Quantcast
Parent Page/Current Page

Exhibitions

Featured Press Releases

Lygia Pape: A Multitude of Forms

March 21–July 23, 2017

Current search results within: 2008-2003

  • Echoing Images: Couples in African Sculpture

    Couples in African art and how that theme has been expressed in 30 cultures across the continent are explored in an exhibition at The Metropolitan Museum of Art, beginning February 10, 2004. Featuring some 60 works in wood, bronze, terracotta, and beadwork that were created between the 12th and the 20th centuries, Echoing Images: Couples in African Sculpture will provide for the first time a dynamic range of artistic commentaries on human duality. The works on exhibition draw primarily from important public and private collections in the New York area, including the American Museum of Natural History, the Brooklyn Museum of Art, and the High Museum in Atlanta.

  • Poets, Lovers and Heroes in Italian Mythological Prints

    Printmaking revolutionized artistic production in the 15th century by allowing artists to create numerous impressions from a single matrix and distribute their work to a wider audience then ever before. Italian artists from Mantegna to Canova embraced the medium, focusing their efforts largely on depictions of scenes from Greek and Roman mythology. A new exhibition exploring the Italian passion for mythological prints that started in the Renaissance and lasted into the early decades of the 19th century opens on February 3, 2004, at The Metropolitan Museum of Art. Drawn from the Metropolitan Museum's collections, Poets, Lovers, and Heroes in Italian Mythological Prints showcases more than 100 woodcuts, engravings, and etchings, as well as illustrated books, by such artists as Jacopo de' Barbari, Marcantonio Raimondi, Ugo da Carpi, Agostino and Annibale Carracci, Salvator Rosa, and Giovanni Benedetto Castiglione, among others.

  • Dazzling Byzantine Treasures Displayed in Major International Exhibition at Metropolitan Museum, Opening March 2004

    As the triumphant Byzantine general Michael VIII Palaiologos entered Constantinople on August 15, 1261, carrying aloft the famed icon of the Virgin Hodegetria, the city's eternal protector, he initiated an artistic and intellectual flowering in Byzantium, and among its East Christian rivals, that would endure for nearly 300 years. The restoration of the "Empire of the Romans" – the basilea ton Rhomaion – just 57 years after the fall of Constantinople to the knights of the Fourth Crusade in 1204, encouraged faith-inspired art of astonishing beauty and widespread influence.

  • "People of the Twentieth Century": August Sander's Photographic Portrait of Germany

    Approximately 150 images by the pioneering German photographer August Sander (1876-1964) will be on view at The Metropolitan Museum of Art beginning May 25, 2004. The photographs are drawn from the artist's most famous project, People of the Twentieth Century (Menschen des 20 Jahrhunderts), which was envisioned as a comprehensive visual record of the German populace.

  • Ruhlmann: Genius of Art Deco/Art Deco Paris

    The highest achievements of French Art Deco, the style that epitomizes the glamour and sophistication of 1920s Paris, will be explored in two related exhibitions, concurrently on view at the The Metropolitan Museum of Art from June 8 through September 5, 2004.

  • Playing with Fire: European Terracotta Models, 1740-1840

    Playing with Fire: European Terracotta Models, 1740-1840, the first major museum exhibition devoted to Neoclassical terracotta sculptures, will open at The Metropolitan Museum of Art on January 28, 2004. Unprecedented in scale and range, the exhibition unites approximately 135 works from collections throughout Europe and the U.S. Ranging from quick preliminary sketches to completely finished models, the sculptures demonstrate the dash and erudition of modelers across Europe during the Neoclassical age. The international character of the exhibition reflects the broad scope of this rich tradition and includes works by such great modelers as Antonio Canova, Augustin Pajou, Johann Heinrich Dannecker, Philippe-Laurent Roland, and Johan Tobias Sergel. The exhibition also examines the work of sculptors little-known outside their home countries, such as the Russian Mikhail Ivanovich Kozlovsky and the Swiss Valentin Sonnenschein, as well as several anonymous modelers.

