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The Metropolitan Museum of Art's renovated and expanded Galleries for 19th- and Early 20th-Century European Paintings and Sculpture will reopen on December 4, 2007. The newly refurbished galleries – which occupy nearly 35,000 square feet, including 8,000 square feet of new exhibition space named the Henry J. Heinz II Galleries in recognition of a major gift made by his widow, the long-time Metropolitan Museum Trustee Drue Heinz – will showcase European paintings from the Museum's world-renowned collection, dating from 1800 through the early 20th century. This new presentation will feature a more thorough display of the Museum's 19th-century collection, augmented with seminal works from the early modern era.
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The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season from November 20, 2007, through January 6, 2008. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.
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A new, large-scale work conceived specifically for display in The Metropolitan Museum of Art's galleries by New York-based artist Tara Donovan (American, born 1969) comprises the exhibition Tara Donovan at the Met, on view from November 20, 2007, through April 27, 2008.
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The Metropolitan Museum of Art's Wrightsman Galleries, currently undergoing
extensive renovations and reinstallation, will reopen on October 30. The
spectacular 18th-century rooms, which include the De Tessé Room, the Cabris
Room, the Paar Room, the Varengeville Room, the Bordeaux Room, and the
Crillon Room, house the Museum's renowned collection of French furniture and
related decorative arts. Named for Jayne and Charles Wrightsman, who amassed
one of the finest private collections in America of the decorative arts of the ancien
régime, the galleries opened to the public between 1969 and 1977. The
Wrightsmans' splendid gifts strengthened the Museum's already important
collection of French 18th-century interiors and furnishings. Mrs. Wrightsman, a
Trustee Emerita, continues her generosity to the Metropolitan Museum to this day,
and has made these renovations possible.
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著名作家林語堂（1895-1976）和其家人收藏的四十三件中國近代書畫將從九月十五日起，在大都會博物館首次公開展出。林氏後人最近將這批藏品捐贈給大都會博物館。
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From the Middle Ages through the late 18th century, the courts of Europe lavished vast resources on tapestries made in precious materials after designs by the leading artists of the day, and works in this spectacular medium were prized by the aristocracy for their artistry and also as tools of propaganda. Tapestry in the Baroque: Threads of Splendor – on view at The Metropolitan Museum of Art beginning October 17 – will offer the first comprehensive survey of high-quality 17th-century European tapestry, and will demonstrate the importance of tapestry as a prestigious figurative medium throughout that century. Organized by the Metropolitan Museum, it is a sequel to the ground-breaking exhibition, Tapestry in the Renaissance: Art and Magnificence, that received widespread public and scholarly acclaim during its presentation at the Metropolitan in spring 2002.
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To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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The Metropolitan Museum will inaugurate the Joyce and Robert Menschel Hall for Modern Photography on September 25, 2007, establishing for the first time a gallery dedicated exclusively to photography created since 1960. With high ceilings, clean detailing, and approximately 2,000 square feet of exhibition space, the Menschel Hall is designed specifically to accommodate the large-scale photographs that are an increasingly important part of contemporary art and the Museum's permanent collection. Photographers represented in the collection include such modern masters as Thomas Struth, Andreas Gursky, Thomas Ruff, Jeff Wall, Richard Prince, Cindy Sherman, Doug Aitken, and Sigmar Polke.
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Opening September 25 at the Metropolitan Museum, Impressed by Light: British Photographs from Paper Negatives, 1840–1860, is the first major exhibition to survey British calotypes — works of exceptional beauty and rarity which are made from paper negatives and are among the earliest forays into the medium of photography. During the first two decades of photography, British photographers turned their lenses on family, nature, and the landscape at home, and on historic architecture, ruins of past civilizations, and exotica abroad. Impressed by Light presents works by 40 artists, including such masters as William Henry Fox Talbot, David Octavius Hill and Robert Adamson, Roger Fenton, Benjamin Brecknell Turner, and Linnaeus Tripe, as well as many talented but unrecognized artists. The majority of the works featured have never before been exhibited or published in the U.S. and are unfamiliar to scholars and the public alike.
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One of the preeminent collections of Abstract Expressionism, The Muriel Kallis Steinberg Newman Collection was given to The Metropolitan Museum of Art in 2006, contributing significantly to the Museum's holdings in modern art. To celebrate the gift, Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art — on view from September 18, 2007, to March 2, 2008 —presents 55 works assembled by one of the most prescient and astute collectors of the mid-20th century.