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"The Liberal Arts Studiolo from the Ducal Palace at Gubbio": The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
Raggio, Olga, and Antoine M. Wilmering (1996)
This title is out of print.
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Allegory  |  Architectural decoration  |  Architectural elements  |  Architectural originality  |  Architectural planning  |  Architecture  |  Artistic process  |  Authorship  |  Cabinets  |  Coats of arms  |  Conservation  |  Conservation methodology  |  Conservation science  |  Conservation treatments  |  Decoration  |  Dendrochronological analysis  |  Design  |  Ducal Palace of Gubbio  |  Ducal Palace of Urbino  |  Elemental analysis  |  Emblematic meaning  |  Florence  |  Gubbio intarsia  |  Gubbio intarsia  |  Gubbio Studiolo  |  Heraldry  |  Historical accuracy  |  Historical context  |  Humanism  |  Illusionism  |  Illusionistic design  |  Inscriptions  |  Installation  |  Intarsia  |  Intarsia panels  |  Interior design  |  Interiors  |  Italian artists  |  Italian Renaissance  |  Italy  |  Masonry techniques  |  Military  |  Modeling  |  Musical instruments  |  Order of the Garter  |  Papacy  |  Period rooms  |  Personal objects  |  Perspectival illusionism  |  Perspectival layout  |  Pigment analysis  |  Politics  |  Polychromy  |  Preservation  |  Reconstruction  |  Renaissance architecture  |  Renaissance palaces  |  Renaissance style  |  Restoration  |  Scholarship  |  Studies  |  Symbolic meaning  |  Symbolic objects  |  Technical studies  |  Three-dimensional intarsia  |  Urbino  |  Vatican complex  |  Wood  |  Wood carving practices  |  Wood conservation  |  Wood panel  |  Woodwork  |  X-ray diffraction  |  X-ray radiography  |  X-ray spectrometry (EDS)