  • SCHEDULE OF EXHIBITIONS JANUARY - APRIL 2004

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
    CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Chuck Close Prints: Process and Collaboration

    The first comprehensive survey of American artist Chuck Close's (b. 1940) groundbreaking innovations in the field of printmaking will be on view at The Metropolitan Museum of Art from January 13 through April 18, 2004. Chuck Close Prints: Process and Collaboration will feature approximately 100 prints, working proofs, and objects. Together they will document the creative and often highly experimental ways in which Close has re-interpreted the signature subject of his paintings and photographs – monumentally scaled images of the human head – into the artistic language of various print mediums.

  • Chocolate, Coffee, Tea

    The introduction of chocolate, coffee, and tea into 17th-century Europe resulted from the sustained contacts of seagoing nations — primarily Portugal, Spain, England, and Holland — and direct trade with formerly inaccessible parts of the world, such as Mexico, Arabia, and China. A large variety of furniture and utensils was developed to serve the new drinks, first for the great households and quickly thereafter for the popular market. A new exhibition, Chocolate, Coffee, Tea, will show the amazing response in Europe by the luxury trades — silver, porcelain, glass, and pottery — in providing a new range of utensils for these new beverages. Drawn from the collections of The Metropolitan Museum of Art, the exhibition will be on view from February 3 through July 11, 2004.

  • Christo and Jeanne-Claude: The Gates, Central Park, New York

    The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Fifty preparatory drawings and collages by Christo, 40 photographs, and 10 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 12-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

  • Bravehearts: Men in Skirts

    Throughout the history of Western dress, women have borrowed elements of men's clothing. And yet the reverse has rarely been the case. Nowhere is this asymmetry more apparent than in the taboo surrounding men in skirts. Bravehearts: Men in Skirts, an exhibition opening at The Metropolitan Museum of Art on November 4, looks at designers and individuals who have appropriated the skirt as a means of injecting novelty into male fashion, as a means of transgressing moral and social codes, and as a means of redefining ideal masculinities. In an unprecedented survey of "men in skirts" in historical and cross-cultural contexts, the exhibition will feature more than 100 items drawn from The Costume Institute's permanent collection, augmented by loans from cultural institutions and fashion houses in Europe and America.

  • Jackson Pollock Drawings, On View at Metropolitan Museum, Reveal El Greco's Influence on Modern Artist

    The Metropolitan Museum of Art will present five drawings by American Abstract Expressionist Jackson Pollock (1912-1956) in connection with its landmark exhibition of works by the great 16th-century painter Domenikos Theotokopoulos (1541-1614) -known to posterity as El Greco. The drawings will be on view in the Museum's Robert Wood Johnson, Jr. Gallery for the duration of the El Greco exhibition, from October 7, 2003 through January 11, 2004.

  • Hudson River School Visions: The Landscapes of Sanford R. Gifford

    The noted American painter Sanford Robinson Gifford (1823-1880) – a master of the atmospheric landscape, who was the subject of the very first monographic exhibition in the Metropolitan's history 123 years ago – will be the subject of a major new retrospective at The Metropolitan Museum of Art this fall. This showing of Gifford's work will be the first in more than 30 years and only the second since his Memorial Exhibition at the Museum in 1880. Opening on October 7, Hudson River School Visions: The Landscapes of Sanford R. Gifford will feature some 70 paintings reflecting the artist's travels in America, Europe, and the Middle East.

  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University

    Two hundred nineteen works by leading 19th-century American, British, and French artists from the legendary collection formed by Grenville L. Winthop (1864-1943) will go on display at The Metropolitan Museum of Art on October 23, 2003. The exhibition, which marks the first time the collection has traveled since its bequest to Harvard in 1943, features paintings, drawings, and sculptures by more than 50 artists, including William Blake, Edward Burne-Jones, Jacques-Louis David, Eugène Delacroix, Théodore Géricault, Winslow Homer, Jean-Auguste-Dominique Ingres, Gustave Moreau, Camille Pissarro, Auguste Renoir, Auguste Rodin, Dante Gabriel Rossetti, John Singer Sargent, and James Abbott McNeill Whistler. A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University will remain on view at the Metropolitan through January 25, 2004.

