Bibliography
Leonardo da Vinci, Master Draftsman


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A

Accordi 1987
Accordi, Bruno. Conoscenze geologiche di Leonardo: Influssi sul suo ciclo pittorico. Atti della VII Giornata leonardiana, Brescia, 7 ottobre, 1984. Brescia, 1987.

Ademollo and Passerini 1845
Ademollo, Agostino, and Luigi Passerini. Marietta de'Ricci ovvero Firenze al tempo dell'assedio racconto storico. 1840–41. 2d ed., 6 vols. Florence, 1845.

Adorno 1991
Adorno, Piero. Il Verrocchio: Nuove proposte nella civiltà artistica del tempo di Lorenzo il Magnifico. Florence, 1991.

Adriani 1980
Adriani, Gert. "Leonardo in Germany." In Leonardo da Vinci 1980, pp. 195–200.

Aggházy 1989
Aggházy, Mária G. Leonardo's Equestrian Statuette. Budapest, 1989.

Agnew 1967
Agnew, Geoffrey. Agnew's, 1817–1967. London, 1967.

Agosti 1990
Agosti, Giovanni. Bambaia e il classicismo lombardo. Turin, 1990.

Agosti 2001
Agosti, Giovanni. Disegni del Rinascimento in Valpadana. Exh. cat., Florence, Gabinetto Disegni e Stampe degli Uffizi. Florence, 2001.

Agosti and Farinella 1988–89
Agosti, Giovanni, and Vincenzo Farinella. "Qualche difficoltà nella carriera di Cesare da Sesto." Prospettiva, nos. 53–56 (April 1988–January 1989), pp. 325–33.

Ahl 1995
Ahl, Diane Cole, ed. Leonardo da Vinci's Sforza Monument Horse: The Art and the Engineering. Bethlehem, Pa., and London, 1995.

Alberici 1984
Alberici, Clelia. "Incisioni derivate da disegni di Leonardo." In Alberici and De Biasi 1984, pp. 129–40.

Alberici and De Biasi 1984
Alberici, Clelia, and Mariateresa De Biasi. Leonardo e l'incisione: Stampe derivate da Leonardo e Bramante dal XV al XIX secolo. Exh. cat., Milan, Castello Sforzesco. Milan, 1984.

Alberti 1966
Alberti, Leon Battista. On Painting. Translated and edited by John R. Spencer. 1956. Rev. ed. New Haven and London, 1966. Reprint, Westport, Conn., 1976.

Alberti 1992
Alberti, Leon Battista. De la peinture—De pictura (1435). Translated and annotated by Jean Louis Schefer. Introduction by Sylvie Deswarte-Rosa. [Paris], 1992.

Albertina 1971
Koschatzky, Walter, Konrad Oberhuber, and Eckhart Knab, eds. Italian Drawings of the Albertina. Milan, 1971. Italian edition: I grandi disegni italiani dell'Albertina di Vienna. 1972. References in the exhibition catalogue are to the English edition.

Alessandrini 1966
Alessandrini, A. "Benci, Ginevra." In Dizionario biografico degli Italiani, vol. 8, pp. 193–94. Rome, 1966.

Allison 1974
Allison, Ann H. "Antique Sources of Leonardo's Leda." The Art Bulletin 56, no. 3 (September 1974), pp. 375–84.

Almeida-Matos 1998
Almeida-Matos, Lúcia. "Desenhos de mestres na colecção do Museu da FBAUP: Leonardo da Vinci, Rapariga lavando os pés a uma criança." Apontamentos (Faculdade de Belas Artes da Universidade do Porto) 2 (1998), pp. 17–18, 25.

Alpatov 1984
Alpatov, Michele. "Leonardo da Vinci all'Ermitage." In Galleria degli Uffizi 1984, pp. 7–12.

Alpatov 1985
Alpatov, Michele. "Le opere di Leonardo nell'Ermitage." In Leonardo: La pittura 1985, pp. 45–48.

Amboise 1952
Le séjour de Léonard de Vinci en France. Exh. cat., Château d'Amboise. Amboise, 1952.

Ambrosiana 1998–99
Marani, Pietro C., Marco Rossi, and Alessandro Rovetta, eds. L'Ambrosiana e Leonardo. Exh. cat., Milan, Biblioteca-Pinacoteca Ambrosiana. Milan, 1998.

Ames 1962
Ames, Winslow. Great Drawings of All Time. Vol. 1, Italian, Thirteenth through Nineteenth Century, edited by Ira Moskowitz. New York, 1962.

Ames 1963
Ames, Winslow. Italian Drawings from the Fifteenth to the Eighteenth Century. London, 1963.

Ames-Lewis 1981
Ames-Lewis, Francis. Drawing in Early Renaissance Italy. New Haven and London, 1981.

Ames-Lewis 1989
Ames-Lewis, Francis. "Leonardo da Vinci's 'Kneeling Leda': The Evolution of an Expressive Figure-Composition." Drawing 11, no. 4 (November–December 1989), pp. 73–76.

Ames-Lewis 1990
Ames-Lewis, Francis. Review of Leonardo da Vinci: Artist–Scientist–Inventor, by Martin Kemp and Jane Roberts; and Leonardo on Painting, edited by Martin Kemp. Master Drawings 28, no. 1 (Spring 1990), pp. 80–82.

Ames-Lewis 1997
Ames-Lewis, Francis. "Leonardo's Botanical Drawings." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 10 (1997), pp. 117–24, and unpaginated figures.

Ames-Lewis 1999
Ames-Lewis, Francis. Drawing in Early Renaissance Italy. 1981. 2d ed. New Haven and London, 1999.

Ames-Lewis 2001
Ames-Lewis, Francis. "Leonardo da Vinci e il disegno a matita." Raccolta Vinciana, no. 29 (2001), pp. 1–40.

Ames-Lewis 2002
Ames-Lewis, Francis. La matita nera nella pratica di disegno di Leonardo da Vinci. Lettura Vinciana, 41 (21 aprile 2001). Vinci and Florence, 2002.

Ames-Lewis and Bednarek 1990
Ames-Lewis, Francis, and Anka Bednarek, eds. Nine Lectures on Leonardo da Vinci. London, [1990].

Ames-Lewis and Wright 1983
Ames-Lewis, Francis, and Joanne Wright. Drawing in the Italian Renaissance Workshop. Exh. cat., Nottingham, University Art Gallery; London, Victoria and Albert Museum. London, 1983.

Amoretti 1804
Amoretti, Carlo. Memorie storiche su la vita gli studi e le opere di Lionardo da Vinci. Milan, 1804.

Amphiareo 1554
Amphiareo, Vespasiano. Opera di frate vespa: Siano amphiareo da Ferrara del l'ordine minore conventvale, nella qvale si insegna a scrivere varie sorti di lettere, et massime vna lettera bastarda da lvi novamente con sva indvstria ritrovata, laqval serve al cancellaresco et mercantesco. Venice, 1554. (The Metropolitan Museum of Art, acc. no. 28.106.5).

Andrews 1968
Andrews, Keith. National Gallery of Scotland: Catalogue of Italian Drawings. 2 vols. Cambridge, 1968.

Angiolillo 1979
Angiolillo, Marialuisa. Leonardo: Feste e teatri. Studi e testi di storia e critica dell'arte, 10. Naples, 1979.

Anglo 1989
Anglo, S. "The Man Who Taught Leonardo Darts: Pietro Monti and His 'Lost' Fencing Book." The Antiquaries Journal 59, no. 2 (1989), pp. 261–78.

Angoulvent 1933
Angoulvent, Paul-Joseph. Musée National du Louvre: La Chalcographie du Louvre, Catalogue Général. Paris, 1933.

Annesley 1995
Annesley, Noël. "Ian Woodner." Drawing 17, no. 3 (September–October 1995), p. 54.

Annoni 1980
Annoni, Ambrogio. "Leonardo as Decorator." In Leonardo da Vinci 1980, pp. 307–14.

Arasse 1978
Arasse, Daniel. L'univers de Léonard de Vinci. Paris, 1978.

Arasse 1985
Arasse, Daniel. "Ritratto di Isabella d'Este." In Leonardo: La pittura 1985, pp. 102–3.

Arasse 1997
Arasse, Daniel. Léonard de Vinci: Le rythme du monde. Paris, 1997.

Arasse 1998
Arasse, Daniel. Leonardo da Vinci: The Rhythm of the World. New York, 1998.

Arents 2001
Arents, Prosper. De Biblioteek van Pieter Pauwel Rubens: Een reconstructie. Edited by Alfons K. L. Thijs. Antwerp, 2001.

Argan 1985
Argan, Giulio Carlo. "5 Daghossto, 1473." In Leonardo: La pittura 1985, pp. 12–15.

Argentieri 1980
Argentieri, Domenico. "Leonardo's Optics." In Leonardo da Vinci 1980, pp. 405–36.

Armenini 1586, 1988
Armenini, Giovan Battista. De' veri precetti della pittura. 1586. Edited by Marina Gorreri; preface by Enrico Castelnuovo. Turin, 1988.

Armenini 1587, 1977
Armenini, Giovanni Battista. On the True Precepts of the Art of Painting. 1587. Translation, comment, and introduction by Edward J. Olszewski. New York, 1977.

Arnolds 1949
Arnolds, Günter. Italienische Zeichnungen: Zeichnungen des Kupferstichkabinetts in Berlin. Berlin, 1949.

Aronberg Lavin 1955
Aronberg Lavin, Marilyn. "Giovannino Battista: A Study in Renaissance Religion Symbolism." The Art Bulletin 37, no. 2 (June 1955), pp. 85–101.

Arquié-Bruley, Labbé, and Bicart-Sée 1987
Arquié-Bruley, Françoise, Jacqueline Labbé, and Lise Bicart-Sée. La collection Saint-Morys au Cabinet des Dessins du musée du Louvre. 2 vols. Paris, 1987.

Ashmolean Museum 1985–86
Howarth, David, et al. Thomas Howard, Earl of Arundel: Patronage and Collecting in the Seventeenth Century. Exh. cat., Oxford, Ashmolean Museum. Oxford, 1985.

Athenaeum 1835
The Athenaeum (London). May 30, 1835.

Athenaeum 1836
The Athenaeum (London). February 6, 1836.

Atlers 1944
Atlers, R. "Microcosmus from Anaximandros to Paracelsus." Traditio 2 (1944), pp. 319–407.

B

Bacall 1968
Bacall, B. "A Catalogue of the Drawings of Leonardo da Vinci and his School in the United States of America." M.A. thesis, directed by Carlo Pedretti. University of California, Los Angeles, 1968.

Bacou 1962
Bacou, Roseline. "Dessins italiens dans les collections hollandaises." L'Œil, no. 85 (January 1962), pp. 56–61.

Bacou 1967
Bacou, Roseline, et al. Le cabinet d'un grand amateur, P.-J. Mariette, 1694–1774: Dessins du 15e au 18e siècle. Exh. cat., Paris, Musée du Louvre, Galerie Mollien. Paris, 1967.

Bacou 1968
Bacou, Roseline, with Françoise Viatte. Dessins du Louvre: École italienne. Paris, 1968.

Bacou 1974
Bacou, Roseline. Cartons d'artistes du XVe au XIXe siècle. Exh. cat., Paris, Musée du Louvre. Paris, 1974.

Bacou 1981
Bacou, Roseline. The Famous Italian Drawings from the Mariette Collection at the Louvre in Paris. Milan, 1981.

Badt 1914
Badt, Kurt. Andrea Solario, sein Leben und seine Werke: Ein Beitrag zur Kunstgeschichte der Lombardei. Leipzig, 1914.

Baker 2002
Baker, Christopher. Christ Church Picture Gallery. Oxford, 2002.

Baldacci 1922–23
Baldacci, Antonio. "Le piante di Leonardo da Vinci nei codici della Biblioteca Reale del Castello di Windsor." Memorie della R. Accademia delle Scienze dell'Istituto di Bologna, Classe di scienze naturali 10 (1922–23), pp. 77–82.

Baldacci 1980
Baldacci, Antonio. "Da Vinci's Botany." In Leonardo da Vinci 1980, pp. 448–54.

Baldini 1988
Baldini, Umberto, ed. Leonardo: Tutta la pittura. La scheda d'arte. Florence, 1988.

Baldini 1992
Baldini, Umberto. Un Leonardo inedito. Florence, 1992.

Baldinotti 2000
Baldinotti, Andrea. "Lo specchio e l'orizzonte: L'Annunciazione di Leonardo, dal museo degli Uffizi al 'museo' della bibliografia." In L'Annunciazione di Leonardo: La montagna sul mare, edited by Antonio Natali, pp. 81–93. Cinisello Balsamo, 2000.

Balis 1986
Balis, Arnout. Rubens Hunting Scenes. Translated by P. S. Falla. Corpus Rubenianum Ludwig Burchard, 18, vol. 2. New York, 1986.

Ballarin 1985
Ballarin, Alessandro. "Problemi di leonardismo milanese tra Quattro e Cinquecento: Giovanni Antonio Boltraffio prima della pala Casio." Milan, Università Cattolica del Sacro Cuore, 1985.

Ballarin 1992
Ballarin, Alessandro. Dosso Dossi e la pittura a Ferrara negli anni del ducato di Alfonso I. Cittadella, 1992.

Ballarin 1998
Ballarin, Alessandro. "Milano nell'età di Ludovico il Moro: Problemi di leonardismo milanese di fine Quattrocento Giovanni Antonio Boltraffio prima della pala Casio." In Pittura del Rinascimento nell'Italia settentrionale, pp. 33–101. Cittadella, 1998.

