The collection of Asian art at the Metropolitan Museum—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and is the most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.
Posted: Friday, March 13, 2015
Millions call New York City, one of the greatest cities in the world, "the Big Apple" and home. In a city known for skyscrapers, amazing scenery, and people on the go, sometimes New Yorkers need a little peace. Between bus horns, cars honking, and people talking, finding a place to relax can be hard. As a junior in high school, the year when college becomes a priority, I am even more stressed with SAT/ACT prep, AP classes, and keeping a high GPA. Central Park, a supposed offer of beautiful scenery and serenity, is hardly ever quiet because events are always happening. Home is an alternative, but sometimes being home can lead to distractions—family, house duties, annoying parents, and siblings. Despite all of my chaos, finding peace became possible thanks to the Met.
Posted: Friday, December 5, 2014
It's taken me years to admit, but I have an addiction to all things Japanese. At the impressionable age of five, my father showed me my first Godzilla movie; several King Ghidorah action figures, three hundred Pokémon cards, and fourteen Studio Ghibli films later, I've not only converted my calculus notebook into a journal in which I try to memorize Hiragana, Katakana, and Kanji, but I've come to terms with the extent of my obsession. As a result, it was practically inevitable that I found myself roaming through the Met's exhibition Kimono: A Modern History, on view through January 19, 2015. Featuring a range of kimonos from the eighteenth century to the present day, it fed right into my interests.
Posted: Friday, November 21, 2014
The last time I was wandering around the Met, I heard four successive "Wows!" exclaimed by awestruck museumgoers as they entered gallery 206, the entrance to the Asian Art galleries. This comes as no surprise to me, as the impressive thirteen-foot-high statue of the Avalokiteshvara Bodhisattva that sits in the gallery is stunningly amazing. The entire gallery is quite remarkable. However, what I feel is truly amazing about this part of the Museum is the immediate quietness and tranquility one encounters when they walk up the steps into the smaller galleries that make up the wing.
Posted: Friday, November 7, 2014
A person can have an individual relationship with art, but at The Metropolitan Museum of Art there is often a third party involved when strolling through the galleries: the security guard. It didn't take me long to realize how wise the guards at the Met are: Many of these men and women are extremely curious about art and how it is perceived, and therefore take advantage of being in one of the world's greatest museums during their work day.
Posted: Friday, June 20, 2014
One of my favorite amusement park rides as a child was the funhouse. It wasn't just about the big revolving disks and undulating staircases; my obsession with funhouses came from the fact that I could be in control of my own experience, unlike in other rides where I would just have to sit passively.
Posted: Friday, February 21, 2014
The exhibition Ink Art: Past as Present in Contemporary China is all about ink. Darks and lights and midtones are used everywhere. There are so many different art styles that you're bound to find something you like. The exhibition features several scrolls, which tell stories through writing or pictures and even through combinations of the two.
Posted: Thursday, February 13, 2014
Posted: Friday, February 7, 2014
Before we encountered Xu Bing's Book from the Sky, we passed by Ai Weiwei's Han Jar Overpainted with Coca-Cola Logo—and almost missed it. The pot, located in the ancient Chinese galleries, looks ordinary except for its iconic logo. This was where we started to learn that the contemporary Chinese art scene is born from the synthesis and refutation of tradition.
Posted: Friday, January 31, 2014
In Ink Art: Past as Present in Contemporary China, we came across many pieces of artwork that exemplify the contrast between contemporary and traditional art. One of these pieces was Family Tree, a series of nine photographs in which the artist Zhang Huan's face gradually becomes covered in ink and traditional calligraphy.
Posted: Tuesday, January 21, 2014