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Introduction
Picturing Paris
Artists in Paris
Reading Room
At Home in Paris
Paris as Proving Ground: Part I
Paris as Proving Ground: Part II
Summers in the Country
Summers in the Country: Giverny
Back in the United States
Back in the United States
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Willard Metcalf (1858–1925)

Gloucester Harbor, 1895

Oil on canvas; 26 x 28 3/4 in. (66 x 73 cm)

Mead Art Museum, Amherst College, Amherst, Massachusetts, Gift of George D. Pratt (Class of 1893)

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Although Metcalf had visited Giverny several times between 1885 and 1888, his most convincing Impressionist canvases date from the mid-1890s, when contact with his American colleagues at home intensified his interest in the style. Working in Childe Hassam's company in 1895 in Gloucester, Metcalf produced this dazzling image of the historic Massachusetts seaport. The graceful sailing craft plying the harbor, along with the old wooden houses and fishing shacks, were reassuring remnants of tradition, which was rapidly fading in the increasingly industrialized town.
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