Ballarin 2002
Ballarin, Alessandro. Problemi di leonardismo milanese tra Quattro e Cinquecento: Giovanni Antonio Boltraffio prima della pala Casio. Cittadella, 2002.

Bambach [Cappel] 1988
Bambach [Cappel], Carmen. "The Tradition of Pouncing Drawings in the Italian Renaissance Workshop: Innovation and Derivation." Ph.D. diss., Yale University, New Haven, 1988.

Bambach [Cappel] 1990
Bambach [Cappel], Carmen. "Pounced Drawings in the Codex Atlanticus." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 129–31, and unpaginated figures.

Bambach [Cappel] 1991a
Bambach [Cappel], Carmen. "Foreshortened Letters." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 99–106, and unpaginated figures.

Bambach [Cappel] 1991b
Bambach [Cappel], Carmen. "Leonardo, Tagliente, and Dürer: 'La scienza del far di groppi.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 72–98, and unpaginated figures.

Bambach [Cappel] 1994a
Bambach [Cappel], Carmen. "On 'la testa proportionalmente degradata': Luca Signorelli, Leonardo, and Piero della Francesca's De Prospectiva Pingendi." In Cropper 1994, pp. 17–43, and unpaginated figures.

Bambach [Cappel] 1994b
Bambach [Cappel], Carmen. "Problemi di tecnica nei cartoni di Michelangelo per la Cappella Sistina." In Michelangelo: La Cappella Sistina. Vol. 3, Atti del Convegno Internazionale di Studi, Rome, marzo 1990, pp. 83–102, 355–60. Novara, 1994.

Bambach [Cappel] 1996
Bambach [Cappel], Carmen. "Piero della Francesca, The Study of Perspective and the Development of the Cartoon in the Quattrocento." In Piero della Francesca tra arte e scienza: Atti del Convegno Internazionale di Studi, Arezzo, 8–11 ottobre 1992, Sansepolcro, 12 ottobre 1992, edited by Marisa Dalai Emiliani and Valter Curzi, pp. 143–66, figs. 1–27 on unnumbered plates. Venice, 1996.

Bambach 1997
Bambach, Carmen C. "Technique and Workshop Practice in Filippino's Drawings." In Goldner and Bambach 1997, pp. 21–28.

Bambach 1999a
Bambach, Carmen C. Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300–1600. Cambridge and New York, 1999.

Bambach 1999b
Bambach, Carmen C. "The Purchases of Cartoon Paper for Leonardo's Battle of Anghiari and Michelangelo's Battle of Cascina." In I Tatti Studies: Essays in the Renaissance, vol. 8, edited by Walter Kaiser, pp. 105–33. Florence, 1999.

Bambach 2001
Bambach, Carmen C. "A Leonardo Drawing for the Metropolitan Museum of Art; Studies for a Statue of Hercules." Apollo 153, no. 469 (March 2001), pp. 16–23.

Bambach [Cappel] and Whitaker 1991
Bambach [Cappel], Carmen, and Lucy Whitaker. "The Lost Knots." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 107–10, and unpaginated figures.

Bandera and Fiorio 2000
Bandera, Sandrina, and Maria Teresa Fiorio, eds. Bernardino Luini and Renaissance Painting in Milan: The Frescoes of San Maurizio al Monastero Maggiore. Milan, 2000.

Bandini 1792
Bandini, A. M. Biblioteca Leopoldina Lauretana . . . Florence, 1792.

Baratta 1903
Baratta, Mario. Leonardo da Vinci e I problemi della terra. Turin, 1903.

Baratta 1905a
Baratta, Mario. Curiosità Vinciane. Turin, 1905.

Baratta 1905b
Baratta, Mario. "Leonardo da Vinci negli studi per la navigazione dell'Arno." Bollettino della Società Geografica Italiana, ser. 5, 6 (1905), pp. 739–61, 893–921.

Barkan 1975
Barkan, Leonard. Nature's Work of Art: The Human Body as Image of the World. New Haven, 1975.

Barocchi 1992
Barocchi, Paola, et al. Il Giardino di San Marco: Maestri e compagni del giovane Michelangelo. Exh. cat., Florence, Casa Buonarroti. Cinisello Balsamo, 1992.

Barocchi, Forlani, and Fossi Todorow 1961
Barocchi, Paola, Anna Forlani, and Maria Fossi Todorow, eds. Mostra del disegno italiano di cinque secoli. Exh. cat., Florence, Palazzo Strozzi, Florence, 1961.

Baroni 1934–39
Baroni, Constantino [sic]. "Leonardo, Bramantino ed il Mausoleo di G. Giacomo Trivulzio." Raccolta Vinciana, nos. 15–16 (1934–39), pp. 201–70.

Baroni 1980
Baroni, Costantino. "Leonardo as Architect." In Leonardo da Vinci 1980, pp. 238–60.

Baroni and Calvi 1980
Baroni, Costantino, and Ignazio Calvi. "The Birth of Leonardo." In Leonardo da Vinci 1980, pp. 6–7.

Barryte 1990
Barryte, Bernard. "The 'Ill-Matched Couple.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 133–39, and unpaginated figures.

Bartoli 1998
Bartoli, Roberta. "La palestra del Verrocchio." In Lo sguardo degli angeli: Verrocchio, Leonardo e il 'Battesimo di Cristo,' edited Antonio Natali, pp. 11–37. Cinisello Balsamo, 1998.

Bartoloni forthcoming
Bartoloni, Gilda. " The Role of the Artist in the Rediscovery of Antiquity."

Bartsch 1794
Bartsch, Adam von. Catalogue raisonné des dessins originaux . . . du Cabinet de feu Le Prince Charles de Ligne . . . Vienna, 1794.

Bartsch 1803–21
Bartsch, Adam. Le peintre graveur. 21 vols. Vienna, 1803–21.

Basan 1775
Catalogue raisonné des différents objets de curiosités dans les Sciences et les Arts qui composaient le Cabinet de feu M. Mariette, Contrôleur Général de la Grande Chancellerie de France, Honoraire Amateur de l'Académie Rle de Peinture et de celle de Florence. Par F. Basan, graveur. Paris, 1775.

Bassi 1989
Bassi, Arturo. "Civitali." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 113–14, and unpaginated figures.

Bassignana 1988
Bassignana, Pier Luigi. Le Macchine di Valturio: Nei documenti dell'archivio storico amma. Preface by Sergio Ricossa. Archivi di scienza e tecnica. Turin, 1988.

Bassoli 1954
Bassoli, Federico S. "Un pittore svizzero pioniere degli studi vinciani: Lodovico Antonio David." Raccolta Vinciana, no. 17 (1954), pp. 261–314.

Battaglia 1975
Battaglia, Salvatore. "Mancino." In Grande dizionario della lingua italiana, vol. 9, pp. 611–12. Turin, 1975.

Battaglia 1998
Battaglia, Salvatore. "Sinistro." In Grande dizionario della lingua italiana, vol. 19, pp. 73–76. Turin, 1998.

Baumstark 1983
Baumstark, Reinhold. "The Decius Mus Cycle of Tapestries at Vaduz." The Ringling Museum of Art Journal. Papers presented at the International Rubens Symposium, April 14–16, 1982 (1983), pp. 178–87.

Baur 1984
Baur, Otto, Barbara Bott, Sigrid Braunfels-Esche, Kenneth D. Keele, Heinz Ladendorf, and Marielene Putscher. Leonardo da Vinci: Anatomie, Physiognomik, Proportion und Bewegung. Vol. 1. Cologne, 1984.

Bautier 1980
Bautier, Pietro. "Leonardo in Belgium." In Leonardo da Vinci 1980, pp. 186–90.

Baxandall 1980
Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. New Haven, 1980.

Bayersdorfer 1893
Bayersdorfer, Adolf. Zeichnungen alter Italiener in den Uffizien zu Florenz. Munich, 1893.

Bean 1960
Bean, Jacob. Les dessins italiens de la collection Bonnat. Paris, 1960.

Bean 1964
Bean, Jacob. 100 European Drawings in The Metropolitan Museum of Art. New York, [1964].

Bean 1982
Bean, Jacob, with Lawrence Turi. 15th and 16th Century Italian Drawings in The Metropolitan Museum of Art. New York, 1982.

Bean and Stampfle 1965
Bean, Jacob, and Felice Stampfle. Drawings from New York Collections. I, The Italian Renaissance. Exh. cat., New York, The Metropolitan Museum of Art. New York, 1965.

Becherucci 1985
Becherucci, Luisa. "L'Adorazione dei Magi." In Leonardo: La pittura, pp. 39–44.

Beck 1987
Beck, Hans-Ulrich. Jan van Goyen: 1596–1656 (Ergänzungen zum Katalog der Handzeichnungen und Ergänzungen zum Katalog der Gemälde). Doornspijk, 1987.

Beckerath 1904
Beckerath, Adolf von. "Notes on Some Florentine Drawings in the Print Room, Berlin." The Burlington Magazine 6, no. 21 (December 1904), pp. 234–40.

Beckerath 1905
Beckerath, A[dolf] v[on]. "Über einige Zeichnungen florentinischer Maler im königl. Kupferstichkabinett in Berlin." Repertorium für Kunstwissenschaft 28 (1905), pp. 104–26.

Béguin 1975
Béguin, Sylvie. Le Studiolo d'Isabelle d'Este. Exh. cat., Paris, Musée du Louvre. Les dossiers du département des peintures, 10. Paris, 1975.

Béguin 1983
Béguin, Sylvie. Léonard de Vinci au Louvre. Paris, 1983.

Béguin 1985
Béguin, Sylvie. Andrea Solario en France. Les dossiers du département des peintures, 31. Exh. cat., Paris, Museé du Louvre. Paris, 1985.

Béguin 1999
Béguin, Sylvie. "Andrea Solario en France." In Fabrizio-Costa and Le Goff 1999, pp. 81–98.

Bell 1914
Bell, Charles F. Drawings by the Old Masters in the Library of Christ Church, Oxford. Oxford, 1914.

Bell 1991
Bell, Janis. "Zaccolini and Leonardo's Manuscript A." In Fiorio and Marani 1991, pp. 183–93.

Bellani 1936
Bellani, Laura. "Giovanni Antonio Boltraffio." Tesi di laurea. Università di Milano, 1935–36.

Belt 1952
Belt, Elmer. "Leonardo da Vinci's Studies of the Aging Process." Geriatrics 7 (1952), pp. 205–10.

Beltrame Quattrocchi 1979
Beltrame Quattrocchi, Enrichetta. Disegni Toscani e umbri del primo rinascimento dalle collezioni del Gabinetto Nazionale delle Stampe. Exh. cat., Rome, Villa alla Farnesina alla Lungara. Rome, 1979.

Beltrami 1909
Beltrami, Luca. La "destra mano" di Leonardo da Vinci e le lacune nella edizione del Codice Atlantico. Analecta Ambrosiana, 2. Milan, 1909.

Beltrami 1911
Beltrami, Luca. Bernardino Luini, 1512–1532. Milan, 1911.

Beltrami 1919a
Beltrami, Luca, ed. Documenti e memorie riguardanti la vita e le opere di Leonardo da Vinci in ordine cronologico. Milan, 1919.

Beltrami 1919b
Beltrami, Luca. Leonardo e i disfattisti suoi, con settanta illustrazioni e un'appendice "Leonardo architetto." Milan, 1919.

Beltrami 1919c
B[eltrami], L[uca]. "La vita di Leonardo." Emporium 49, no. 293 (May 1919), pp. 227–71.

Beltrami 1920
Beltrami, Luca. "La ricostituzione del monumento sepolcrale per il maresciallo Trivulzio in Milano di Leonardo da Vinci." La Lettura 20 (1920), pp. 84–90.

Beltrami and Fumagalli 1904
Beltrami, Luca, and Carlo Fumagalli. Disegni di Leonardo e della sua scuola alla Biblioteca Ambrosiana. Milan, 1904.

Benesch 1964
Benesch, Otto. Meisterzeichnungen der Albertina. Salzburg, 1964.

Benson 1994
Benson, Peter. "Freud and the Visual." Representations 45, (1994), pp. 101–16.

Berenson 1903
Berenson, Bernard. The Drawings of the Florentine Painters Classified, Criticised and Studied as Documents in the History and Appreciation of the Tuscan Art, with a Copious Catalogue Raisonné. 2 vols. London, 1903.

Berenson 1923
Berenson, Bernard. "Un possible Antonello da Messina ed uno impossibile." Dedalo 4 (1923), pp. 3–44.

Berenson 1933–34
Berenson, Bernhard. "Verrocchio e Leonardo: Leonardo e Credi." Bollettino d'arte, ser. 3, 27 (1933–34), pp. 193–214, 241–64.

Berenson 1938
Berenson, Bernard. The Drawings of the Florentine Painters, Amplified Edition. 3 vols. Chicago, 1938.

Berenson 1955
Berenson, Bernard. Lorenzo Lotto. London, 1955.

Berenson 1961
Berenson, Bernard. I disegni dei pittori fiorentini. Revised and enlarged edition. 3 vols. Translated by Luisa Vertova Nicolson. Milan, 1961.

Bernacchioni 1992
Bernacchioni, Annamaria. "Le botteghe di pittura: Luoghi, strutture e attività." In Palazzo Strozzi 1992–93, pp. 23–33.

Bernardi 1952
Bernardi, Marziano. Leonardo a Milano. Turin, 1952.

