The Metropolitan Museum of Art - Leonardo da Vinci: Master Draftsman

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Leonardo da Vinci: Master Draftsman

Bambach, Carmen C., ed., with contributions by Carmen C. Bambach, Alessandro Cecchi, Claire Farago, Varena Forcione, Martin Kemp, Anne-Marie Logan, Pietro C. Marani, Carlo Pedretti, Carlo Vecce, Françoise Viatte, and Linda Wolk-Simon, and with the assistance of Rachel Stern and Alison Manges (2003)

This title is in print.

Description

Leonardo da Vinci (Italian, 1452–1519) stands as a supreme icon in Western consciousness—the very embodiment of the universal Renaissance genius. With much of his work lost or unfinished, the key to his legacy can be found in the enormous body of his extant drawings and manuscript notes. This publication offers a unified and fascinating portrait of Leonardo as a draftsman, integrating his diverse roles as an artist, scientist, inventor, theorist, and teacher. Essays written by the world's leading Leonardo scholars investigate the significant implications of Leonardo's left-handedness both for the connoisseurship of his drawings and for a reconstruction of his artistic personality; the relationship between word and image in Leonardo's drawings and manuscripts; problems of attribution and authenticity in the critical evaluation of Leonardo's graphic oeuvre; Leonardo's early drapery studies; the role of the artist's father; and the special role of drawn frames or boundaries in Leonardo's design process. Detailed descriptions of 138 individual works survey the wide variety of drawing types that Leonardo used, and also include a small group of works by artists critical to his artistic development in Florence and to his multifaceted activity in Milan. A chronological framework is also provided to shed light on his extraordinary life and career.

Table of contents

Sponsor's Statement
Director's Foreword
Acknowledgments
Lenders to the Exhibition
Contributors to the Exhibition
Contributors to the Catalogue
Note to the Reader

Introduction to Leonardo and his Drawings
Carmen C. Bambach

Leonardo, Left-Handed Draftsman and Writer
Carmen C. Bambach

Word and Image in Leonardo's Writings
Carlo Vecce

The Critical Fortune of Leonardo's Drawings
Carlo Pedretti

The Early Drapery Studies
Françoise Viatte

New Light on Leonardo's Florentine Patrons
Alessandro Cecchi

Drawing the Boundaries
Martin Kemp

Leonardo's Drawings in Milan and their Influence on the Graphic Work of Milanese Artists
Pietro C. Marani

The Codex Leicester
Claire Farago

Leonardo's Grotesques: Originals and Copies
Varena Forcione

Documented Chronology of Leonardo's Life and Work
Carmen C. Bambach

Entries
Bibliography
Index
Photograph Credits

About the authors

Carmen C. Bambach is Curator, Department of Drawings and Prints, The Metropolitan Museum of Art.

Alessandro Cecchi is Direttore del Dipartimento della Pittura dal Medioevo al Primo Rinascimento, Galleria degli Uffizi.

Professor Claire Farago, Department of Fine Arts, University of Colorado at Boulder.

Varena Forcione is Conservateur du Département des Arts Graphiques, Musée du Louvre.

Martin Kemp is Professor of Department of the History of Art, Oxford University, and Director, Wallace Kemp/Artakt.

Anne-Marie Logan is Guest Research Curator, Department of Drawings and Prints, The Metropolitan Museum of Art.

Alison Manges is Exhibition Assistant, Department of Drawings and Print, The Metropolitan Museum of Art.

Pietro C. Marani is Professor, Dipartimento di Storia e Conservazione dell'Architettura, Politecnico di Milano.

Carlo Pedretti is Professor, Department of the History of Art, University of California at Los Angeles.

Carlo Vecce is Professor, Dipartimento di Ricerca Linguistica, Letteraria e Filologica, Università di Macerata.

Françoise Viatte is Conservateur Général Chargé du Département des Arts Graphiques, Musée du Louvre.

Linda Wolk-Simon is Associate Curator, Robert Lehman Collection, The Metropolitan Museum of Art.

Press reviews

Choice Reviews Online

"... lavishly illustrated ... Though aimed particularly at scholars, it is clearly essential for public as well as academic libraries, a massive compilation on the one artist everybody is eager to admire, complete with index. ... the present volume is not only a delight but also a good value."

Publishers Weekly

"This is a beautiful compendium and a rich storehouse of Leonardo scholarship for both the newcomer and the art historian."