  • SCHEDULE OF EXHIBITIONS SEPTEMBER–DECEMBER 2003

    New Exhibitions
    Upcoming Exhibitions
    Continuing Exhibitions
    New and Recently Opened Installations

  • Central Park: A Sesquicentennial Celebration

    This summer, in celebration of the 150th anniversary of the legislation (July 21, 1853) that designated as "a public place" the lands that were to become New York's Central Park, The Metropolitan Museum of Art will present an exhibition about the design and construction of the park. The Metropolitan Museum has been located in Central Park since 1880.

  • SCHEDULE OF EXHIBITIONS MAY-AUGUST 2003

  • El Greco

    The first major retrospective in more than 20 years devoted to the great 16th-century painter Domenikos Theotokopoulos (1541-1614) – known to posterity as El Greco – will open at The Metropolitan Museum of Art on October 7, 2003. One of the most original artists of his age, El Greco was celebrated for his highly expressive and visionary religious paintings. The international loan exhibition's approximately 80 works include an unsurpassed selection of his psychologically compelling portraits, as well as his rare incursions into landscape, genre, mythology, and sculpture. Particular emphasis will be placed on his late works, in which mystical content, expressive distortions, and monumental scale are taken to ever greater extremes, culminating in the Adoration of Shepherds, the spectacular nine-foot-tall painting created to decorate his own tomb.

  • First Survey of French Daguerreotypes—Many Among the Earliest Photographs Ever Taken—Opens at Metropolitan Museum on September 23

    Some 175 of the best surviving examples of a medium that changed the history of art and visual representation forever will be on view at The Metropolitan Museum of Art from September 23, 2003, through January 4, 2004. The Dawn of Photography: French Daguerreotypes, 1839-1855 is the first survey of key monuments from photography's first moments, when its pioneers used the invention for artistic, scientific, ethnographic, documentary, and other purposes. The exhibition will employ state-of-the-art display and lighting techniques to reveal the incomparable detail and sculptural quality that distinguishes this process and which led one of its earliest champions, Jules Janin, to describe the daguerreotype as "divine magic."

  • The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art

    Some 200 American Indian objects assembled over almost half a century by the renowned Santa Fe authority and collector Ralph T. Coe will go on view at The Metropolitan Museum of Art, beginning September 9. Featuring objects dating from 3000 B.C. to the present, The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art will display a wide-ranging selection of works representative of most of the diverse Native American regions and periods. Objects on view will range from authoritative masks and headdress frontlets of painted wood made by peoples of the Pacific Northwest, to splendidly ornamented deerskin shirts and smoking pipes of the high Plains, to delicate and carefully wrought works of the Northeast region made with a clear understanding of European taste and acquisitiveness.

  • Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China

    An exhibition focusing on the 17th-century landscape painting of China's Nanjing School will go on view at The Metropolitan Museum of Art, beginning September 13. Comprising nearly 60 works, Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China will highlight works created by "leftover subjects" of the Ming dynasty, who lived in and around Nanjing during the early years of the Manchu Qing dynasty (1644-1911). For these loyalist artists, images of landscape – often inspired by Yellow Mountain – symbolized survival, resistance, and reclusion in response to alien rule. Including works from the Museum's permanent holdings as well as loans from East Coast collections, the exhibition will be the most comprehensive presentation of such landscapes ever mounted in the United States.

  • Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance

    The first-ever public presentation of 101 works from the impressive group of Italian illuminated manuscripts assembled by Robert Lehman (1891-1969), one of the foremost American collectors of his day, opens at The Metropolitan Museum of Art on September 30, 2003. Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance, on view through February 1, 2004, features some of the finest examples of the illuminator's art—many of them previously unknown even to scholars—produced in Italy from the 13th through the 16th century. Among the many important new discoveries presented in the exhibition is the only known illumination by the great Sienese master Duccio di Buoninsegna.