Bernhard 1977
Bernhard, Marianne. Rubens: Handzeichnungen. Munich, 1977.

Berra 1993
Berra, Giacomo. "La storia dei canoni proporzionali del corpo umano e gli sviluppi in area lombarda alla fine del cinquecento." Raccolta Vinciana, no. 25 (1993), pp. 158–310.

Berra 1998
Giacomo Berra. "Arcimboldi: Le teste 'caricate' leonardesche e le 'grillerie' dell'Accademia della Val di Blenio." In Museo Cantonale d'Arte 1998, pp. 57–67.

Bertelli 1983
Bertelli, Carlo. "Il Cenacolo vinciano." In Santa Maria delle Grazie in Milano, edited by A. Pizzi, pp. 188–95. Milan, 1983.

Bertelli 1986
Bertelli, Carlo. "Leonardo e l'Ultima Cena (ca. 1495–97)." In Tecnica e stile: Esempi di pittura murale del Rinascimento Italiano, edited by Eve Borsook and Fiorella Superbi Gioffredi, vol. 1, pp. 31–42. Florence, 1986.

Bertelli 2001
Bertelli, Carlo. "Prima della Cena." In Palazzo Reale 2001, pp. 39–46.

Berti and Baldini 1991
Berti, Luciano, and Umberto Baldini. Filippino Lippi. Florence, 1991.

Bertini 1935
Bertini, Aldo. "L'Arte del Verrocchio." L'Arte 38 (1935), pp. 433–73.

Bertini 1950a
Bertini, Aldo. "Disegni inediti nella Biblioteca reale di Torino." Critica d'arte 32 (1950), pp. 501–6.

Bertini 1950b
Bertini, Aldo, ed. Prima mostra dei disegni italiani della Biblioteca reale, Torino. Exh. cat., Turin, Biblioteca reale. Turin, 1950.

Bertini 1958
Bertini, Aldo. I disegni italiani della Biblioteca reale di Torino. Rome, 1958.

Bertini 1987
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Hochstetler Meyer and Glover 1989
Hochstetler Meyer, Barbara, and Alice Wilson Glover. "Botany and Art in Leonardo's Leda and the Swan." Leonardo 22, no. 1 (1989), pp. 75–82.

Hohenstatt 1998
Hohenstatt, Peter. Léonard de Vinci. Cologne, 1998.

Holberton 1995
Holberton, Paul. Review of Leonardo as a Physiognomist: Theory and Drawing Practice, by Michael W. Kwakkelstein. The Burlington Magazine 137, no. 1104 (March 1995), pp. 188–89.

Hollstein 1962
Hollstein, F. W. H. German Engravings, Etchings and Woodcuts, ca. 1400–1700. Vol. 7, Albrecht and Hans Dürer. Amsterdam, 1962.

Holly 1996
Holly, Michael Ann. "Writing Leonardo Backwards." Chap. 5 in Past Looking: Historical Imagination and the Rhetoric of the Image, pp. 112–48. Ithaca and London, 1996.

Holst 1974
Holst, Christian von. Francesco Granacci. Munich, 1974.

Horne 1903
Horne, Herbert P. The Life of Leonardo da Vinci by Giorgio Vasari, done into English . . . with a Commentary. London, 1903.

Horne 1908
Horne, Herbert P. Alessandro Filipepi, commonly called Sandro Botticelli, Painter of Florence. London, 1908.

Horne 1909
Horne, Herbert P., ed. Il Memoriale di Francesco Albertini. London, 1909.

Houbraken 1753
Houbraken, Arnold. De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen. Amsterdam, 1753.

Hours 1954
Hours, Madeleine. "Étude analytique des tableaux de Léonard de Vinci au laboratoire du Musée du Louvre." In Leonardo: Saggi e ricerche 1954, pp. 13–26.

Howarth 1980
Howarth, David. "Lord Arundel as an Entrepreneur of the Arts." The Burlington Magazine 122, no. 931 (October 1980), pp. 690–92, 694.

Howarth 1998
Howarth, David. "The Patronage and Collecting of Aletheia, Countess of Arundel, 1606–54." Journal of the History of Collections 10, no. 2 (1998), pp. 125–37.

Howze and Mittler 2001
Howze, James D., and Gene A. Mittler. Creating and Understanding Drawings. New York, 2001.

Huygens 1888–1905
Huygens, Christiaan. Œuvres complètes de Christiaan Huygens, publiées par la Société Hollandaise des Sciences. 10 vols. The Hague, 1888–1905.

Huyghe 1960
Huyghe, René. L'art et l'âme. [Paris], 1960.

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I leonardeschi: L'eredità di Leonardo in Lombardia.
See Legacy of Leonardo 1998 and essays by contributors under their names.

Institut néerlandais 1962
Le dessin italien dans les collections hollandaises. Exh. cat., Paris, Institut néerlandais, Fondation Custodia; Rotterdam, Museum Boymans-Van Beuningen; Haarlem, Teylers Museum. Paris, 1962.

Inventaire après décès 1695–96
"Mémoire Estat Inventaire & Reglement de droitz dans la famille de feu S Evrard Jabach, et de dame Anne Marie Deyroot sa veuve du 17 juillet 1696. Reconnu par devant notaire." Bibliothèque Centrale des Musées nationaux, Paris.

Inventaire 1848–52
"Inventaire 1848–1852. Musées Nationaux. République Française. Acquisitions et Dons." Départements des Arts graphiques du musée du Louvre, Paris.

Inventaire Napoléon 1812
Manuscript inventory of the drawings in the Louvre, compiled by 1812 by Louis-Marie-Joseph Morel d'Arleux, curator of the Cabinet des dessins du Louvre from 1797 to 1827. 9 vols. Départements des Arts graphiques du musée du Louvre, Paris.

Isermeyer 1964
Isermeyer, Christian Adolf. "Die Arbeiten Leonardos und Michelangelos für den Grossen Ratssaal in Florenz: Eine Revision der Bild- und Schriftquellen für ihre Rekonstruktion und Geschichte." In Studien zur Toskanischen Kunst: Festschrift für Ludwig Heinrich Heydenreich. Munich, 1964.

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Jacob 1975
Jacob, Sabine. Italienische Zeichnungen der Kunstbibliothek Berlin, Architektur und Decoration, (16 bis 18 Jahre). Berlin, 1975.

Jacobsen 1904
Jacobsen, Emil. "Die Handzeichnungen der Uffizien in ihren Beziehungen zu Gemälden, Skulpturen und Gebäuden in Florenz." Repertorium für Kunstwissenschaft 27 (1904), pp. 113–32, 401–429.

Jacobsen 1906–7
Jacobsen, Emil. "Neues über Leonardo." Kunstchronik 28 (1906–7), pp. 194–97.

Jacobsen 1910
Jacobsen, Emil. "Un quadro e un disegno del maestro della Pala Sforzesca." Rassegna d'arte 10, no. 4 (April 1910), pp. 53–55.

Jaffé 1958
Jaffé, Michael. "Rubens in Italy: Rediscovered Works." The Burlington Magazine 100, no. 669 (December 1958), pp. 410–22.

Jaffé 1962
Jaffé, Michael. "Italian Drawings from Dutch Collections." The Burlington Magazine 104, no. 711 (June 1962), pp. 230–38.

Jaffé 1977
Jaffé, Michael. Rubens and Italy. Oxford, 1977.

Jaffé 1989
Jaffé, Michael. Rubens: Catalogo completo. Translated by Germano Mulazzani. Milan, 1989.

Jaffé 1993
Jaffé, Michael. Old Master Drawings from Chatsworth. London, 1993.

Jaffé 1994
Jaffé, Michael. The Devonshire Collection of Italian Drawings: Venetian and Northern Italian Schools. London, 1994.

Jaffé 1995–96
Jaffé Michael. A Great Heritage: Renaissance and Baroque Drawings from Chatsworth. Exh. cat., Washington, D.C., National Gallery of Art; New York, The Pierpont Morgan Library. Washington, D.C., 1995.

Jebb 1946
Jebb, Richard C., et al. "The Classical Renaissance." The Metropolitan Museum of Art Bulletin, n.s., 5, no. 3 (November 1946), pp. 73–100.

Jessop 1887
Jessop, Augustus. The Autobiography of the Hon. Roger North. London, 1887.

Joannides 1988
Joannides, Paul. "Leonardo da Vinci, Peter-Paul Rubens, Pierre-Nolasque Bergeret and the 'Fight for the Standard.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 76–86, and unpaginated figures.

Jung 1977
Jung, Richard. "Über Zeichnungen linkshändiger Künstler von Leonardo bis Klee: Linkshänder Merkmale als Zuschreibungskriterien, Semper Attentus." Beiträge für Heinz Götze zum 8. August 1977, pp. 189–218. Berlin and Heidelberg, 1977.

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Keele 1976
Keele, Kenneth D. Leonardo da Vinci: Anatomical Drawings from the Queen's Collection at Windsor Castle. Introduction by Anthony Blunt. Exh. cat., Washington, D.C., National Museum of History and Technology, Smithsonian Institution; Los Angeles County Museum of Art. Los Angeles, 1976.

Keele 1983
Keele, Kenneth D. Leonardo da Vinci's Elements of the Science of Man. New York and London, 1983.

Keele and Pedretti 1979–80
Keele, Kenneth D., and Carlo Pedretti. Leonardo da Vinci: Corpus of Anatomical Drawings in the Collection of Her Majesty the Queen. 3 vols. London, 1979–80.

Keele and Roberts 1983
Keele, Kenneth D., and Jane Roberts. Leonardo da Vinci: Anatomical Drawings from the Royal Library, Windsor Castle. Exh. cat., New York, The Metropolitan Museum of Art. New York, 1983.

Keisch and Riemann-Reyher 1996–97
Keisch, Claude, and Marie Ursula Riemann-Reyher, eds. Adolph Menzel, 1815–1905: Between Romanticism and Impressionism. Exh. cat., Paris, Musée d'Orsay; Washington, D.C., National Gallery of Art; Berlin, Alte Nationalgalerie. New Haven and London, 1996.

Keller 1938
Keller, R. "Zwei berühmte Linkshänder." Ciba Zeitschrift 6 (1938), pp. 2153–55.

Kemp 1977
Kemp, Martin. "From 'Mimesis' to 'Fantasia': The Quattrocento Vocabulary of Creation, Inspiration and Genius in the Visual Arts." Viator 8 (1977), pp. 347–98, fig. 1.

Kemp 1978
Kemp, Martin. "Science, Non-Science and Nonsense: The Interpretation of Brunelleschi's Perspective." Art History 1, no. 2 (June 1978), pp. 134–61.

Kemp 1981
Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. London, 1981.

Kemp 1982a
Kemp, Martin. "Exhibition Reviews: Vinci, Leonardo dopo Milano." The Burlington Magazine 124, no. 957 (December 1982), p. 788.

Kemp 1982b
Kemp, Martin. Leonardo da Vinci: Le mirabili operazioni della natura e del'uomo. Milan, 1982.

Kemp 1986
Kemp, Martin. "Analogy and Observation in the Codex Hammer." In Studi vinciani in memoria di Nando de Toni, pp. 103–34. Brescia, 1986.

Kemp 1987
Kemp, Martin. "'A Chaos of Intelligence': Leonardo's Traité and the Perspective Wars in the Académie Royale." In "Il se rendit en Italie": Études offertes à André Chastel, pp. 415–26. Paris, 1987.

Kemp 1988
Kemp, Martin. Leonardo e lo spazio dello scultore. Lettura Vinciana, 27 (20 aprile 1987). Vinci, 1988.

Kemp 1989a
Kemp, Martin J. "Geometrical Bodies as Exemplary Forms in Renaissance Space." In World Art: Themes of Unity in Diversity, edited by Irving Lavin, vol. 1, pp. 237–42. Acts of the XXVIth International Congress of the History of Art. 3 vols. University Park, Pa., and London, 1989.

Kemp 1989b
Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. 1981. Reprint. London, 1989.

Kemp 1989c
Kemp, Martin, ed. Leonardo on Painting: An Anthology of Writings by Leonardo da Vinci, with a Selection of Documents Relating to his Career as an Artist. Translated by Martin Kemp and Margaret Walker. New Haven and London, 1989.

Kemp 1990a
Kemp, Martin. "Looking at Leonardo's Last Supper." In Appearance, Opinion, Change: Evaluating the Look of Paintings, pp. 14–21. London, 1990.

Kemp 1990b
Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven and London, 1990.

Kemp 1991
Kemp, Martin. "The 'Madonna of the Yarnwinder' in the Buccleuch Collection Reconsidered in the Context of Leonardo's Studio Practice." In Fiorio and Marani 1991, pp. 35–48.

Kemp 1992a
Kemp, Martin. "The 'Hammer Lecture' (1992): In the Beholder's Eye—Leonardo and the 'Errors of Sight' in Theory and Practice." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), pp. 153–62, and unpaginated figures.

Kemp 1992b
Kemp, Martin. "Leonardo." In Circa 1492: Art in the Age of Exploration, edited by Jay Levenson, pp. 270–87. Exh. cat., Washington, D.C., National Gallery of Art. Washington, D.C., 1992.

Kemp 1992c
Kemp, Martin, ed. Leonardo da Vinci: The Mystery of the Madonna of the Yarnwinder. Exh. cat., Edinburgh, National Gallery of Scotland. Edinburgh, 1992.

Kemp 1992d
Kemp, Martin. "Leonardo da Vinci: The National Gallery of Scotland's First Leonardo." National Art-Collections Fund Review 88 (1992), pp. 16–20.

