Explore and Learn
 
George Washington Crossing the Delaware
Perspective Light Color Form Motion Proportion
Yes, he did. The soldiers in the distance are much smaller than those in the foreground boat, giving the illusion that General Washington's boat is closer to us than the others.
Image

There is another technique that Leutze used to give depth to the painting. Look at the figure on the left who is digging his oar into an ice floe.

Why don't we see all of the sailor's upraised arm?

Leutze "foreshortened" the sailor's left arm so that the upper part is blocked from our view by the lower part, clutching the top of the oar. Even his right arm seems a little shorter than it would have been if it was extended straight down instead of at an angle toward the viewer. Look for other examples of foreshortening used in the picture to create a similar sense of depth.
There is yet another way that Leutze gave this painting a sense of depth. Look at the difference between the colors he chose to describe the foreground sailors and those used in the background.

Where does the artist use brighter colors?

background |  foreground

composition
perspective |  light |  color |  form |  motion |  proportion
 

Home |  Works of Art |  Curatorial Departments |  Collection Database |  Features |  Timeline of Art History |  Explore & Learn |  The Met Store |  Membership |  Ways to Give |  Plan Your Visit |  Calendar |  The Cloisters |  Concerts & Lectures |  Educational Resources |  Events & Programs |  FAQs |  Special Exhibitions |  My Met Museum |  Press Room |  Met Podcast |  Site Index |  Now at the Met |  MuseumKids

Photograph Credits

Copyright © 2000–2008 The Metropolitan Museum of Art. All rights reserved.  Terms and Conditions | Privacy Policy.