Tile with floral and cloud-band design
About 1578
Turkey, Iznik
Stonepaste; polychrome painted under transparent glaze; 9 13/16 x 9 7/8 x 11⁄16 in. (24.9 x 25.1 x 1.7 cm)
The Metropolitan Museum of Art, New York, Gift of William B. Osgood Field, 1902 (02.5.91)
KEY WORDS AND IDEAS
Ottoman empire, visual language, Iznik pottery, court life, saz (serrated leaves), cultural exchange, tile, stonepaste
LINK TO THE THEME OF THIS CHAPTER
Iznik, a town in northwestern Turkey, was the main center for the production of ceramic tiles and tableware in the Ottoman empire. These ceramics were highly valued luxury objects and have come to represent Ottoman visual culture at its height.
FUNCTION
This tile is one of many commissioned in the 1570s (the height of Iznik kiln production) for a renovation of the sultan's private quarters. When placed next to identical tiles, the motifs that appear to be cut off here would be complete, and a larger design would emerge. A large panel of these tiles would have decorated the royal bedroom of Sultan Murad III, grandson of Süleyman the Magnificent (fig. 27).
DESCRIPTION/VISUAL ANALYSIS
This tile features typical Ottoman motifs: lotus palmettes (the four here halved by the edges of the tile), serrated leaves known as saz leaves, and Chinese-inspired cloud bands. In the center, sinuous cloud bands are painted in thick red pigment against a solid white background. The simple color palette of white, blue, green, and red is typical of later Iznik wares.
CONTEXT
This tile exemplifies the mature style of Iznik wares; the cloud bands and saz leaves are typical of this phase of Iznik production. The technique used to create these tiles was complex and required multiple firings to ensure the highest level of clarity for both the colors and the design. Designs such as this were developed in the imperial design workshop in Istanbul and subsequently executed in Iznik.
Fig. 27. View of the bedroom of Sultan Murad III, about 1578, Topkapı Palace, Istanbul, Turkey, displaying the same type of Iznik wall tiles as image 26
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