Kemp 1992e
Kemp, Martin. "Leonardo Verso 1500." In Palazzo Grassi 1992, pp. 45–54.

Kemp 1995
Kemp, Martin. "Leonardo's Drawings for 'Il Cavallo del Duca Francesco di Bronzo': The Program of Research." In Ahl 1995, pp. 64–78.

Kemp 1996a
Kemp, Martin. "The Body of the Earth." In Farago 1996b, pp. 15–22.

Kemp 1996b
Kemp, Martin. "Leonardo da Vinci." In The Dictionary of Art, edited by Jane Turner, vol. 19, pp. 180–99. 34 vols. London, 1996.

Kemp 1996c
Kemp, Martin. Leonardo da Vinci. CD-ROM. Bellevue, Wash.: Corbis Productions, 1996.

Kemp 1998
Kemp, Martin. "Verrocchio's 'San Donato' and the Chiesina della Virgine di Piazza in Pistoia." Pantheon 56 (1998), pp. 25–34.

Kemp and Roberts 1989
Kemp, Martin, and Jane Roberts. Leonardo da Vinci. Exh. cat., London, Hayward Gallery. Exhibition held by the South Bank Center. London, 1989.

Kemp and Smart 1980
Kemp, Martin, and Alastair Smart. "Leonardo's Leda and the Belvedere River-Gods: Roman Sources and a New Chronology." Art History 3, no. 2 (June 1980), pp. 182–93.

Kemp and Wallace 2000
Kemp, Martin, and Marina Wallace. Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now. Exh. cat., London, Hayward Gallery. London, 2000.

Kennedy 1938
Kennedy, Ruth W. Alesso Baldovinetti: A Critical and Historical Study. New Haven and London, 1938.

Kiang 1989
Kiang, Dawson. "Gasparo Visconti's Pasitea and the Sala delle Asse." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 101–9, and unpaginated figures.

Kiang 1994
Kiang, Dawson. "Aristotle and Phyllis: Leonardo's Drawing of an exemplum." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 7 (1994), pp. 75–80, and unpaginated figures.

Kirk and Kertesz 1989
Kirk, A., and A. Kertesz. "Hemispheric Contributions to Drawing." Neuropsychologia 27, no. 6 (1989), pp. 881–86.

Kirk and Kertesz 1993
Kirk, A., and A. Kertesz. "Subcortical Contributions to Drawing." Brain and Cognition 21, no. 1 (January 1993), pp. 57–70.

Kirwin 1995
Kirwin, W. Chandler, with Peter G. Rush. "The Bubble Reputation: In the Cannon's and the Horse's Mouth (or The Tale of Three Horses)." In Ahl 1995, pp. 87–110.

Koopmann 1891
Koopmann, W. "Einige weniger bekannte Handzeichnungen Raffaels." Jahrbuch der Königlich Preussischen Kunstsammlungen 12 (1891), pp. 40–49.

Kornell 1992
Kornell, Monique N. "Artists and the Study of Anatomy in Sixteenth-Century Italy." Ph.D. diss., University of London, Warburg Institute, 1992.

Koschatzky and Krasa 1969
Koschatzky, Walther, and S. Krasa. 200 Jahre Albertina: Herzog Albert von Sachsen-Teschen und seine Kunstsammlung. Exh. cat., Vienna, Albertina. Vienna, 1969.

Kristeller 1913
Kristeller, Paul. Die Lombardische Graphik der Renaissance. Berlin, 1913.

Kristeller 1963
Kristeller, P. O. Iter Italicum, I Italy. London and Leiden, 1963.

Kugler 1869
Kugler, Franz T. Handbook of Painting: The Italian Schools, National Gallery of Art. Edited by C. L. Eastlake. London, 1869.

Kunsthalle, Basel 1937
Künstlerkopien. Exh. cat., Basel, Kunsthalle. Basel, 1937.

Kunsthistorisches Museum 1994
Ferino-Pagden, Sylvia. "La prima donna del mondo": Isabella d'Este, Fürstin und Mäzenatin der Renaissance. Exh. cat., Vienna, Kunsthistorisches Museum. Vienna, 1994.

Kunstmuseum Lucerne 1946
Italienische Kunst aus der Ambrosiana Mailand: Meisterwerke aus oberitalienischen Kirchen, Museen und Privatsammlungen. Exh. cat., Kunstmuseum Lucerne. Lucerne, 1946.

Kunst- und Austellungshalle 1999
Hoch Renaissance im Vatikan: Kunst und Kultur im Rom der Päpste I, 1503–1534. Exh. cat., Bonn, Kunst- und Austellungshalle der Bundesrepublik Deutschland. Bonn, 1999.

Kupferstichkabinett Berlin 1910
Zeichnungen alter Meister im Kupferstichkabinett der K. Museen zu Berlin. Vol. 1, Italien-Frankreich. Berlin, 1910.

Kupferstichkabinett Berlin 1973
Vom späten Mittelalter bis zu Jacques Louis David: Neuerworbene und neubestimmte Zeichnungen im Berliner Kupferstichkabinett. Exh. cat., Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin–Preussischer Kulturbesitz. Berlin, 1973.

Kupferstichkabinett Berlin 1994
Dückers, Alexander, ed. Das Kupferstichkabinett: Ein Handbuch zur Sammlung. Berlin, 1994.

Küppers 1915
Küppers, Paul Erich. "Über den Zusammenhang einiger Handzeichnungen mit Domenico Ghirlandajo." Monatscheft für Kunstwissenschaft 8 (1915), pp. 293–95, pl. 72.

Kurz 1936
Kurz, Otto. "Shorter Notices: A Contribution to the History of the Leonardo Drawings." The Burlington Magazine 69, no. 402 (September 1936), p. 135.

Kurz 1937
Kurz, Otto. "Giorgio Vasari's 'Libro de' Disegni.'" Old Master Drawings 11, no. 45 (June 1937), pp. 1–5, pls. 1–16; 12, no. 47 (December 1937), pp. 32–44, pls. 34–49.

Kurz 1955
Kurz, Otto. "A Group of Florentine Drawings for an Altar." Journal of the Warburg and Courtauld Institutes 18 (1955), pp. 35–53.

Kurz 1962
Kurz, Otto. "An Early Copy of the 'Battle of Anghiari.'" Raccolta Vinciana, no. 19 (1962), pp. 129–35.

Kustodieva 1984
Kustodieva, Tatiana. "Madonna Benois e Madonna Litta." In Galleria degli Uffizi 1984, pp. 13–21.

Kustodieva 1985
Kustodieva, Tatiana. "Madonna Benois e Madonna Litta." In Leonardo: La pittura 1985, pp. 49–55.

Kwakkelstein 1991
Kwakkelstein, Michael W. "Leonardo da Vinci's Grotesque Heads and the Breaking of the Physiognomic Mould." Journal of the Warburg and Courtauld Institutes 54 (1991), pp. 127–36.

Kwakkelstein 1993a
K[wakkelstein], M[ichael] W. "Gleanings: 1. The Master of the Spencer Grotesques." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 6 (1993), p. 185, and unpaginated figures.

Kwakkelstein 1993b
Kwakkelstein, Michael W. "The Lost Book on 'moti mentali.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 6 (1993), pp. 56–66, and unpaginated figures.

Kwakkelstein 1993c
Kwakkelstein, Michael W. "'Teste di vecchi in buon numero.'" Raccolta Vinciana, no. 25 (1993), pp. 39–62.

Kwakkelstein 1994
Kwakkelstein, Michael W. Leonardo da Vinci as a Physiognomist: Theory and Drawing Practice. Leiden, 1994.

Kwakkelstein 1999
Kwakkelstein, Michael W. "The Use of Sculptural Models by Italian Renaissance Painters: Leonardo da Vinci's Madonna of the Rocks Reconsidered in Light of his Working Procedures." Gazette des Beaux-Arts, ser. 6, 133 (1999), pp. 182–98.

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Laclotte 1956
Laclotte, Michel. De Giotto à Bellini. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1956.

Lagrange 1862
Lagrange, Léon. "Catalogue des dessins de maîtres exposés dans la Galerie des Uffizii, à Florence." Gazette des Beaux-Arts, ser. 1, 12 (1862), pp. 535–54; 13 (1862), pp. 277–84; 446–62.

Lambert 1999
Lambert, Gisèle. Les premières gravures italiennes: Quattrocento début Cinquecento. Paris, 1999.

Lambertini 1953
Lambertini, Gastone. "Leonardo anatomico." In Atti del Convegno di Studi Vinciani, pp. 289–309. Florence, 1953.

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Landucci 1927
Landucci, Luca. A Florentine Diary from 1450 to 1516. Translated by Alice de Rosen Jervis. London, 1927.

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Langl, Josef. "Das Testament der Angelica Kauffmann." Zeitschrift für Bildende Kunst 24 (1889), pp. 294–300.

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L'Anthony, P. "Left-handed Painters." Revue neurologique 151, no. 3 (March 1995), pp. 165–70.

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Laurenza, Domenico. "La fisionomia naturale di Leonardo: Una traccia giovanile e alcuni sviluppi." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 9 (1996), pp. 14–19, and unpaginated figures.

Laurenza 1997
Laurenza, Domenico. "Corpus Mobile: Tracce di patognomica in Leonardo." Raccolta Vinciana, no. 27 (1997), pp. 237–98.

Laurenza 1998
Laurenza, Domenico. "Gli studi leonardiana sul volo: Spunti per una reconsiderazione." In Frosini 1998, pp. 189–202.

Laurenza 2001
Laurenza, Domenico. De figura umana: Fisiognomica, anatomia e arte in Leonardo. Florence, 2001.

Laureti 1911
Laureti, Cesare. Progetto del monumento a Dante Alighieri in Roma da un disegno di Leonardo da Vinci proposto da Cesare Laureti pittore. Venice, 1911.

Lauts 1956
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Lavagnino 1980
Lavagnino, Emilio. "Leonardo in Rome." In Leonardo da Vinci 1980, pp. 127–37.

Lawrence Gallery 1835–36
Woodburn, S. and A. The Lawrence Gallery . . . Exhibition . . . of His . . . Collection . . . Forming Ten Exhibitions . . . Messrs. Woodburn . . . London. Exh. cats., London, Lawrence Gallery. London, 1835–36.

Layard 1902
Layard, Austen H., ed. The Italian Schools of Painting Based on the Handbook of Kugler. 2 vols. London, 1902.

Lebel 1952
Lebel, Robert. Léonard de Vinci ou la fin de l'humilité. Paris, 1952.

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Lefrançois, Thierry. Charles Coypel: Peintre du roi (1694–1752). Paris, 1994.

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Bora, Giulio, et al. The Legacy of Leonardo: Painters in Lombardy, 1490–1530, edited by Francesco Porzio. Milan, 1998. Published simultaneously as I leonardeschi: L'eredità di Leonardo in Lombardia. References in the exhibition catalogue are to the English edition.

Leinati 1980
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Leonardo: Saggi e ricerche 1954
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Letze, Otto, and Thomas Buchsteiner. Leonardo da Vinci: Scientist, Inventor, Artist. Exh. cat., Boston, Museum of Science, Tübingen, Institut für Kulturaustausch. Tübingen, 1997.

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Levine, Saul. "The Location of Michelangelo's David: The Meeting of January 25, 1504." The Art Bulletin 56, no. 1 (March 1974), pp. 31–49.

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Lieb, J. W. "Elenco e analisi . . . : Bulletin of the Metropolitan Museum of Art, New York, October 1918." Raccolta Vinciana, no. 10 (1919), pp. 259–64.

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Ligabue, Giancarlo. Leonardo da Vinci e i fossili. Venice, 1977.

Lightbown 1978
Lightbown, Ronald. Sandro Botticelli. 2 vols. London, 1978.

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Lexicon Iconographicum Mythologiae Classicae. Zurich and Munich, 1994.

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López-Rey 1935
López-Rey, José. Antonio del Pollaiuolo y el fin del 'Quattrocento.' Madrid, 1935.

Los Angeles County Museum of Art 1971
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Los Angeles County Museum of Art 1976
Feinblatt, Ebria. Old Master Drawings from American Collections. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1976.

Louvre 1797 (An V)
Notices des dessins originaux, cartons, gouaches, pastels, émaux et miniatures du Musée Central des Arts. Exposés pour la première fois dans la Galerie d'Apollon. Le 28 Thermidor de l'an V de la République Française. Première Partie. Paris, An V [1797].

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Louvre 1811
[Morel d'Arleux, Louis-Marie-Joseph]. Notices des dessins, des peintures, des bas-reliefs et des bronzes Exposés au Musée Napoléon, dans la Galerie d'Apollon. Notice des tableaux anciens, des trois écoles, Mis dans le Salon d'Exposition de Peinture moderne, en juin de l'an 1811. Paris, 1811.

Louvre 1814
[Morel d'Arleux, Louis-Marie-Joseph]. Notice des dessins, des peintures, des bas-reliefs et des bronzes exposés au Musée Royal, dans la Galerie d'Apollon, ouverte le 6 août 1814. Paris, 1814. Reissued in 1815 as Notice des dessins . . . au Musée Napoléon . . .

Louvre 1817
[Morel d'Arleux, Louis-Marie-Joseph]. Notice des dessins, peintures, émaux et terres cuites émaillées exposés au Musée Royal dans la Galerie d'Apollon. Paris, 1817. Reissued in 1818, 1819.

