The collection of Asian art at the Metropolitan Museum—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and is the most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.
Posted: Friday, June 20, 2014
One of my favorite amusement park rides as a child was the funhouse. It wasn't just about the big revolving disks and undulating staircases; my obsession with funhouses came from the fact that I could be in control of my own experience, unlike in other rides where I would just have to sit passively.
Posted: Friday, February 21, 2014
The exhibition Ink Art: Past as Present in Contemporary China is all about ink. Darks and lights and midtones are used everywhere. There are so many different art styles that you're bound to find something you like. The exhibition features several scrolls, which tell stories through writing or pictures and even through combinations of the two.
Posted: Thursday, February 13, 2014
Posted: Friday, February 7, 2014
Before we encountered Xu Bing's Book from the Sky, we passed by Ai Weiwei's Han Jar Overpainted with Coca-Cola Logo—and almost missed it. The pot, located in the ancient Chinese galleries, looks ordinary except for its iconic logo. This was where we started to learn that the contemporary Chinese art scene is born from the synthesis and refutation of tradition.
Posted: Friday, January 31, 2014
In Ink Art: Past as Present in Contemporary China, we came across many pieces of artwork that exemplify the contrast between contemporary and traditional art. One of these pieces was Family Tree, a series of nine photographs in which the artist Zhang Huan's face gradually becomes covered in ink and traditional calligraphy.
Posted: Tuesday, January 21, 2014
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Wednesday, October 16, 2013
The idea for our 3D sculpture came together after taking pictures of a Chinese chimera and a bodhisattva from the Asian Art galleries, along with Ritual Seat for a Noble (Osa' osa), currently on view in the Met's Arts of Africa, Oceania, and the Americas galleries. From there, we took each of the photos and stitched them together using 3D printing software.
Posted: Wednesday, October 9, 2013
The inspiration for our 3D scanning and printing workshop project came from our mutual interest in both Asian and Greek mythology. Although we came across many potential subjects while getting to know the Museum's collection, we quickly decided to base our plastic sculpture on Greek mythological figures and Buddhist deities—combining animal and human forms to create a supernatural god.
Posted: Wednesday, September 18, 2013
As we walked through each gallery of the Met in order to determine the subject for our 3D sculpture, we were immediately inspired by the tranquility of Buddha Preaching the First Sermon at Sarnath in the Asian Art galleries. However, we were also intrigued by the fierceness of the Greek and Roman marble sculptures on display, and elected to combine both the head of the Roman Emperor Hadrian—currently on loan to the Museum—with the body of a lion.