Posted: Monday, July 16, 2012
In my opinion, this artwork is dull compared to the other works in this gallery, and I don't think this piece would be popular among visitors. However, the lack of color gives these twelve felt panels—which depict fragments of a horse statue in a case—a mysterious aura. I wonder what the statue would have looked like in its entirety.
Posted: Monday, July 9, 2012
The portrait on the left was painted by the American artist Henry Inman in 1833. The work on the right is a photograph of Inman's painting, taken by the artist Tim Davis in 2003.
Posted: Monday, July 2, 2012
The short film Flash in the Metropolitan documents different works of art at the Met in the middle of the night. The filmmakers moved throughout the galleries with a flash strobe and a 16mm film camera on a track. The film is only three minutes and twenty-five seconds long, but it is on a constant loop in the gallery. This is my favorite piece because it's so unique and the film focuses on works of art chosen by the filmmakers.
Posted: Tuesday, June 26, 2012
This photograph is titled The Restorers at San Lorenzo Maggiore, Naples and is by Thomas Struth. In this scene, four art restorers stand in a large room that was formerly part of a church. All four are focused intently on the camera, and each stands in a unique pose. The central focus of the photograph is on the restorers, and the rest of the picture is slightly blurry.
Posted: Monday, June 18, 2012
In Andrea Fraser's performance art piece, a video titled Museum Highlights: A Gallery Talk, the artist assumes the character of Jane Castleton, a docent at the Philadelphia Museum of Art. The fictional Castleton leads the audience through what starts as an ordinary tour but slowly becomes more and more bizarre as she discusses not works of art but objects such as the museum's water fountains and restrooms. Fraser's script borrows from many eclectic sources, including Good Housekeeping magazine, a 1960s anthology on poverty, and the writings of Immanuel Kant.
Posted: Monday, June 11, 2012
Posted: Monday, June 4, 2012
I remember hearing about Emanuel Leutze's Washington Crossing the Delaware in school when I was younger. Years later, when I joined the Met's Teen Advisory Group at age eighteen, I was able to see it for the first time. If you learn about the American Revolution, you have to come to the Met to see the lifesize George Washington cross the icy waters of the Delaware.
Posted: Tuesday, May 29, 2012
Walk into the American Wing and step back in time to stand before the six-foot-three George Washington in Emanuel Leutze's Washington Crossing the Delaware. Leutze's painting captures the spirit of this daring undertaking by George Washington, and illustrates America's capacity to overcome adversity at great odds.
Posted: Monday, May 21, 2012
After the Teen Advisory Group's recent meeting in the American Wing galleries, I chose to write my blog post about Washington Crossing the Delaware, painted by Emanuel Leutze. Sitting in front of this painting, I was most struck by its size; it hangs over twelve feet high and twenty feet wide. This monumental painting seems alive, like a snapshot from the actual crossing of the Delaware River in 1776.
Posted: Monday, May 14, 2012