Home

Home
Special Exhibitions
Paris as Proving Ground: Part I
Reading Room
Artists in Paris
At Home in Paris
Picturing Paris
Introduction
Paris as Proving Ground: Part II
Summers in the Country: Giverny
Summers in the Country
Back in the United States
Met Store
Introduction
Picturing Paris
Artists in Paris
Reading Room
At Home in Paris
Paris as Proving Ground: Part I
Paris as Proving Ground: Part II
Summers in the Country
Summers in the Country: Giverny
Back in the United States
Summers in the Country: Giverny
View object list Print
Work 2 of 9
Previous Next
John Singer Sargent (1856–1925)

Claude Monet Painting by the Edge of a Wood, 1885

Oil on canvas; 21 1/4 x 25 1/2 in. (54 x 64.8 cm)

Tate, Presented by Miss Emily Sargent and Mrs. Ormond through the National Art Collections Fund, 1925

Enlarge
Enlarge
Zoom
Zoom

Sargent's mid-summer 1885 visit to Giverny is documented by this undated painting that shows Monet at work on a canvas executed between late June and August 22 that is now in the Museum of Fine Arts, Boston. Seated in deep grass toward the right is an unidentified woman, perhaps Alice Hoschedé, Monet's longtime companion, or her daughter Suzanne. Sargent visited Giverny several times in the late 1880s, reinforcing his command of Impressionism but never becoming involved in the burgeoning American art colony.
Previous Next