The New York Review of Books

"... a valuable document for everyone who has seen the show and cannot hope to see these drawings gathered together again anytime soon."

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Leonardo da Vinci (Italian, 1452–1519) | Melzi, Francesco

Keywords

European Art in the Renaissance

Print Titles

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Wehle, Harry B. "The Bache Collection on Loan." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 10 (June, 1943). New York: The Metropolitan Museum of Art, 1943.

Wehle, Harry B. "The Chess Players by Francesco De Giorgio." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 6 (February, 1947). New York: The Metropolitan Museum of Art, 1947.

Wehle, Harry B. "The Journey of the Magi." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 4 (December, 1944). New York: The Metropolitan Museum of Art, 1944.

Wehle, Harry B. "The Presentation in the Temple by Giovanni Di Paolo." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 8 (April, 1945). New York: The Metropolitan Museum of Art, 1945.

Weinhardt, Carl J. "Recent Accessions: Prints." Metropolitan Museum of Art Bulletin, New ser., v. 17, no. 8 (April, 1959). New York: The Metropolitan Museum of Art, 1959.

Williams, Alan R. "On the Manufacture of Armor in Fifteenth-Century Italy, Illustrated by Six Helmets in The Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 13 (1978). New York: The Metropolitan Museum of Art, 1978.

Williams, Alan R. "The Steel of the Negroli." Metropolitan Museum Journal, Vol. 34 (1999). New York: The Metropolitan Museum of Art, 1999.

Wilmering, Antoine M. The Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo. New York: The Metropolitan Museum of Art, 1999.

Winternitz, Emanuel. "A Spinettina for the Duchess of Urbino." Metropolitan Museum Journal, Vol. 1 (1968). New York: The Metropolitan Museum of Art, 1968.

Winternitz, Emanuel. "Quattrocento Science in the Gubbio Study." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 2 (October, 1942). New York: The Metropolitan Museum of Art, 1942.

Winternitz, Emanuel. "Strange Musical Instruments in the Madrid Notebooks of Leonardo da Vinci." Metropolitan Museum Journal, Vol. 2 (1969). New York: The Metropolitan Museum of Art, 1969.

Winternitz, Emanuel. "The Evolution of the Baroque Orchestra." Metropolitan Museum of Art Bulletin, New ser., v. 12, no. 9 (May, 1954). New York: The Metropolitan Museum of Art, 1954.

Wolk-Simon, Linda. "Raphael at the Metropolitan: The Colonna Altarpiece." Metropolitan Museum of Art Bulletin, v. 63, no. 4 (Spring, 2006). New York: The Metropolitan Museum of Art, 2006.

Young, Bonnie. "Scenes in an Ivory Garden." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 10 (June, 1956). New York: The Metropolitan Museum of Art, 1956.

Young, Bonnie. "The Monkeys & the Peddler." Metropolitan Museum of Art Bulletin, v. 26, no. 10 (June, 1968). New York: The Metropolitan Museum of Art, 1968.

Zeri, Federico, with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 1, Florentine School. New York: The Metropolitan Museum of Art, 1971.

Zeri, Federico, with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 3, Sienese and Central Italian Schools. New York: The Metropolitan Museum of Art, 1986.

Zeri, Federico, with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 4, North Italian School. New York: The Metropolitan Museum of Art, 1986.

Zrebiec, Alice M. "With Bells on His Toes." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

Zucker, Mark. "Fine Manner vs. Broad Manner in Two Fifteenth-Century Florentine Engravings." Metropolitan Museum Journal, Vol. 25 (1990). New York: The Metropolitan Museum of Art, 1990.

