Home

Home
Special Exhibitions
Fra Carnevale
Contents Page
Directors' Foreword
Introduction to the Exhibition
Filippo Lippi
An Alternative Vision
The Mystery of Fra Carnevale
Map of Italy
Essay: Florence: Filippo Lippi and Fra Carnevale
View object list Print
Work 4 of 29
Previous Next
Portrait of a Woman and a Man at a Casement
Filippo Lippi (1406–1469)
Tempera and gold on wood
The Metropolitan Museum of Art, Marquand Collection, Gift of Henry G. Marquand, 1889 (89.15.19)

Enlarge
Enlarge
Zoom
Zoom

This fascinating painting, which probably dates to the early 1440s, was a landmark in European portraiture. The curious boxlike space both suggests a domestic setting and allows the artist to insert a second profile portrait—so deep in space that the figures' gazes will never meet. The picture may commemorate an engagement or a marriage: The woman (possibly Angiola di Bernardo Sapiti) is luxuriously dressed alla francese ("in the French mode"). The innovative landscape viewed through the window was inspired by Lippi's knowledge of Netherlandish painting. The shadow cast by the man (Lorenzo di Ranieri Scolari?) recalls the ancient tale of the origins of painting, which occurred when a woman traced the outlines of the shadow cast by her lover on a wall. Lippi's art is filled with such poetic conceits. Works such as this one left an indelible impression on Fra Carnevale.

cat. no. 4

Previous Next

Home | Works of Art | Curatorial Departments | Collection Database | Features | Heilbrunn Timeline of Art History | Explore & Learn | The Met Store | Membership | Ways to Give | Plan Your Visit | Calendar | The Cloisters | Concerts & Lectures | Study & Research | Events & Programs | FAQs | Special Exhibitions | My Met Museum | Press Room | Met Podcast | Met Share | Site Index | Now at the Met | MuseumKids

Photograph Credits

Copyright © 2000–2009 The Metropolitan Museum of Art. All rights reserved.  Terms and Conditions | Privacy Policy.