This helmet is decorated in gold with leaf designs and phrases from the Qur’an. It was probably made in one of the royal workshops of Sultan Süleyman the Magnificent, who ruled the Ottoman Empire from 1520 to 1566. Although it could have been worn in battle, it must have been made mostly as part of a parade armor, worn in ceremonies as a symbol of rank.

Islamic artists relied on the words of the Prophet Muhammad to inspire their designs, so calligraphy—the art of handwriting—became the most used form of decoration for both religious and non-religious objects. A wide variety of passages from the Qur’an and other holy words appear in the decoration of Islamic arms and armor. The holy words expressed the wearer's devotion to God, helped protect him in battle, and were pleasing to look at.



Helmet, mid-16th century; Ottoman period; Turkish; steel, damascened with gold; H. 10 3/4 in. (27.8 cm); The Metropolitan Museum of Art, Rogers Fund, 1904 (04.3.456a)



   This helmet has a design used often by Islamic artists: one leaf "grows" out of the tip of another leaf, forming a continuous pattern that seems to have no beginning and no end. This type of design is sometimes called "arabesque," a French word that comes from "Arab." Click the magnifying glass to get a closer look.

Some Islamic helmets were made large enough for a turban to be worn underneath.

Helmet, late 15th century; Ak-Koyunlu/Shirvan period; Iranian; steel, engraved and damascened with silver; H. 13 3/8 in. (34 cm); The Metropolitan Museum of Art, Rogers Fund, 1950 (50.87)




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