  • Philip Guston

    The American painter Philip Guston (American, b. Canada, 1913-1980) will be the subject of a major retrospective at The Metropolitan Museum of Art from October 27, 2003, through January 4, 2004. The exhibition will include more than 75 paintings and drawings dating from 1930, when he was 17, to 1980, the year of his death. Beginning with his childhood fascination with popular American comic strips, through mural painting laden with political imagery, to easel painting and a burgeoning interest in, advancement of, and ultimate disenchantment with abstraction and Abstract Expressionism, through his invention of a highly controversial figurative mode of painting and drawing that influenced younger artists, Guston courageously changed styles according to his beliefs and in response to social and political issues of the day.

  • Urban Art by Christo and Jeanne-Claude The Gates Project for Central Park, 1979-2005 Previews at Metropolitan Museum in April 2004

    The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Some 45 preparatory drawings and collages by Christo, 40 photographs, and 10 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 10- to 15-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

  • Genesis: Ideas of Origin in African Sculpture

    More than 75 exceptional examples of sculpture from some of the finest public and private collections of African art in the United States will be shown at The Metropolitan Museum of Art in Genesis: Ideas of Origin in African Sculpture, opening to the public on November 19. The works relate to traditions that interweave elements of myth, history, religion, and contemporary experience to address universal questions: How did the world begin? What is our ancestry? What is the source of agriculture, kingship, and other societal institutions? The exhibition represents the first time that 17 distinct sculptural traditions that take their inspiration from myths of origin will be considered together. Examined in particular depth will be that of the Bamana (Bambara) people of Mali. Forty stunning ci wara (Chi Wara) antelope headdresses – a classical sculptural form from the Bamana – will constitute the largest assemblage of such works and will allow viewers an appreciation of this tradition in its fullest expression. These works will be introduced by 35 rarely seen masterpieces from 16 distinct cultural traditions from sub-Saharan Africa.

  • Manet/Velázquez: The French Taste for Spanish Painting to Open at Metropolitan Museum March 4

    The first major exhibition ever to examine the impact of 17th-century Spanish painting on 19th-century French artists will feature nearly 240 paintings and works on paper spanning several centuries of European art at the most astounding levels of achievement. On view will be some 130 paintings by Velázquez, Murillo, Ribera, El Greco, Zurbarán, and other masters of Spain's Golden Age as well as masterpieces by the 19th-century French artists they influenced, among them Delacroix, Courbet, Millet, Degas, and, most notably, Manet. On view at The Metropolitan Museum of Art from March 4 through June 8, 2003, Manet/Velázquez: The French Taste for Spanish Painting will also include works by American artists such as Sargent, Chase, Eakins, Whistler, and Cassatt, who studied in France but learned to paint like Spaniards.

  • African-American Artists, 1929-1945: Prints, Drawings, and Paintings in The Metropolitan Museum of Art

    More than 70 works—drawn extensively from 204 prints donated to the Museum by Reba and Dave Williams in 1999—will be on view at The Metropolitan Museum of Art from January 15 through May 4, 2003.

  • Celebrating Saint Petersburg

    The 300th anniversary of the founding of Saint Petersburg will be celebrated at The Metropolitan Museum of Art with a display of the Museum's important holdings of sculpture and decorative works of art, either made in the imperial Russian capital or formerly included in Saint Petersburg collections.

  • First Major Retrospective of Dutch Master Hendrick Goltzius To Open at Metropolitan Museum June 26

    The first major retrospective devoted to the virtuoso Netherlandish mannerist Hendrick Goltzius – one of the most versatile and accomplished figures in the history of art – will open at The Metropolitan Museum of Art on June 26, 2003. Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings, an international loan exhibition of more than 160 works, spans the artist's entire career and demonstrates his legendary mastery of a remarkably wide range of media, subject matter, and styles – from extravagantly complex mythological scenes in prints, to sensitively observed studies from nature, to sumptuously colored oil paintings on canvas and copper. The exhibition remains on view at the Metropolitan through September 7, 2003.