Louvre 1820
[Morel d'Arleux, Louis-Marie-Joseph]. Notice des dessins, peintures, émaux et terres cuites émaillées exposés au Musée Royal, dans la Galerie d'Apollon. Paris, 1820.

Louvre 1838
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Louvre 1866
Reiset, Frédéric. Notice des dessins, cartons, pastels, miniatures et émaux exposés dans les salles du 1er étage au Musée Impérial du Louvre. Première partie: Écoles d'Italie, Écoles Allemande, Flamande et Hollandaise; précédée d'une introduction historique et du résumé de l'inventaire général des dessins par M. Frédéric Reiset, conservateur des peintures, des dessins et de la chalcographie. Reissued in 1871, 1872, 1876, 1878, 1879, 1887 as Notice des dessins . . . au Musée national. Part 1, nos. 1–644; Part 2, nos. 645–1513. Paris, 1866.

Louvre 1879
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Louvre 1881
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Louvre 1888
Tauzia, L. Both de. Musée National du Louvre. Dessins, cartons, pastels, miniatures des diverses écoles, exposés, depuis 1879, dans les salles du 1er étage. Deuxième notice supplémentaire, par le Vte L. Both de Tauzia, Conservateur des Peintures, des Dessins et de la Chalcographie. Nos. 1959–2177. Paris, 1888.

Louvre 1919
Exposition d'œuvres de Léonard de Vinci organisée à l'occasion du quatrième centenaire de sa mort au Château de Cloux, en France le 2 mai 1549. Exh. cat., Paris, Musée du Louvre. Paris, 1919.

Louvre 1952a
Dessins flamands du XVIIe siècle. Exh. cat., Paris, Musée du Louvre. Paris, 1952.

Louvre 1952b
Dessins florentins du Trecento et du Quattrocento. Exh. cat., Paris, Musée du Louvre. Paris, 1952.

Louvre 1955
Choix de dessins de maîtres florentins et siennois: Première moité du XVIe siècle. Exh. cat., Paris, Musée du Louvre. Paris, 1955.

Louvre 1959
Dessins de Pierre-Paul Rubens. Exh. cat., Paris, Musée du Louvre. Paris, 1959.

Louvre 1962
Première exposition des plus beaux dessins du Louvre et de quelques pièces célèbres des collections de Paris. Exh. cat., Paris, Musée du Louvre. Paris, 1962.

Louvre 1969
Pastels. Exh. cat., Paris, Musée du Louvre. Paris, 1969.

Louvre 1975
Koschatzky, Walther, Konrad Oberhuber, and Eckart Knab. Dessins italiens de l'Albertina de Vienne. Exh. cat., Paris, Musée du Louvre. Paris, 1975.

Louvre 1977
Le corps et son image: Anatomies, académies. Exh. cat., Paris, Musée du Louvre. Paris, 1977.

Louvre 1982
Pastels, gouaches, aquarelles, miniatures, emaux. Exh. cat., Paris, Musée du Louvre. Paris, 1982.

Louvre 1986
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Louvre 1989
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Viatte, Françoise, with Catherine Monbeig Goguel, and Madeleine Pinault. Léonard de Vinci: Les études de draperie. Exh. cat., Paris, Musée du Louvre. Paris, 1989.

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Lugt 1921, 1956
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Lugt 1949
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Luzio 1888
Luzio, Alessandro. "Nuovi Documenti: Ancora Leonardo da Vinci e Isabella d'Este." Archivio storico dell'arte 1, no. 5 (May 1888), pp. 181–84.

Luzio 1900
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Macandrew 1990–91
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MacCurdy 1904
McCurdy [sic], Edward. Leonardo da Vinci. London, 1904.

MacCurdy 1928
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MacCurdy 1930
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MacCurdy 1938
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Machiavelli 1971
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Mackowsky 1901
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Maison Ad. Braun 1896
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Manetti 1970
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Mantelli 1785
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Marani 1984
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Marani 1984–85
Marani, Pietro C. Disegni di fortificazioni da Leonardo a Michelangelo. Exh. cat., Florence, Casa Buonarroti. Florence, 1984.

Marani 1985a
Marani, Pietro C. "Circulo dentato ortogonialmente" (Ms. Madrid 8937, f. 177r.): Leonardo, gli ingegneri e alcune macchine lombarde. Lettura Vinciana, 25 (13 aprile 1985). Florence, 1985.

Marani 1985b
Marani, Pietro C. "Trascrizione critica (Fogli 134–200)." In Leonardo da Vinci. Corpus degli studi anatomici nella Collezione di Sua Maestà la Regina Elisabetta II nel Castello di Windsor. Edited by Kenneth D. Keele and Carlo Pedretti, vol. 3, pp. 471–786. Florence, 1985.

Marani 1986a
Marani, Pietro C. Il Cenacolo di Leonardo. Milan, 1986.

Marani 1986b
Marani, Pietro C., with Roberto Cecchi and Germano Mulazzani. Il Cenacolo e Santa Maria delle Grazie. Milan, 1986.

Marani 1986c
Marani, Pietro C. Disegni lombardi del Cinque e Seicento della Pinacoteca di Brera e dell' Arcivescovado di Milano. Exh. cat., Milan, Pinacoteca di Brera. Florence, 1986.

Marani 1987a
Marani, Pietro C. Leonardo e i leonardeschi a Brera. Florence, 1987.

Marani 1987b
Marani, Pietro C. "Leonardo: Fortified Architecture and its Structural Problems." In Galluzzi 1987, pp. 303–14.

Marani 1988a
Marani, Pietro C. "L'architettura militare di Leonardo da Vinci fra tradizione, rinnovamento e ripensamento." In Architettura militare nell'Europa del XVI secolo: Atti del Convegno di Studi, Firenze, 25–28 novembre 1986, edited by Carlo Cresti, Amelio Fara and Daniela Lamberini, pp. 49–59. Siena, 1988.

Marani 1988b
Marani, Pietro C. Pinacoteca di Brera. Milan, 1988.

Marani 1989
Marani, Pietro C. Leonardo: Catalogo completo dei dipinti. Florence, 1989.

Marani 1990
Marani, Pietro C. Leonardo e i leonardeschi nei musei della Lombardia. Milan, 1990.

Marani 1992a
Marani, Pietro C. "I dipinti di Leonardo, 1500–1507: Per una cronologia." In Hager 1992, pp. 1–28.

Marani 1992b
Marani, Pietro C. "Tracce ed elementi Verrocchieschi nella tarda produzione grafica e pittorica di Leonardo." In Bule 1992, pp. 141–52 and figures.

Marani 1994
Marani, Pietro C. Leonardo. Milan, 1994.

Marani 1995
Marani, Pietro C. "The 'Hammer Lecture' (1994): Tivoli, Hadrian and Antinoüs, New Evidence of Leonardo's Relation to the Antique." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 8 (1995), pp. 207–25, and unpaginated figures.

Marani 1996
Marani, Pietro. La Madonna del Gatto di Leonardo in un dipinto della Pinacoteca di Brera: Nuove indagini e restauri. Milan and Cremona, 1996.

Marani 1997
Marani, Pietro C. "Dalla natura al simbolo: Osservazione della natura, imitazione dell'antico e visualizzazione del moto nell'opera di Leonardo." Raccolta Vinciana, no. 27 (1997), pp. 155–85.

Marani 1998a
Marani, Pietro C. "Francesco Melzi." In Legacy of Leonardo 1998, pp. 371–84.

Marani 1998b
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Marani 1998c
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Marani 1998d
Marani, Pietro C. "Master of the Pala Sforzesca." In Legacy of Leonardo 1998, pp. 179–98.

Marani 1998e
Marani, Pietro C. "The Question of Leonardo's Bottega: Practices and the Transmission of Leonardo's Ideas on Art and Painting." In Legacy of Leonardo 1998, pp. 8–37.

Marani 1999a
Marani, Pietro C. "Classical Masterpiece." The Art Quarterly (Winter 1999), pp. 44–47.

Marani 1999b
Marani, Pietro C. Léonard de Vinci, une carrière de peintre. Paris, 1999. This monograph was published in French, Italian, and English, referred to here as Marani 1999b, 1999c, and 2000b.

Marani 1999c
Marani, Pietro C. Leonardo: Una carriera di pittore. Milan, 1999.

Marani 2000a
Marani, Pietro C. "Gli affreschi di Bernardino Luini in San Maurizio fra circoli letterari, tradizione lombarda e classicismo centro-italiano." In Bernardino Luini e la pittura del Rinascimento a Milano: Gli affreschi di San Maurizio al Monastero Maggiore, by Sandrina Bandera and Maria Teresa Fiorio et al., pp. 53–73. Milan, 2000. For the English edition, see Bandera and Fiorio 2000.

Marani 2000b
Marani, Pietro C. Leonardo da Vinci: The Complete Paintings. New York, 2000.

Marani 2001a
Marani, Pietro C. "I disegni di Leonardo." In Palazzo Reale 2001, pp. 102–53.

Marani 2001b
Marani, Pietro C. "Leonardo e gli scultori: Un altro esempio di collaborazione col Rustici?" Raccolta Vinciana, no. 29 (2001), pp. 103–23.

Marani, Cecchi, and Mulazzani 1986
Marani, Pietro C., Roberto Cecchi, and Germano Mulazzani. Il Cenacolo e Santa Maria delle Grazie. Milan, 1986.

Marcheix 1909
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Marchini 1985a
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Marchini 1985b
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Marcolongo, Roberto. Memorie sulla geometria e la meccanica di Leonardo da Vinci. Studi Vinciani. Naples, 1937.

Marcolongo 1980
Marcolongo, Roberto. "Da Vinci's Mechanics." In Leonardo da Vinci 1980, pp. 483–92.

Mariette 1730
[Mariette, Pierre Jean]. "Lettre sur Léonard de Vinci, peintre florentin, a Monsieur le C. de C.," a text addressed by Mariette to Caylus that appears at the beginning of Recueil de Testes de caractère & de Charges dessinées par Léonard de Vinci Florentin & gravées par M. le C[te] de C[aylus], MDCCXXX, A Paris, chez J[ean] Mariette, rue St. Jacques, aux Colonnes d'Hercules, pp. 1–22. The letter is signed: "Votre très-humble & très obéissant Serviteur M***" (p. 22). Mariette's text was translated into Italian and included in Bottari and Ticozzi 1822–25, vol. 2, part 1, pp. 206–48. The second edition of the Caylus album was revised and augmented by Mariette and published by Jombert in 1767, the letter falling on pp. 4–29, and this revised text was published in Chennevières and Montaiglon 1851–60, vol. 3, pp. 139–75.

Mariette 1741
Mariette, Pierre Jean. Description sommaire des desseins des grands maistres d'Italie, des Pays-Bas et de France, du Cabine de Feur M. Crozat. Avec des réflexions sur la manière de dessiner des principaux peintres. Paris, 1741.

Marinoni 1944–55
Marinoni, Augusto. Gli appunti grammaticali e lessicali di Leonardo da Vinci. 2 vols. Milan, 1944–55.

Marinoni 1954a
Marinoni, Augusto. "I manoscritti di Leonardo da Vinci e le loro edizioni." In Leonardo: Saggi e ricerche 1954, pp. 229–74.

Marinoni 1954b
Marinoni, Augusto. I rebus di Leonardo da Vinci raccolti e interpretati. Florence, 1954.

Marinoni 1980a
Marinoni, Augusto. "Da Vinci's Philology." In Leonardo da Vinci 1980, pp. 215–26.

Marinoni 1980b
Marinoni, Augusto, with a note by André Chastel. Leonardo da Vinci, Codice Trivulziano (Il Codice no. 2162 della Biblioteca Trivulziana di Milano). Milan, 1980.

Marinoni 1982
Marinoni, Augusto. La matematica di Leonardo da Vinci. Milan, 1982.

Marinoni 1990
Marinoni, Augusto. Leonardo da Vinci: I manocritti dell'Institut de France. Il manocritto A. Florence, 1990.

Marinoni 1991
Marinoni, Augusto. "Interventi dei collezionisti sui manoscritti vinciani nei secoli XVI e XVII." In Fiorio and Marani 1991, pp. 163–65.

Marinoni 2000
Marinoni, Augusto. Leonardo da Vinci, Il Codice Atlantico della Biblioteca Ambrosiana di Milano. 3 vols. Florence, 2000.

Marinoni and Cogliati Arano 1982
Marinoni, Augusto, and Luisa Cogliati Arano. Leonardo all'Ambrosiana: Il Codice Atlantico, i disegni di Leonardo e della sua cerchia. Exh. cat., Milan, Biblioteca Ambrosiana. Milan, 1982.

Marinoni and Meneguzzo 1981a
Marinoni, Augusto, and Marco Meneguzzo. I disegni di Leonardo. Milan, 1981.

Marinoni and Meneguzzo 1981b
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Markova 1991
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Marks 1882
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Marotte and Longon 1928
Marotte, Léon, and Henri Longon. Léonardo da Vinci: Cinquante-six dessins reproduits en fac-similé. Paris, 1928.

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Martelli, Marina. "Un disegno attribuito a Leonardo e una scoperta archeologica degli inizi del Cinquecento." Prospettiva, no. 10 (July 1977), pp. 58–61.

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Matthiesen Gallery 1960
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Mazenta 1919
Mazenta, [Giovanni] Ambrogio. Le memorie su Leonardo da Vinci. Milan, 1919.

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Mazzocchi Doglio, Mariangela. "Leonardo 'apparatore' di spettacoli a Milano per la corte degli Sforza." In Mazzocchi Doglio and Tintori. Exh. cat., Milan, Rotonda di Via Besana, pp. 41–75. 1983.

