Tughra of Sulaiman the Magnificent
Met Home
Met home
explore & learn home
STUDIOLO HOME
The Met Store
Gubbio Studiolo
enlarge enlarge previous next
lectern cabinet

Studiolo from the Ducal Palace in Gubbio (detail). Rogers Fund, 1939 (39.153).

 

In the panel to the right of the window, which must have been the last to be completed, we find a reflection of the events surrounding the death of Federico following a difficult military campaign. The frame of the round mirror hanging above the lectern carries the letters G.BA.LDO.DUX between Federico's tongues of fire, a clear reference to the young Guidobaldo's inheritance of the ducal title upon his father's death.

Perhaps the most poignant symbol is the manuscript volume of Virgil's Aeneid on the lectern. It is open at the passage in book 10:457–90 describing the battle between Turnus, the fierce leader of the Rutulians, and the young Pallas, the Arcadian fighting on the Trojans' side—a bloody encounter in which Pallas was killed, as forecast by Jupiter:

"Every man's last day is fixed.
Lifetimes are brief and not to be regained,
For all mankind. But by their deeds to make
Their fame last: that is labor for the brave."
It is difficult not to see in this passage an allusion to the glorious life and death of Federico da Montefeltro.

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
previous next


Home |  Works of Art |  Curatorial Departments |  Collection Database |  Features |  Timeline of Art History |  Explore & Learn |  The Met Store |  Membership |  Ways to Give |  Plan Your Visit |  Calendar |  The Cloisters |  Concerts & Lectures |  Educational Resources |  Events & Programs |  FAQs |  Special Exhibitions |  My Met Museum |  Press Room |  Met Podcast |  Site Index |  Now at the Met |  MuseumKids

Photograph Credits

Copyright © 2000–2008 The Metropolitan Museum of Art. All rights reserved.  Terms and Conditions | Privacy Policy.