  • Charles Sheeler's Contemporaries

    Some 40 vintage photographs from the collections of The Metropolitan Museum of Art and the Gilman Paper Company will be on view at The Metropolitan Museum of Art from June 3 through August 17, 2003, complementing The Photography of Charles Sheeler. Ranging from Frederick H. Evans's rich platinum prints of the interior of William Morris's home (1896), to Ralph Steiner's Power Lines and Insulators (1929), Charles Sheeler's Contemporaries will feature works by early 20th-century photographers who drew inspiration from the American city, the machine, and the radical innovations of European modernists.

  • Goddess to be Theme of Costume Institute's Spring 2003 Exhibition and Gala at Metropolitan Museum

    From the clothing of ancient Greece to such modern evocations as Madame Grès's emblematic creations and Versace's Neoclassical loincloths, classical dress has profoundly inspired and influenced art and fashion through the millennia. Goddess – a major exhibition opening in The Metropolitan Museum of Art's Costume Institute on May 1, 2003 – will present clothing, prints, photographs, and decorative works of art from the 18th century onward, to reveal the many ways in which classical dress has become a truly timeless style.

  • Civilizations of Ancient Iraq, Syria, Turkey, and Pakistan Featured in Landmark Metropolitan Museum Show

    The remarkable flowering of the world's earliest civilizations some 5,000 years ago in Mesopotamia—present-day Iraq—will be the focus of a landmark exhibition opening at The Metropolitan Museum of Art on May 8. The culmination of years of planning and research, Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus will survey the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history. Some 50 museums from more than a dozen countries in Europe, Asia, and the Middle East will participate in this ambitious exhibition, lending national treasures that have rarely, if ever, been sent outside the walls of their art institutions.

  • The Photography of Charles Sheeler

    Nearly 100 works, including 90 photographs, by Charles Sheeler (1883-1965), one of the most important American artists of the first half of the 20th century and a pioneer of American modernism, will be on view at The Metropolitan Museum of Art from June 3 through August 17, 2003. The Photography of Charles Sheeler, is the first major exhibition to concentrate on each of Sheeler's landmark photographic series made between 1915 and 1939, and will consist of rare vintage prints. The exhibition will reveal the full significance of Sheeler's photographs as the foundation from which his better-known works in other mediums were derived.

  • Pierre and Maria-Gaetana Matisse Collection of Modern Art Donated to Metropolitan Museum

    More than 100 paintings, sculptures, drawings, and original prints by some of the most prominent artists of the 20th century have been donated by the Pierre and Maria-Gaetana Matisse Foundation to The Metropolitan Museum of Art. These works – by such modern art icons as Henri Matisse, Balthus, Chagall, Derain, Dubuffet, Giacometti, Miró, and Tanguy, as well as several pivotal but lesser-known artists – were collected by the New York art dealer Pierre Matisse (1900-1989).

  • Great Waves: Chinese Themes in the Arts of Korea and Japan

    An exhibition examining the successive waves of artistic influence that flowed from China eastward to the Korean peninsula and the Japanese archipelago over the past 1,000 years will take place at The Metropolitan Museum of Art, beginning in March 2003. Great Waves: Chinese Themes in the Arts of Korea and Japan, drawn from the Museum's unparalleled collection of East Asian painting, will explore how Chinese pictorial themes – Buddhist iconography, landscape imagery, flower and bird subjects, and figural narratives – were adopted selectively and reinterpreted by native artists in Korea and Japan. Organized thematically, the exhibition will focus on landscapes and images from nature in the Douglas Dillon Galleries for Chinese Painting and Calligraphy (opening March 1), and on the figural arts, including religious and narrative themes, in The Sackler Wing Galleries for the Arts of Japan (opening March 15). Works from China, Japan, and Korea will be shown in both gallery areas.

  • SCHEDULE OF EXHIBITIONS JANUARY-APRIL 2003

    New Exhibitions
    Upcoming Exhibitions
    Continuing Exhibitions
    New and Recently Opened Installations

Results per page