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Metropolitan Museum Establishes International Office in Geneva
Tuesday, March 21, 2006, 5:00 a.m.
(New York, March 22, 2006)—The Metropolitan Museum of Art announced today the establishment of its first full-time representative office overseas, located in Geneva, Switzerland. The Metropolitan further announced that Mahrukh Tarapor, who has served for 11 years as the Museum's Associate Director for Exhibitions, has been named to the additional post of Director for International Affairs, Geneva Office.
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Survey Shows Van Gogh Drawings Exhibition at Metropolitan Museum Generated $251 Million Economic Impact for New York
Monday, March 20, 2006, 5:00 a.m.
(New York, March 21, 2006)—The acclaimed and widely attended fall/winter special exhibition Vincent van Gogh: The Drawings generated $251 million in spending by regional, national, and foreign tourists to New York, according to a Metropolitan Museum of Art visitor survey released today. Using the standard ratio for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from visitors who declared that seeing the exhibition was a deciding factor in their decision to visit New York totaled some $25 million.
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Kara Walker Exhibition at Metropolitan – Inspired by Hurricane Katrina - Explores Theme of "After the Deluge" through Works by Artists through the Ages
Sunday, March 19, 2006, 5:00 a.m.
In the wake of Hurricane Katrina, contemporary American artist Kara Walker (b. 1969) – widely recognized for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes – has selected a variety of objects from the Museum's collection and from her own work in order to explore, in her words, "the banality of everyday life, water, and its impact." The exhibition, entitled Kara Walker at the Met: After the Deluge, will be on view from March 21 through July 30.
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Sight Unseen: Photographs from the Gilman Collection
Tuesday, March 7, 2006, 5:00 a.m.
The Metropolitan Museum of Art is now presenting Sight Unseen: Photographs from the Gilman Collection as part of its continuing series of installations of works from its recent landmark acquisition of 8,500 photographs spanning the first hundred years of the medium. The photographs in the exhibition have never been shown publicly at the Metropolitan and will remain on view through May 21, 2006.
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Metropolitan Museum Formally Unveils Glittering, Restored Fifth Avenue Façade
Sunday, March 5, 2006, 5:00 a.m.
(NEW YORK, March 6, 2006)—The Metropolitan Museum of Art today officially unveiled and dedicated its newly renovated and freshly cleaned landmark Indiana limestone façade – the historic, century-old "face of the Museum" that fronts Fifth Avenue from 80th to 84th streets. Its restoration – marking the first comprehensive cleaning in its history – comes more 100 years after the iconic central façade was completed in 1902.
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大都会艺术博物馆接受唐骝千先生捐赠
十世纪中国绘画钜迹《溪岸图》
Thursday, March 2, 2006, 5:30 p.m.
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STATEMENT BY THE METROPOLITAN MUSEUM OF ART ON ITS AGREEMENT WITH ITALIAN MINISTRY OF CULTURE
Monday, February 20, 2006, 5:00 a.m.
(NEW YORK, FEBRUARY 21, 2006)—The Metropolitan Museum of Art today signed an agreement in Rome that formalizes the transfer of title to six antiquities—including a group of 16 Hellenistic silver pieces—to Italy.
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A Taste for Opulence: Sèvres Porcelain from the Collection
Thursday, February 16, 2006, 5:00 a.m.
A Taste for Opulence: Sèvres Porcelain from the Collection presents a selection of objects such as vases, dinner and tea services, furniture decorated with porcelain plaques, and other luxurious wares produced in the 18th century by the Sèvres porcelain factory. Established in the Château of Vincennes just outside Paris in 1740, the factory quickly became the preeminent producer of porcelain in Europe. Supported in its early years by the patronage of Louis XV, the factory was named the manufacture du roi in 1753 and was purchased by the king in 1759. Catering in large part to the tastes of the court, the factory strove for constant innovation and originality throughout the 18th century, frequently employing the leading artists and designers of the day to provide models and inspiration for the factory's artisans. A Taste for Opulence, which focuses on the diversity of the factory's production, will include approximately 90 objects drawn entirely from the Museum's superb holdings of Sèvres porcelain and from its unparalleled collection of 18th-century French furniture decorated with Sèvres plaques. The exhibition will be on view from February 21 through August 13, 2006.