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McGrath, Thomas. "Federico Barocci and the History of Pastelli in Central Italy." Apollo 148, no. 441 (November 1998), pp. 3–9.

McLanathan 1966
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McMahon 1956
Leonardo da Vinci: Treatise on Painting (Codex Urbinas Latinus 1270). Translated and annotated by A. Philip McMahon; introduced by Ludwig Heydenreich. 2 vols. Princeton, N.J., 1956.

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Meder, Joseph. Die Handzeichung, Ihre Technik und Entwicklung. Vienna, 1919.

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Meder, Joseph. Albertina-Faksimile: Handzeichnungen italienischer Meister des XV–XVIII. Jahrhunderts. Vienna, 1923.

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Meder, Joseph. The Mastery of Drawing. 2 vols. Translated and revised by Winslow Ames. New York, 1978.

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Meijer, Bert W. "Esempi del comico figurativo nel rinascimento lombardo." Arte lombarda 16 (1971), pp. 259–66.

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Meijer, Bert W. "From Leonardo to Bruegel: Comic Art in Sixteenth-Century Europe." Word and Image 4, no. 1 (1988), pp. 405–11.

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Meijer, Bert W. "'L'arte non deve schernire': Sul comico e sul grottesco al Nord." In Museo Cantonale d'Arte 1998, pp. 69–76.

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Meller, Peter. "Quello che Leonardo non ha scritto sulla figura umana: Dall'uomo di Vitruvio alla Leda." Arte lombarda, no. 67 (1983), pp. 117–33.

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Metropolitan Museum of Art 1944
European Drawings from the Collections of The Metropolitan Museum of Art: Italian, Flemish, Dutch, German, Spanish, French, and British Drawings (Portfolio of Collotype Reproductions). New York, 1944.

Metropolitan Museum of Art 1952
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Metropolitan Museum of Art 1980
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Metropolitan Museum of Art 1983
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Michel 1900
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Middeldorf 1934
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Milanesi 1876
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Milanesi 1879
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Möller 1918
Möller, Emil. "Zwei bisher unerkannte Bildnisse der Mona Lisa." Monatshefte für Kunstwissenschaft 11 (1918), pp. 1–14, pls. 1–4.

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Möller, Emil. "Wie sah Leonardo aus?" Belvedere 9–10 (1926), pp. 29–46.

Möller 1926–29
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Möller 1928
Möller, Emil. "Salai und Leonardo da Vinci." Jahrbuch der Kunsthistorischen Sammlungen in Wien, n.s., 2 (1928), pp. 139–61.

Möller 1928–29
Möller, Emil. "Die Madonna mit den Spielenden Kindern aus der Werkstatt Leonardos." Zeitschrift fur Bildende Kunst 62 (1928–29), pp. 217–27.

Möller 1930–34
Möller, E[mil]. "Leonardo e il Verrocchio: Quattro rilievi di capitani antichi lavorati per re Mattia Corvino." Raccolta Vinciana, no. 14 (1930–34), pp. 3–38.

Möller 1935
Möller, Emil. "Shorter Notices: Verrocchio's Last Drawing." The Burlington Magazine 66, no. 385 (April 1935), pp. 192–95.

Möller 1937–38
Möller, Emil. "Leonardos Bildnis der Ginevra dei Benci." Münchner Jahrbuch der bildenden Kunst, n.s., 12 (1937–38), pp. 185–209.

Möller 1952a
Möller, Emil. Das Abendmahl des Lionardo da Vinci. Veröffentlichungen des Instituts für Europäische Geschichte Mainz, 1. Baden-Baden, 1952.

Möller 1952b
Möller, Emil. Review of The Drawings of Leonardo da Vinci, by A. E. Popham. Das Münster 5 (1952), p. 341.

Monbeig Goguel 1988
Monbeig Goguel, Catherine. "Taste and Trade: The Retouched Drawings in the Everard Jabach Collection at the Louvre." The Burlington Magazine 130, no. 1028 (November 1988), pp. 821–35.

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Mongan 1987
Mongan, Agnes. "On Silverpoint Drawings and the Subject of Left-handedness." In Drawings Defined, by Konrad Oberhuber et al., pp. 150–64. New York, 1987.

Mongan and Sachs 1940
Mangan, Agnes, and Paul J. Sachs. Drawings in the Fogg Museum of Art. Vol. 1. Cambridge, Mass., 1940.

Le Moniteur 1850
"Beaux-Arts." Le Moniteur, no. 252 (1850), pp. 2948–49.

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Montaiglon, Anatole de. "Des nouvelles acquisitions du Musée de dessins du Louvre. Ecole Allemande, Hollandaise et Flamande." La lumière 2, no. 52 (December 18, 1852), pp. 207–8; 2, no. 53 (December 31, 1852), pp. 211–12.

Monti 1966
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Moreira 1998
Moreira, Rafael. "Leonardo and Portugal." In Mosteiro dos Jeronimos 1998, pp. 25–39. 1998.

Morel d'Arleux
Manuscript inventory of the drawings in the Louvre, circa 1802, by Louis-Marie-Joseph Morel d'Arleux, curator of the Cabinet des dessins du Louvre from 1797 to 1827. 9 albums, Département des arts Graphiques du musée du Louvre, Paris.

Morelli 1890
Lermolieff, Ivan [Giovanni Morelli]. Kunstkritische Studien über italienische Malerei: Die Galerien Borghese und Doria Panfili in Rom. Leipzig, 1890.

Morelli 1893
Morelli, Giovanni (Ivan Lermolieff). Italian Painters: Critical Studies of Their Works. [Vol. 2], The Galleries of Munich and Dresden. London, 1893.

Morelli 1900
Morelli, Giovanni (Ivan Lermolieff). Italian Painters: Critical Studies of Their Works. [Vol. 1], The Borghese and Doria-Pamfili Galleries in Rome. 1892. London, 1900.

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Morelli, Giovanni. De la peinture italienne. 1900. Paris, 1994.

Morley 1979
Morley, Brian. "The Plant Illustrations of Leonardo da Vinci." The Burlington Magazine 121, no. 918 (September 1979), pp. 553–62.

Morning Advertiser 1835
The Morning Advertiser (London). May 27, 1835.

Moro 1987
Moro, Franco. Pittura tra Adda e Serio, Lodi, Treviglio, Caravaggio, Crema. Edited by Mina Gregori. Milan, 1987.

Moro 1991
Moro, Franco. "Spunti sulla diffusione di un tema leonardesco tra Italia e Fiandra sino a Lanino." In Fiorio and Marani 1991, pp. 120–40.

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Morolli, Gabriele. "Lorenzo, Leonardo e Giuliano—Da San Lorenzo al Duomo a Poggio a Caiano: Paralipomeni architettonici minimi in vista del semimillenario della morte del Magnifico." Quasar 3 (January 1990), pp. 5–14.

Moroni 1858
Moroni, G. Dizionario di educazione storico-ecclesiastica. Vol. 88. Venice, 1858.

Morozzi 1988–89
Morozzi, Luisa. "La 'Battaglia di Cascina' di Michelangelo: Nuova ipotesi sulla data di commissione." Prospettiva, nos. 53–56 (April 1988–January 1989), pp. 320–24.

Morrison 1892
Morrison, Alfred. Catalogue of the Collection of Autograph Letters and Historical Documents Formed by Alfred Morrison. 2d ser. 6 vols. London, 1892.

Moschini 1828
Moschini, Giovanni Antonio. Memorie della vita di Antonio de Solario, detto il Zingaro, pittore viniziana. Venice, 1828.

Moskovits 1962
Moskovits, Ira. Great Drawings of All Time. Vol. 1, Italian Drawings. New York, 1962.

Mosteiro dos Jeronimos 1998
Leonardo da Vinci, a Man on a World Scale, the World on a Human Scale . . . : Codex Leicester Exhibit. Exh. cat., Lisbon, Mosteiro dos Jerónimos. Lisbon, 1998.

Mraz and Galavics 1999
Mraz, Gerda, and Géza Galavics. Von Bildern und anderen Schätzchen: Die Sammlung der Esterházy. Vienna and Cologne, 1999.

Mss A-M 1881–91
Ravaisson-Mollien, Charles, ed. Les Manuscrits de Léonard de Vinci, Manuscrit A. (etc) de l'Institut de France. 6 vols. Paris, 1881–91.

Müller Hofstede 1964
Müller Hofstede, Justus. "An Early Rubens Conversion of St Paul: The Beginning of his Preoccupation with Leonardo's Battle of Anghiari." The Burlington Magazine 106, no. 732 (March 1964), pp. 95–106.

Müller Hofstede 1965
Müller Hofstede, Justus. "Rubens' St. Georg und seine frühen Reiterbildnisse." Zeitschrift für Kunstgeschichte 28, nos. 1–2 (1965), pp. 69–112.

Müller Hofstede 1977
Müller Hofstede, Justus. Peter Paul Rubens, 1577–1640. Rubens in Italien: Gemälde, Ölskizzen, Zeichnungen. Exh. cat., Cologne, Wallraf-Richartz-Museum. Cologne, 1977.

Müller-Walde 1889
Müller-Walde, Paul. Leonardo da Vinci: Lebenskizze und Forschungen über sein Verhältnis zur Florentiner Kunst und zu Rafael. Munich, 1889.

Müller-Walde 1897
Müller-Walde, Paul. "Beiträge zur Kenntnis des Leonardo da Vinci. I. Ein neues Dokument zur Geschichte des Reiterdenkmals für Francesco Sforza: Das erste Modell Leonardo's. II. Eine Skizze Leonardo's zur stehenden Leda; Eine Skizze nach Praxiteles und der Merkur im Kastell von Mailand." Jahrbuch der Königlich Preussischen Kunstsammlungen 18 (1897), pp. 92–136; 137–69.

Müller-Walde 1898
Müller-Walde, Paul. "Beiträge zur Kenntnis des Leonardo da Vinci. III. Vorbereitungen zum Hl. Johannes des Louvre unter Plänen zum Trivulzio-Grabmal und geometrischen Berechnungen. IV. Einige Darstellungen des Hl. Sebastian: Erinnerung an die Pollajuoli." Jahrbuch der Königlich Preussischen Kunstsammlungen 19 (1898), pp. 225–49; 2 unnumbered plates, pp. 250–66.

Müller-Walde 1899
Müller-Walde, Paul. "Beiträge zur Kenntnis des Leonardo da Vinci. V. Eine frühe Redaktion von Leonardo's Komposition der Madonna mit der Hl. Anna und dem Lamm. VI. Einige Anweisungen Leonardo's für den unterseeischen Schiffskampf, Taucherapparate und Torpedoboote: Leonardo's Erfindung der Schiffsschraube. VII. Leonardo da Vinci und die antike Reiterstatue des Regisole: Einige Entwürfe Leonardo's zum Reiterdenkmale für Gian Giacomo Trivulzio. Plaketten des Berliner K. Museums nach Studien Leonardo's zu Reiterdenkmälern und zur Darstellung der Reiterschlacht von Anghiari." Jahrbuch der Königlich Preussischen Kunstsammlungen 20 (1899), pp. 54–59; 60–80; 81–116.

Müntz 1886
Müntz, Eugène. "Le château de Fontainebleau en 1625, d'après le Diarium du Commandeur Cassiano del Pozzo." Mémoires de la Société de l'Histoire de Paris et de l'Ile-de-France 12 (1885), pp. 255–78.

Müntz 1892
Müntz, Eugène. "Studi leonardeschi. I. La Vergine delle Roccie. II. L'Adorazione dei Magi." Archivio storico dell' arte 5 (1892), pp. 26–32; 32–33.

Müntz 1898
Müntz, Eugène. Leonardo da Vinci, Artist, Thinker, and Man of Science. 2 vols. London and New York, 1898.

Müntz 1899
Müntz, Eugène. Léonard de Vinci: L'artiste, le penseur, le savant. Paris, 1899.

Musée Condé 1995
Lanfranc de Panthou, Caroline, and Benjamin Peronnet. Dessins italiens du musée Condé à Chantilly. I. Autour de Pérugin, Filippino Lippi et Michel-Ange. Exh. cat., Musée Condé, Château de Chantilly. Paris, 1995.

Musée d'Art et d'Histoire, Geneva 1998
Le corps à vif. Exh. cat., Geneva, Musée d'Art et d'Histoire. Geneva, 1998.

Musée des Beaux-Arts, Rennes 1990
Disegno, Les dessins italiens du Musée de Rennes: Catalogue de l'exposition suivi d'un Inventaire de la Collection. Modène, Galleria Estense. Exh. cat., Rennes, Musée des Beaux-Arts. Rennes, 1990.

Musée national Message Biblique Marc Chagall 1982
Représentation de l'architecture sacrée. Le temple. Musée national Message Biblique Marc Chagall. Nice, 1982.

Musée Royal des Beaux-Arts 1977
P. P. Rubens. Peintures—Esquisses à l'huile—Dessins. Exh. cat., Antwerp, Musée Royal des Beaux-Arts. Antwerp, 1977.

Museo Cantonale d'Arte 1998
Rabisch—Il grottesco nell'arte del Cinquecento: L'Accademia della Val di Blenio, Lomazzo e l'ambiente milanese. Exh. cat., Lugano, Museo Cantonale d'Arte. Milan, 1998.

Museo Poldi Pezzoli 1982–83
Natale, Mauro. Zenale e Leonardo: Tradizione e rinnovamento della pittura lombarda. Exh. cat., Milan, Museo Poldi Pezzoli. Milan, 1982.