Online Titles

Arkenberg, Rebecca. "Music in the Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Arkenberg, Rebecca. "Renaissance Keyboards." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Arkenberg, Rebecca. "Renaissance Organs." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Arkenberg, Rebecca. "Renaissance Violins." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bambach, Carmen. "Anatomy in the Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bambach, Carmen. "Leonardo da Vinci (1452–1519)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bambach, Carmen. "Renaissance Drawings: Material and Function." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Barker, Elizabeth E. "The Printed Image in the West: Mezzotint." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bayer, Andrea. "Northern Italian Renaissance Painting." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bayer, Andrea. "Sixteenth-Century Painting in Emilia-Romagna." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bayer, Andrea. "Sixteenth-Century Painting in Lombardy." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bayer, Andrea. "Sixteenth-Century Painting in Venice and the Veneto." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bortolot, Alexander Ives. "Trade Relations among European and African Nations." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Arms and Armor in Renaissance Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Famous Makers and European Centers of Arms and Armor Production." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Fashion in European Armor, 1500–1600." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Fashion in European Armor, 1600–1700." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Fashion in European Armor." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "Techniques of Decoration on Arms and Armor." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "The Decoration of Arms and Armor." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "The Decoration of European Armor." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Breiding, Dirk H. "The Function of Armor in Medieval and Renaissance Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Campbell, Thomas P. "European Tapestry Production and Patronage, 1400–1600." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Carboni, Stefano and Trinita Kennedy. "Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Carboni, Stefano and Trinita Kennedy. "Islamic Art and Culture: the Venetian Perspective." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Carboni, Stefano and Trinita Kennedy. "Venice and the Islamic World, 828–1797." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Carboni, Stefano and Trinita Kennedy. "Venice's Principal Muslim Trading Partners: the Mamluks, the Ottomans, and the Safavids." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Chapuis, Julien. "Patronage at the Later Valois Courts (1461–1589)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Christiansen, Keith. "Annibale Carracci (1560–1609)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Christiansen, Keith. "Caravaggio (Michelangelo Merisi) (1571–1610) and his Followers." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Christiansen, Keith. "El Greco (Domenikos Theotokopoulos) (1541–1614)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Christiansen, Keith. "Sienese Painting." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "Architecture in Renaissance Italy." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "List of Rulers of Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "The Papacy and the Vatican Palace." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "The Rediscovery of Classical Antiquity." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "Titian (ca. 1488–1576)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Draper, James David. "Bronze Sculpture in the Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Draper, James David. "Donatello (ca. 1386–1466)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Finocchio, Ross. "Fra Angelico (1395/1400–1455)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Finocchio, Ross. "Mannerism: Bronzino (1503–1572) and his Contemporaries." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Goldner, George R. "Filippino Lippi (1456/47–1504)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ives, Colta. "The Printed Image in the West: Aquatint." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Jones, Susan. "Jan van Eyck (ca. 1380/90–1441)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Jones, Susan. "Manuscript Illumination in Northern Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Jones, Susan. "Painting in Oil in the Low Countries and Its Spread to Southern Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Jones, Susan. "The Ghent Altarpiece." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Koda, Harold. "The Chopine." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Koeppe, Wolfram. "Collecting for the Kunstkammer." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Kronman, Emma. "The Master of Monte Oliveto (active about 1305–35)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

McNab, Jessie. "Maiolica in the Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Meagher, Jennifer. "Commedia dell'arte ." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Meagher, Jennifer. "The Holy Roman Empire and the Habsburgs, 1400–1600 ." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Munger, Jeffrey and Alice Cooney Frelinghuysen. "East and West: Chinese Export Porcelain." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Orenstein, Nadine. "Hendrick Goltzius (1558–1617)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Palladino, Pia. "Manuscript Illumination in Italy, 1400–1600." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Plomp, Michiel C. "Dutch and Flemish Artists in Rome, 1500–1600." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Powers, Wendy. "The Development of the Recorder." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Powers, Wendy. "Violin Makers: Nicolò Amati (1596–1684) and Antonio Stradivari (ca. 1644–1737)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Sardar, Marika. "Europe and the Islamic World, 1600–1800 ." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Sorabella, Jean. "Venetian Color and Florentine Design." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "The Printed Image in the West: Drypoint." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "The Printed Image in the West: Engraving." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "The Printed Image in the West: Etching." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "The Printed Image in the West: History and Techniques." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "The Printed Image in the West: Woodcut." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "Woodcut Book Illustration in Renaissance Italy: Florence in the 1490s." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "Woodcut Book Illustration in Renaissance Italy: The First Illustrated Books." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "Woodcut Book Illustration in Renaissance Italy: Venice in the 1490s." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Thompson, Wendy. "Woodcut Book Illustration in Renaissance Italy: Venice in the Sixteenth Century." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Voorhies, James. "Domestic Art in Renaissance Italy." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Voorhies, James. "Elizabethan England." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Voorhies, James. "Europe and the Age of Exploration." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Voorhies, James. "Fontainebleau." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wardropper, Ian. "Ceramics in the French Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Albrecht Dürer (1471–1528)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Burgundian Netherlands: Court Life and Patronage." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Burgundian Netherlands: Private Life." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Northern Mannerism in the Early Sixteenth Century." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Pieter Bruegel the Elder (ca. 1525/30–1569)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "Prague during the Rule of Rudolph II (1583–1612)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Wisse, Jacob. "The Reformation." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Titles by author (34)

Alessandro Cecchi

Print Titles

Alison Manges

Print Titles

Anne-Marie S. Logan

Print Titles

Logan, Anne-Marie S. "Nicolas Trigault, SJ: A Portrait by Peter Paul Rubens." Metropolitan Museum Journal, Vol. 38 (2003). New York: The Metropolitan Museum of Art, 2003.