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Works by French Romantic Painter Displayed in Girodet: Romantic Rebel at Metropolitan Museum
Thursday, February 16, 2006, 5:00 a.m.
Girodet: Romantic Rebel is the first retrospective in the United States devoted to this celebrated French artist, Anne-Louis Girodet-Trioson, a favored but rebellious student of Jacques-Louis David. Girodet's idiosyncratic style fuses David's Neoclassical ideal with his own prescient Romantic vision. The exhibition brings together approximately 110 paintings and works on paper that reflect the artist's originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleon's military triumphs.Girodet will be on view at The Metropolitan Museum of Art from May 24 through August 27, 2006.
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Los jardines en el Met Cloisters
Friday, February 3, 2006, 8:38 p.m.
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El Met Cloisters: Reseña
Friday, February 3, 2006, 8:25 p.m.
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The Fabric of Life: Ikat Textiles of Indonesia
Thursday, February 2, 2006, 5:00 a.m.
The first exhibition to examine ikat textile traditions across the breadth of Indonesia will open at The Metropolitan Museum of Art on February 28, 2006. Featuring more than 25 outstanding ikat textiles, most never before exhibited, The Fabric of Life: Ikat Textiles of Indonesia explores the imagery, forms, and roles of what is perhaps the single most important, widespread, and technically sophisticated of all Indonesian textile traditions. They are drawn primarily from the Metropolitan's extensive collection of Indonesian textiles.
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The Art of Betty Woodman
Thursday, February 2, 2006, 5:00 a.m.
The Metropolitan Museum of Art will present the first U.S. retrospective of the work of noted artist Betty Woodman (American, b. 1930) from April 25 through July 30, 2006. The Art of Betty Woodman will span the artist's career, from her early works of the 1950s and 1960s through her most recent mixed-media pieces of 2005-2006, and will assess her contributions to contemporary ceramic art and her importance among post-World War II artists.
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Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet
Thursday, February 2, 2006, 5:00 a.m.
Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet is the first comprehensive study of armor, weapons, and equestrian equipment from Tibet, a subject that has remained virtually unexplored until now. Many rare or previously unknown objects will be exhibited and published for the first time. Presenting more than 130 works, the exhibition will examine various types of unique arms and armor used in Tibet, the world's highest plateau, between the 13th and the 20th century. The objects are drawn mostly from the permanent collection of The Metropolitan Museum of Art and include many key loans from the Royal Armouries Museum, Victoria and Albert Museum, Royal Museum of Scotland, the National Museums Liverpool, Pitt Rivers Museum, British Museum, University of Aberdeen, Smithsonian Institution, Yale University, and Newark Museum. The accompanying catalogue will include the first Tibetan-English arms and armor glossary of terms and a selection of excerpts from some of the few surviving Tibetan texts relating to the subject.
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Barcelona and Modernity: Gaudí to Dalí
Wednesday, February 1, 2006, 5:00 a.m.
Barcelona and Modernity: Gaudí to Dalí — the first comprehensive exhibition of its type ever mounted in America — explores the diverse and innovative work of Barcelona's artists, architects, and designers in the years between the Barcelona Universal Exposition of 1888 and the imposition of the Fascist regime of Francisco Franco in 1939. Barcelona and Modernity offers new insights into the art movements that advanced the city's quest for modernity and confirmed it as the primary center of radical intellectual, political, and cultural activities in Spain. Pablo Picasso, Joan Miró, Salvador Dalí, and Antoni Gaudí are among the internationally renowned artists who contributed to the creative vitality of Barcelona and the flourishing of Catalan culture. On view at the Metropolitan Museum from March 7 through June 3, 2007, the exhibition will feature some 300 remarkable works in a range of media: painting, sculpture, drawings, prints, posters, decorative objects, furniture, architectural models, and design. La Vie and Blindman's Meal, two of the greatest paintings from Picasso's Blue Period; portraits by Ramon Casas; Isidre Nonell's depictions of gypsies; Miró's The Farm; Dalí's surrealist paintings, as well as furniture designed by Gaudí and an original BKF ("butterfly") chair are among the masterworks gathered from museums and private collections around the world for this major exhibition.