Museum Boymans-Van Beuningen 1962
Lugt, Frits, et al. Italiaanse tekeningen in Nederlands bezit. Exh. cat., Paris, Institut néerlandais; Rotterdam, Museum Boymans-Van Beuningen; Haarlem, Teylers Museum. Rotterdam, 1962.

Mussini 1991
Mussini, Massimo. Il Trattato di Francesco di Giorgio Martini e Leonardo: Il Codice Estense restituito. Parma, 1991.

Muylle 1994
Muylle, Jan. "Groteske koppen van Quinten Metsijs, Hieronymus Cock en Hans Liefrinck naar Leonardo da Vinci." Zeventiende eeuw 10, no. 2 (1994), pp. 252–65.

Muylle 2001
Muylle, Jan. "Tronies toegeschreven aan Pieter Bruegel: Fysionomie en expressie." De zeventiende eeuw 17, no. 2 (2001), pp. 174–204.

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Nagel, Alexander. "Leonardo and Sfumato." Res, no. 24 (Autumn 1993), pp. 7–20.

Nanni 2001
Nanni, Romano. "Leonardo nella 'tradizione' di Leda." In Dalli Regoli, Nanni, and Natali 2001, pp. 23–45.

Narducci 1859
Narducci, Enrico, ed. La composizione del mondo di Ristoro d'Arezzo, testo italiano del 1282. Rome, 1859.

Natale 1982
Natale, M. Museo Poldi-Pezzoli: Dipinti. Milan, 1982.

Natali 1994
Natali, Antonio. "Il tempio e la radice." In Cropper 1994, pp. 147–56, and unpaginated figures.

Natali 1998a
Natali, Antonio. "Lo sguardo degli angeli." In Lo sguardo degli angeli: Verrocchio, Leonardo e il 'Battesimo di Cristo,' edited by Antonio Natali, pp. 60–94. Cinisello Balsamo, 1998.

Natali 1998b
Natali, Antonio. "Lo sguardo degli angeli: Tragitto indiziario per il Battesimo di Cristo di Verrocchio e Leonardo." Mitteilungen des Kunsthistorischen Institutes in Florenz 42, nos. 2–3 (1998), pp. 252–73.

Natali 2000
Natali, Antonio. "Dubbi, difficoltà e disguidi nell' Annunciazione di Leonardo." In L'Annunciazione di Leonardo: La montagna sul mare, edited by Antonio Natali, pp. 36–59. Cinisello Balsamo, 2000.

Natali 2001
Natali, Antonio. "Le pose di Leda." In Dalli Regoli, Nanni, and Natali 2001, pp. 46–64.

Nathan 1990
Nathan, Johannes. "Workshop Practices of Leonardo da Vinci: Background Material and the Example of the Leda." M.A. Thesis, University of London, The Courtauld Institute of Art, 1990.

Nathan 1992
Nathan, Johannes. "Some Drawing Practices of Leonardo da Vinci: New Light on the St. Anne." Mitteilungen des Kunsthistorischen Institutes in Florenz 36, nos. 1–2 (1992), pp. 85–102.

Nathan 1996
Nathan, Johannes. "The Working Methods of Leonardo da Vinci and Their Relation to Previous Artistic Practice." Ph.D. diss., University of London, The Courtauld Institute of Art, 1996.

National Gallery of Art 1974
Recent Acquisitions and Promised Gifts. Exh. cat., Washington, D.C., National Gallery of Art. Washington, D.C., 1974.

National Gallery of Art 1978
Master Drawings from the Collection of the National Gallery of Art and Promised Gifts. Exh. cat., Washington, D.C., National Gallery of Art. Washington, D.C., 1978.

National Gallery of Art 1979
Shapley, Fern Rusk. Catalogue of Italian Paintings. Washington, D.C., 1979.

National Gallery of Art 1984–85
Koschatzky, Walther, A. Strobl, F. Koreny, and Veronika Birke. Old Master Drawings from the Albertina. Organized and circulated by the International Exhibitions Foundation, Washington, D.C. Exh. cat., Washington, D.C., National Gallery of Art; New York, Pierpont Morgan Library. Washington, D.C., 1984. German edition: Zeichnungen Alter Meister aus der Albertina. References in the exhibition catalogue are to the English edition.

National Gallery of Art 1987
[Robinson, Andrew, et al.] Master Drawings from the Armand Hammer Collection. Exh. cat., Washington, D.C., National Gallery of Art. Washington, D.C., 1987.

National Gallery of Scotland 1991
Saved for Scotland: Works of Art Acquired with the Help of the National Art Collections Fund. Exh. cat., Edinburgh, National Gallery of Scotland. Edinburgh, 1991.

National Gallery of Scotland 1999
The Draughtsman's Art: Master Drawings from the National Gallery of Scotland. Exh. cat., Edinburgh, National Gallery of Scotland; New York, Frick Collection; Houston, Museum of Fine Arts. Edinburgh, 1999.

National Gallery of Scotland and Hazlitt Gooden and Fox 1994
From Leonardo to Manet: Ten Years of Collecting Prints and Drawings. Exh. cat., Edinburgh, National Gallery of Scotland; London, Hazlitt Gooden and Fox. Edinburgh, 1994.

National Museum of Western Art 1993
Ishikawa, M., and M. J. McClintock, eds. High Renaissance in the Vatican: The Age of Julius II and Leo X. Exh. cat., Tokyo, National Museum of Western Art. Tokyo, 1993.

National Museum of Western Art 2001–2
Paolucci, Antonio, et al. Il Rinascimento in Italia: La Civiltà delle Corti. Exh. cat., Tokyo, National Museum of Western Art; Rome, Scuderie Papali al Quirinale. Tokyo, 2001.

Nationalmuseum Stockholm 1983
Leonardo da Vinci. Exh. cat., Stockholm, Nationalmuseum. Stockholm, 1983.

Nees 1978
Nees, Lawrence. "Le 'Quos Ego' de Marc-Antoine Raimondi: L'adaptation d'une source antique par Raphael." Nouvelles de l'estampe, nos. 40–41 (July–October 1978), pp. 18–29.

Nelson 1997
Nelson, Jonathan. "The High Altar-piece of SS.Annunziata in Florence : History, Form, and Function." The Burlington Magazine 139, no. 1127 (February 1997), pp. 84–94.

Nepi Scirè 1982
Nepi Scirè, Giovanna. Storia della collezione dei Disegni, Gallerie dell'Accademia di Venezia. Milan, 1982.

Nepi Scirè and Torrini 1999
Nepi Scirè, Giovanna, and Annalisa Perissa Torrini. Da Leonardo a Canaletto: Disegni delle Gallerie dell' Accademia. Exh. cat., Venice, Gallerie dell'Accademia. Milan, 1999.

Nesselrath 1999
Nesselrath, Arnold. "Leonardo da Vinci: Bühender hl. Hieronymus um 1482." In Hoch Renaissance im Vatikan: Kunst und Kultur im Rom der Päpste I, 1503–1534, pp. 552–53. Exh. cat., Bonn, Kunst- und Austellungshalle der Bundesrepublik Deutschland. Bonn, 1999.

Neufeld 1949
Neufeld, Günther. "Leonardo da Vinci's Battle of Anghiari: A Genetic Reconstruction." The Art Bulletin 33, no. 3 (September 1949), pp. 170–83.

New Gallery 1893–94
Exhibition of Early Italian Art from 1300–1550. Exh. cat., London, The New Gallery. London, 1893–94.

Newman 1980
Newman, John. "A Draft Will of the Earl of Arundel." The Burlington Magazine 122, no. 931 (October 1980), pp. 692–96.

Nicodemi 1939
Nicodemi, Giorgio. Leonardo da Vinci: Gemälde, Zeichnungen, Studien. Leipzig, 1939.

Nicodemi 1980a
Nicodemi, Giorgio. "The Life and Works of Leonardo." In Leonardo da Vinci 1980, pp. 18–87.

Nicodemi 1980b
Nicodemi, Giorgio. "The Portrait of Leonardo." In Leonardo da Vinci 1980, pp. 8–17.

Niessen 1868
Niessen, Johannes. The Lord's Supper: Christ and His Twelve Disciples from the Original Crayon-drawings of Leonardo da Vinci in the Possession of Her Royal Highness the Grand Duchess of Saxe-Weimar. Explanatory text by J. Sighart. London, 1868.

Nogara 1931
Nogara, Bartolomeo. "Gli ultimi restauri del S. Girolamo di Leonardo da Vinci." In Miscellanea di Studi Lombardi in onore di Ettore Verga. Milan, 1931.

Norris 1988–89
Norris, Andrea, ed. The Sforza Court: Milan in the Renaissance, 1450–1535. Exh. cat. Austin, Archer M. Huntington Art Gallery; University Art Museum, University of California, Berkeley; New Haven, Yale University Art Gallery. New Haven and London, 1988.

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Oberhuber and Gnann 1999
Oberhuber, Konrad, and Achim Gnann. Roma e lo stile classico di Raffaello, 1515–1527. Exh. cat., Mantua, Palazzo Te; Vienna, Graphische Sammlung Albertina. Milan, 1999.

Oberhuber and Walker 1973
Oberhuber, Konrad, and Dean Walker. Sixteenth Century Italian Drawings from the Collection of Janos Scholz. Exh. cat., Washington, D.C., National Gallery of Art. Washington, D.C., 1973.

O'Malley 1969
O'Malley, C[harles] D., ed. Leonardo's Legacy: An International Symposium. Berkeley and Los Angeles, 1969.

O'Malley and Saunders 1952
O'Malley, Charles D., and J[ohn] B[ertrand] de C[usance] M[orant] Saunders. Leonardo da Vinci on the Human Body: The Anatomical, Physiological, and Embryological Drawings of Leonardo da Vinci. New York, 1952.

Orangerie 1931
Dessins Italiens. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1931.

Orangerie 1935
Portraits et figures de femme: Pastels et dessins. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1935.

Orangerie 1947–48
Cinquantenaire des "Amis du Louvre" 1897–1947. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1947.

Orangerie, 1954
Chefs-d'œuvre de la Collection Edmond de Rothschild. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1954.

Orangerie 1977–78
Collections de Louis XIV: Dessins, albums, manuscrits. Exh. cat., Paris, Musée national de l'Orangerie des Tuileries. Paris, 1977.

Oremland 1997
Oremland, Jerome D. The Origins and Psychodynamics of Creativity: A Psychoanalytic Perspective. Madison, 1997.

Ortolani 1948
Ortolani, Sergio. Il Pollaiuolo. Milan, 1948.

Ost 1975a
Ost, Hans. "Der vatikanische Hieronymous." In Ost 1975b, pp. 1–97.

Ost 1975b
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Ost 1980
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Pedretti 1954
Pedretti, Carlo. "Leonardo's Allegories at Oxford explained by Lomazzo." The Burlington Magazine 96, no. 615 (June 1954), pp. 175–77.

Pedretti 1957a
Pedretti, Carlo. Leonardo da Vinci: Fragments at Windsor Castle from the Codex Atlanticus. London, 1957.

Pedretti 1957b
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Pedretti 1957, 1998
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Pedretti 1958a
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Pedretti 1958b
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Pedretti 1959
Pedretti, Carlo. "Uno 'studio' per la Gioconda." L'Arte 58 (1959), pp. 155–223.

Pedretti 1962a
Pedretti, Carlo. A Chronology of Leonardo da Vinci's Architectural Studies After 1500. Geneva, 1962.

Pedretti 1962b
Pedretti, Carlo. "A New Grotesque after Leonardo." Raccolta Vinciana, no. 19 (1962), pp. 283–86.

Pedretti 1964a
Pedretti, Carlo. Leonardo da Vinci on Painting: A Lost Book (Libro A) Reassembled from the Codex Vaticanus Urbinas 1270 and from the Codex Leicester. Berkeley and Los Angeles, 1964.

Pedretti 1964b
Pedretti, Carlo. "The Missing Folio 3 of Ms. B." Raccolta Vinciana 20 (1964), pp. 211–24.

Pedretti 1968a
Pedretti, Carlo. "The Burlington House Cartoon." The Burlington Magazine 110, no. 778 (January 1968), pp. 22–28.

Pedretti 1968b
Pedretti, Carlo. Leonardo da Vinci inedito: Tre saggi. Florence, 1968.

Pedretti 1969
Pedretti, Carlo. "The 'Pointing Lady.'" The Burlington Magazine 111, no. 795 (June 1969), pp. 338–46.

Pedretti 1970
Pedretti, Carlo. "Leonardo da Vinci: Manuscripts and Drawings of the French Period, 1517–1518." Gazette des Beaux-Arts, ser. 6, 76 (1970), pp. 285–318.

Pedretti 1972a
Pedretti, Carlo. Leonardo da Vinci: The Royal Palace at Romorantin. Cambridge, Mass., 1972.

Pedretti 1972b
Pedretti, Carlo. "La Verruca." Renaissance Quarterly 25, no. 4 (Winter 1972), pp. 417–25.

Pedretti 1973a
Pedretti, Carlo. Leonardo: A Study in Chronology and Style. Berkeley and Los Angeles, 1973.

Pedretti 1973b
Pedretti, Carlo. Leonardo da Vinci: Studies for a Nativity and the 'Mona Lisa Cartoon,' with Drawings after Leonardo from the Elmer Belt Library of Vinciana. Exhibition in Honour of Elmer Belt, M.D. on the Occasion of His Eightieth Birthday. Exh. cat., Belt Library, University of California, Los Angeles. Los Angeles, 1973.