Logan, Anne-Marie, and Michiel C. Plomp. Peter Paul Rubens: The Drawings. New York: The Metropolitan Museum of Art, 2005.

Carlo Pedretti

Print Titles

Carlo Vecce

Print Titles

Carmen Bambach

Print Titles

Alsteens, Stijn, Carmen Bambach, George Goldner, Colta Ives, Perrin Stein, and Nathalie Strasser, eds. Raphael to Renoir: Drawings from the Collection of Jean Bonna. New York: The Metropolitan Museum of Art, 2009.

Bambach, Carmen, Janet Cox-Rearick, and George Goldner, with contributions by Philippe Costamagna, Marzia Faietti, and Elizabeth Pilliod. The Drawings of Bronzino. New York: The Metropolitan Museum of Art, 2010.

Bambach, Carmen, and Nadine M. Orenstein, with an essay by William M. Griswold. Genoa: Drawings and Prints, 1530–1800. New York: The Metropolitan Museum of Art, 1996.

Wolk-Simon, Linda, and Carmen C. Bambach, with contributions by Stijn Alsteens, George R. Goldner, Perrin Stein, and Mary Vacarro. An Italian Journey: Drawings from the Tobey Collection, Correggio to Tiepolo. New York: The Metropolitan Museum of Art, 2010.

Online Titles

Bambach, Carmen. "Anatomy in the Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bambach, Carmen. "Leonardo da Vinci (1452–1519)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Bambach, Carmen. "Renaissance Drawings: Material and Function." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Claire J. Farago

Print Titles

Françoise Viatte

Print Titles

Linda Wolk-Simon

Print Titles

Griswold, William M., and Linda Wolk-Simon. Sixteenth-Century Italian Drawings in New York Collections. New York: The Metropolitan Museum of Art, 1994.

Wolk-Simon, Linda. "Domenico Tiepolo: Drawings, Prints, and Paintings in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin, v. 54, no. 3 (Winter, 1996–97). New York: The Metropolitan Museum of Art, 1996.

Wolk-Simon, Linda. "Raphael at the Metropolitan: The Colonna Altarpiece." Metropolitan Museum of Art Bulletin, v. 63, no. 4 (Spring, 2006). New York: The Metropolitan Museum of Art, 2006.

Online Titles

Wolk-Simon, Linda. "Profane Love and Erotic Art in the Italian Renaissance." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Martin Kemp

Print Titles

Pietro C. Marani

Print Titles

Rachel Stern

Print Titles

Varena Forcione

Print Titles

Leonardo da Vinci: Master Draftsman

The first comprehensive survey of Leonardo da Vinci's drawings ever presented in America, this international loan exhibition brings together nearly 120 works of extraordinary beauty by one of the great masters of all time, surveying his staggering contribution as an artist, scientist, theorist, and teacher. Gathered from private and public collections in Europe and North America, the selection of drawings includes rarely exhibited works and illustrates a great variety of drawing types—from quickly sketched primi pensieri (first thoughts) to highly finished preparatory and presentation drawings—as well as landscape, botanical, anatomical, and military engineering drawings of monumental expression, reflecting virtually every aspect of the artist's artistic and intellectual achievement.

Of special importance are the numerous studies for some of his most famous paintings—ncluding the Virgin and Child with St. Anne, The Adoration of the Magi, The Last Supper, and the now-lost Battle of Anghiari—as well as the extraordinary loan of the Vatican Museum's St. Jerome Praying in the Wilderness, an unfinished painting that shows much of the artist's original underdrawing. Comprehensive in scope, the exhibition also features many of Leonardo's celebrated anatomical and plant studies and designs for machines. In addition, a selection of approximately twenty-five drawings by his teacher Andrea del Verrocchio and his circle, as well as by Leonardo's pupils and followers, provide a context for the great artist's legacy.