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Crime Stories: Photography and Foul Play

Crime Stories: Photography and Foul Play

March 7– July 31, 2016

Installation Location: The Howard Gilman Gallery, Gallery 852, 2nd floor


Since the earliest days of the medium, photographs have been used for criminal investigation and evidence gathering, to record crime scenes, to identify suspects and abet their capture, and to report events to the public. Crime Stories: Photography and Foul Play, on view at The Metropolitan Museum of Art beginning March 7, explores the multifaceted intersections between photography and crime, from 19th-century “rogues’ galleries” to work by contemporary artists inspired by criminal transgression. The installation will feature some 70 works, drawn entirely from the Met collection, ranging from the 1850s to the present.
 
Among the highlights of the installation will be Alexander Gardner’s documentation of the events following the assassination of President Lincoln, as well as rare forensic photographs by Alphonse Bertillon, the French criminologist who created the system of criminal identification that gave rise to the modern mug shot. Also on display will be a vivid selection of vintage news photographs related to cases both obscure and notorious, such as a study of John Dillinger’s feet in a Chicago morgue in 1934; Jack Ruby shooting Lee Harvey Oswald in 1963; and Patty Hearst captured by bank surveillance cameras in 1974.

In addition to exploring photography’s evidentiary uses, the exhibition will feature work by artists who have drawn inspiration from the criminal underworld, including Richard Avedon, Larry Clark, Walker Evans, John Gutmann, Andy Warhol, and Weegee.

Crime Stories: Photography and Foul Play is organized by a team in the Department of Photographs that includes Jeff L. Rosenheim, Curator in Charge; Doug Eklund, Curator; Mia Fineman, Associate Curator; and Beth Saunders, Curatorial Assistant. Exhibition design is by Brian Butterfield, Senior Exhibition Designer; graphics are by Constance Norkin, Graphic Design Manager; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers, all of the Museum’s Design Department.

Education programs include exhibition tours and related gallery conversations.

The exhibition will be featured on the Museum’s website, as well as on Facebook, Instagram and Twitter via the hashtags #CrimeStories and #MetOnPaper100.

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February 11, 2016


Image: Unknown, French. Marius Bourotte, 1929. Gelatin silver print with applied color. The Metropolitan Museum of Art, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1996

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