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Correggio and Parmigianino: Master Draftsmen of the Renaissance Back to main page for this exhibition A Man Riding a Bull and Other Figures, ca. 1518 Correggio (Italian, ca. 1489–1534) Black chalk and pale brown wash The J. Paul Getty Museum, Los Angeles The Annunciation, ca. 1522–25 Correggio (Italian, ca. 1489–1534) Pen and black ink, gray wash, extensive white heightening, squared in red chalk, on pink-washed paper Hewitt Fund, 1917 (19.76.9) Allegory of Vice, ca. 1530–31 Correggio (Italian, ca. 1489–1534) Red chalk British Museum, London The Nativity with the Virgin in Glory and Saint Anthony of Padua, ca. 1525–26 Parmigianino (Italian, 1503–1540) Pen and brown ink, gray-brown wash, white heightening, the outlines pricked on blue paper Ashmolean Museum, Oxford Mercury, ca. 1524–26 Parmigianino (Italian, 1503–1540) Black chalk Florence B. Seldon Bequest, Jessie Price Gift, and Harry G. Sperling Fund (1997.154) Christ Healing the Lepers, ca. 1525 Parmigianino (Italian, 1503–1540) Pen and brown ink, brown wash, white heightening Chatsworth, Devonshire Collections Studies of the Baptist Preaching, ca. 1526–30 Parmigianino (Italian, 1503–1540) Black chalk, pen and brown ink, the studies on the left and in the center with brown wash and white heightening British Museum, London Bishop Saint in Prayer Seen in Bust-length, ca. 1527–30 Parmigianino (Italian, 1503–1540) Brush with brown and gray-brown wash over stylus-ruled lines and charcoal; some contours stylus-incised (now flattened), on three glued sheets of paper Van Day Truex, 1995 (1995.306) Three canephori, and Vaulting, ca. 1534 Parmigianino (Italian, 1503–1540) Black chalk underdrawing, brush and brown ink, yellow, green, and mauve washes, red heightening, worked over with pen and brown ink and white heightening Chatsworth, Devonshire Collections Nine Studies for the Figure of Moses in the Steccata (recto), ca. 1531–35 Parmigianino (Italian, 1503–1540) Pen and brown ink, brown wash, over traces of leadpoint and stylus ruling Pfeiffer Fund, 1962 (62.135) The Virgin and Child with Saints Jerome and Francis, ca. 1534–35 Parmigianino (Italian, 1503–1540) Black chalk, pen and brown ink, gray wash, white heightening, on light brown paper British Museum, London A Standard Bearer, ca. 1530–40 Parmigianino (Italian, 1503–1540) Pen and brown ink, over traces of black chalk British Museum, London

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