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Introduction
Picturing Paris
Artists in Paris
Reading Room
At Home in Paris
Paris as Proving Ground: Part I
Paris as Proving Ground: Part II
Summers in the Country
Summers in the Country: Giverny
Back in the United States
Paris as Proving Ground: Part II
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Charles Sprague Pearce (1851–1914)

The Arab Jeweler, ca. 1882

Oil on canvas; 46 x 35 3/8 in. (116.8 x 89.9 cm)

Salon, 1882

The Metropolitan Museum of Art, New York

Gift of Edward D. Adams, 1922 (22.69)

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An example of the popular Orientalist mode, The Arab Jeweler was probably inspired by Pearce's travels to North Africa and the Near East in the 1870s. The close vantage point, solidly modeled figure, sophisticated rendering of textures, and intricate details recall works by Léon Bonnat, with whom Pearce studied from 1873 until 1876. Forced by poor health to leave Paris, Pearce settled in 1884 in Auvers-sur-Oise, about 15 miles north, and increasingly turned his attention to sentimental scenes of rural life.
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