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Akhenaten sacrificing a duck
Dynasty 18, reign of Akhenaten (ca. 1349-1336 B.C.), ca. 1353-1336 B.C.
Limestone, h. 9 5/8 in.
Gift of Norbert Schimmel, 1985
1985.328.2

On this block from a temple relief, Akhenaten (ack-en-AH-ten), recognizable by his elongated features, holds a duck up toward Aten, the solar disk. Akhenaten believed that light was the only divine power in the universe and thus was the source and sustainer of all creation. The solar disk was the means through which this power came into the world. Akhenaten's god was not portrayed in human or animal form but through the symbol of the solar disk with rays ending in small human hands, one of which holds an ankh, symbol of life, toward the king's nose. The sun-disk symbol is a large-scale hieroglyph meaning "light."

With one hand Akhenaten holds the duck firmly by its wings and with the other he wrings its neck before offering it to his god. Although early depictions of Akhenaten often appear strangely exaggerated, his sculptors later in his reign attempted a more naturalistic style, emphasizing transitory motion and a sense of space and atmosphere. Akhenaten's hands here are grasping and straining to hold on to the struggling duck. Such a scene, capturing a moment in a sacrifice being made by a king, would never have been attempted in another period. Akhenaten's right hand, however, is twisted so that all five fingers can be seen, a pose that conforms to the Egyptian convention of presenting each part of the body as completely as possible.

The type of relief used here is called sunk relief. Instead of cutting the background away and leaving the figures raised above the surface of the stone (as in raised relief), the artist has cut the outlines of the figures into the surface. Sunk relief in general appears mostly on the outside of buildings, where the outlines are emphasized by shadows cast by Egypt's brilliant sunlight, but during the Amarna period almost all relief was executed in this technique.

Notice: activity, solar rays

Discuss: exaggerations, symbolism, pose of hands

Compare: Temple of Dendur, Statuette of an offering bearer, and West wall from a chapel built by Sety I for his father, Ramesses I

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