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Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-98
Thursday, January 12, 2006, 5:00 a.m.
In India in the late 16th century, the Mughal emperor Akbar – a great patron of the arts – amassed an extensive library of some 20,000 beautifully illustrated and illuminated manuscripts. One of them, a lavishly ornamented copy of the Khamsa (Quintet of Tales) by Amir Khusrau Dihlavi (1253-1325), will be on view at the Metropolitan Museum beginning October 14, 2005, in the exhibition Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-98.
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Hatshepsut: From Queen to Pharaoh
Thursday, January 12, 2006, 5:00 a.m.
Hatshepsut, often considered the first important female head of state known to history, ruled Egypt for two decades (ca. 1479-1458 B.C.) during Egypt's 18th Dynasty. Although less familiar to modern audiences than her much later successor, the notorious Cleopatra (51-30 B.C.), Hatshepsut's achievements were comparable to those of England's Elizabeth I. Ruling first as regent for, then as co-ruler with her nephew Thutmose III (who ruled for another 33 years after her death), Hatshepsut enjoyed a relatively peaceful reign, at the beginning of the New Kingdom. She stabilized the country and restored monuments destroyed during the disruptive Second Intermediate Period, when northern Egypt was controlled by a dynasty of Asian princes and southern Egypt by a dynasty of Egyptians based in Thebes. She renewed trade with western Asia to the east, the far-off land of Punt to the south, and the Aegean Islands in the north. The resulting economic prosperity was reflected in the art of the time, which is characterized by remarkable innovations in sculpture and decorative arts and produced such architectural marvels as Hatshepsut's mortuary temple at Deir el-Bahri.
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SCHEDULE OF EXHIBITIONS JANUARY - APRIL 2006
Thursday, January 12, 2006, 5:00 a.m.
EDITORS PLEASE NOTE: Information provided below is subject to change.
To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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The Art of Medicine in Ancient Egypt
Thursday, January 12, 2006, 5:00 a.m.
A long-neglected area of Egyptian art – works associated with protection and healing – will be explored in the exhibition The Art of Medicine in Ancient Egypt, opening at The Metropolitan Museum of Art in fall 2005. By focusing on this fundamen-tal, yet little-known aspect of Egyptian art, the exhibition will provide a new perspective on some 65 of the most beautiful and intriguing works from the Museum's renowned collection. The centerpiece will be the Edwin Smith Surgical Papyrus – the sole bor-rowed work in the exhibition – which is on loan from the New York Academy of Medicine. This manuscript, dating from the Second Intermediate Period (ca. 1650-1550 B.C.), is one of only two complete medical texts from ancient Egypt. Rarely seen even by Egyptologists, the manuscript's presentation at the Metropolitan represents its first public display in more than half a century.
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METROPOLITAN MUSEUM ANNOUNCES SPRING 2006 SEASON OF PROGRAMS FOR CHILDREN AND FAMILIES
Thursday, January 12, 2006, 5:00 a.m.
(New York, December 29, 2005) – The Metropolitan Museum of Art today announced its schedule of weekday and weekend activities for children up to age 12 and their adult companions, including a weekly program for Spanish-speaking families, for the period February 1-May 30, 2006 – along with a calendar of special family programs during the mid-winter school recess and on selected weekends and "Holiday Mondays." These drop-in programs are free with Museum admission, and all materials are provided.