Pedretti 1975a
Pedretti, Carlo. Disegni di Leonardo da Vinci e della sua scuola alla Biblioteca Reale di Torino. Florence, 1975.

Pedretti 1975b
Pedretti, Carlo. "Eccetera, perché la minestra si fredda": Codice Arundel, fol. 245 recto. Lettura Vinciana, 15 (15 aprile 1975). Florence, 1975.

Pedretti 1977
Pedretti, Carlo. The Literary Works of Leonardo da Vinci, Compiled and Edited from the Original Manuscripts by Jean Paul Richter: Commentary. 2 vols. Berkeley and Los Angeles, 1977.

Pedretti 1978a
Pedretti, Carlo. "Leonardo a Venezia." In Giorgione 1478.1978. Guida alla mostra: I tempi di Giorgione, edited by Paolo Carpeggiani, pp. 84–85. Exh. cat., Castelfranco Veneto. Venice, 1978.

Pedretti 1978b
Pedretti, Carlo. "Notes: Reconstruction of a Leonardo Drawing." Master Drawings 16, no. 2 (Summer 1978), pp. 151–56, pl. 26.

Pedretti 1978–79
Pedretti, Carlo. The Codex Atlanticus of Leonardo da Vinci: A Catalogue of its Newly Restored Sheets. 2 vols. New York, 1978–79.

Pedretti 1979a
Pedretti, Carlo. "Giorgione e il Cristo portacroce di Leonardo." Almanacco italiano 79 (1979), pp. 8–14.

Pedretti 1979b
Pedretti, Carlo. Infra l'anatomia e 'l vivo. Lettura Vinciana (13 September 1979). Florence, 1979.

Pedretti 1979c
Pedretti, Carlo. Leonardo. Bologna, 1979.

Pedretti 1979d
Pedretti, Carlo. "Notes: An Unpublished Leonardo Drawing." Master Drawings 17, no. 1 (Spring 1979), pp. 24–28, pls. 14a–14b.

Pedretti 1980a
Pedretti, Carlo. The Codex Leicester by Leonardo da Vinci. Sale cat., Christie, Manson and Woods, London, Friday, December 12, 1980.

Pedretti 1980b
Pedretti, Carlo. "Leonardo e la lettura del territorio." In Lombardia: Il territorio, l'ambiente, il paesaggio, edited by Carlo Pirovano, pp. 235–84. Milan, 1980.

Pedretti 1981a
Pedretti, Carlo. "Giorgione e Leonardo." In Giorgione e l'Umanismo veneziano, edited by Rodolfo Palluchini, vol. 2, pp. 485–512. Florence, 1981.

Pedretti 1981b
Pedretti, Carlo. Leonardo architetto. 1978. Rev. ed. Milan, 1981.

Pedretti 1982a
Pedretti, Carlo, ed. The Drawings and Miscellaneous Papers of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle. Vol. 1, Landscapes, Plants, and Water Studies. London and New York, 1982.

Pedretti 1982b
Pedretti, Carlo. "Foglio di Weimar." In Vezzosi 1982, pp. 82–85.

Pedretti 1982c
Pedretti, Carlo. "Introduzione." In Vezzosi 1982, pp. 11–23.

Pedretti 1982d
Pedretti, Carlo. Leonardo da Vinci: Studi di natura dalla Biblioteca Reale nel Castello di Windsor. Florence, 1982.

Pedretti 1983–84
Pedretti, Carlo. "Leonardo dopo Milano." In Vezzosi 1983–84b, pp. 43–59.

Pedretti 1984
Pedretti, Carlo. "Il linguaggio delle mani." In Galleria degli Uffizi 1984, pp. 23–35.

Pedretti 1985
Pedretti, Carlo. "La scapiliata." In Leonardo: La pittura 1985, pp. 140–52.

Pedretti 1986a
Pedretti, Carlo. "C'è a Firenze un 'Leonardo' che andrà all'asta a New York per più di 3 miliardi." La Nazione (October 3, 1986), p. 3.

Pedretti 1986b
Pedretti, Carlo. Leonardo Architect. 1981. London, 1986.

Pedretti 1987a
Pedretti, Carlo. The Codex Hammer of Leonardo da Vinci. Translated into English and annotated by Carlo Pedretti. Florence, 1987.

Pedretti 1987b
Pedretti, Carlo, ed. The Drawings and Miscellaneous Papers of Leonardo da Vinci in the Collection of Her Majesty The Queen at Windsor Castle. Vol. 2, Horses and Other Animals. London and New York, 1987.

Pedretti 1987c
Pedretti, Carlo. "Leonardo: Era giusto tentare." Art e dossier 10 (February 1987), pp. 4–5.

Pedretti 1988a
P[edretti], C[arlo]. "A Chronicle of Events, 1980–1987." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 146–54.

Pedretti 1988b
P[edretti], C[arlo]. "The Getty 'TL Sheet.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), p. 145, and unpaginated figures.

Pedretti 1988c
Pedretti, Carlo. "Gleanings: 12. The Androgynous." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), p. 130, and unpaginated figures.

Pedretti 1988d
P[edretti], C[arlo]. "A Gloss for L.C.A. and P.C.M." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), p. 120, and unpaginated figures.

Pedretti 1988e
Pedretti, Carlo. Léonard de Vinci, Architecte. 1983. Paris, 1988.

Pedretti 1988f
P[edretti], C[arlo]. "Leonardo at the Morgan Library." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 142–44, and unpaginated figures.

Pedretti 1988g
Pedretti, Carlo. "The 'libro dj medjcina dj cavallj.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 91–95, and unpaginated figures.

Pedretti 1988h
Pedretti, Carlo. "MS. Saluzzo 312: Disegni di architettura militare di Leonardo da Vinci." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 107–17, and unpaginated figures.

Pedretti 1988i
[Pedretti, Carlo]. "Previews: Drawings Worth a Chat." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 155–56, and unpaginated figures.

Pedretti 1988j
P[edretti], C[arlo]. "Quae sunt Caesaris . . ." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 121–22, and unpaginated figures.

Pedretti 1988k
P[edretti], C[arlo]. "Windsor Landscapes and Horses: Addenda and Corrigenda." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), pp. 122–26, and unpaginated figures.

Pedretti 1989a
Pedretti, Carlo. "Leonardo as a Sculptor: A Bibliography." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 131–47, and unpaginated figures.

Pedretti 1989b
P[edretti], C[arlo]. "Leonardo at the Städel Museum." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 166–67, and unpaginated figures.

Pedretti 1989c
P[edretti], C[arlo]. "The Mock Sepulchre." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 127–30, and unpaginated figures.

Pedretti 1989d
[Pedretti, Carlo]. "Previews: Drapery Studies at the Louvre." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), p.178, and unpaginated figures.

Pedretti 1989e
Pedretti, Carlo. "Previews: The Vatican St. Jerome." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), p. 178.

Pedretti 1989f
Pedretti, Carlo. "A Proem to Sculpture." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989), pp. 11–39, and unpaginated figures.

Pedretti 1990a
Pedretti, Carlo, ed. Disegni di Leonardo da Vinci e della sua cerchia nella Biblioteca Reale di Torino. Florence, 1990.

Pedretti 1990b
Pedretti, Carlo. "The Final Shot." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 30–38, and unpaginated figures.

Pedretti 1990c
P[edretti], C[arlo]. "Gleanings: 2. A Cesare da Sesto Profile." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), p.145, and unpaginated figure.

Pedretti 1990d
P[edretti], C[arlo]. "Gleanings: 3. The Spencer Grotesques." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 145–46, and unpaginated figures.

Pedretti 1990e
P[edretti], C[arlo]. "Leonardo's 'Half Egg.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 161–64, and unpaginated figures.

Pedretti 1990f
Pedretti, Carlo. "Leonardo's Late Notes on Drapery." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), p. 168, and unpaginated figures.

Pedretti 1990g
Pedretti, Carlo. "Nec ense." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 82–90, and unpaginated figures.

Pedretti 1991a
Pedretti, Carlo. "The 'Angel in the Flesh.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 34–48, and unpaginated figures.

Pedretti 1991b
P[edretti], C[arlo]. "L'Anima e il volto." In Leonardo: Studi di fisiognomica, by F. Cardi, pp. 44–47. Milan, 1991.

Pedretti 1991c
Pedretti, Carlo. "Leonardo and the Antique: A Bibliography." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 214–44, and unpaginated figures.

Pedretti 1991d
Pedretti, Carlo. "The Phallic Head." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4 (1991), pp. 48–51, and unpaginated figures.

Pedretti 1992a
P[edretti], C[arlo]. Appendice: "Un frammento di 'Uomo Vitruviano.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), p. 112, and unpaginated figures.

Pedretti 1992b
P[edretti], C[arlo]. "Jacques Franck on the Restoration of the Louvre St. Anne." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), pp. 166–68.

Pedretti 1992c
Pedretti, Carlo. Leonardo da Vinci: La Battaglia di Anghiari e le armi fantastiche. Florence, 1992.

Pedretti 1992d
P[edretti], C[arlo]. "The Mysteries of a Leonardo Madonna, Mostly Unsolved." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), pp. 169–75, and unpaginated figures.

Pedretti 1992e
Pedretti, Carlo. "Paolo di Leonardo." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), pp. 120–22, and unpaginated figures.

Pedretti 1992f
[Pedretti, Carlo, ed.] "Views and Previews." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 5 (1992), pp. 185–88, and unpaginated figures.

Pedretti 1993a
Pedretti, Carlo. "A.D. 1493." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 6 (1993), pp. 131–41, and unpaginated figures.

Pedretti 1993b
Pedretti, Carlo. "Gleanings." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 6 (1993), pp. 185–88, and unpaginated figures.

Pedretti 1993c
Pedretti, Carlo. "Three Texts on Color." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 6 (1993), pp. 34–46, and unpaginated figures.

Pedretti 1994a
Pedretti, Carlo. "Excursus: Un gioco di simboli per bambini." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 7 (1994), pp. 96–97, and unpaginated figures.

Pedretti 1994b
Pedretti, Carlo. Leonardo a Venezia. Rome, 1994.

Pedretti 1994c
Pedretti, Carlo. The Leonardo da Vinci Codex Hammer. Sale cat., Christie, Manson and Woods, New York, Friday, November 11, 1994.

Pedretti 1995a
Pedretti, Carlo. "The Sforza Horse in Context." In Ahl 1995, pp. 27–39.

Pedretti 1995b
Pedretti, Carlo. "The St. Jerome Restored." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 8 (1995), p. 264, and unpaginated figures.

Pedretti 1995c
Pedretti, Carlo. "The Stockholm St. Jerome." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 8 (1995), pp. 239–40, and unpaginated figures.

Pedretti 1996a
Pedretti, Carlo. "The Dart Caster." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 9 (1996), pp. 55–72, and unpaginated figures.

Pedretti 1996b
Pedretti, Carlo. "Deluges after Leonardo: Basquiat and Matta." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 9 (1996), p. 218, and unpaginated figures.

Pedretti 1996c
Pedretti, Carlo. "Quella puttana di Leonardo." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 9 (1996), pp. 121–39, and unpaginated figures.

Pedretti 1996d
Pedretti, Carlo. "The Structure and Dating of the Codex Leicester." In Farago 1996b, pp. 31–33.

Pedretti 1996e
Pedretti, Carlo. "The Vatican St. Jerome Restored." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 9 (1996), p. 234, and unpaginated figures.

Pedretti 1997a
Pedretti, Carlo. "Il disegno di Oporto." Raccolta Vinciana, no. 27 (1997), pp. 3–11.

Pedretti 1997b
Pedretti, Carlo. "Drawings Ruined in Restoration." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 10 (1997), pp. 258–59, and unpaginated figures.

Pedretti 1997c
Pedretti, Carlo. "Leonardo a Urbino e il Libro di Pittura." Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 10 (1997), pp. 76–88, and unpaginated figures.

Pedretti 1998a
Pedretti, Carlo. "Il 'bagnetto' di Leonardo." Il Sole–24 Ore, January 11, 1998, p. 25.

Pedretti 1998b
Pedretti, Carlo. "O Desenho do Porto." Apontamentos (Faculdade de Belas Artes da Universidade do Porto) 2 (1998), pp. 22–24.

Pedretti 1998c
Pedretti, Carlo. "Leonardo: Il ritratto." Art e dossier, no. 138 (October 1998), p. 42.

Pedretti 1998–99
Pedretti, Carlo, ed. Leonardo e la pulzella di Camaiore: Inediti vinciani e capolavori della scultura lucchese del primo Rinascimento. Exh. cat., Camaiore, Museo di Arte Sacra. Florence, 1998.

Pedretti 1999a
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Pedretti 1999b
Pedretti, Carlo. Leonardo: The Machines. Florence, 1999.

Pedretti 2001
Pedretti, Carlo. "La bocca della maraviglia." In Palazzo Reale 2001, pp. 363–65.

Pedretti and Clark 1980–81
Pedretti, Carlo, and Kenneth Clark. Leonardo da Vinci: Nature Studies from the Royal Library at Windsor Castle. Exh. cat., Malibu, The J. Paul Getty Museum; New York, The Metropolitan Museum of Art. [New York], 1980.

Pedretti and Clark 1983
Pedretti, Carlo. Leonardo: Studies for the Last Supper from the Royal Library at Windsor Castle. Introduction by Kenneth Clark. Exh. cat., Washington, D.C., National Gallery of Art; Milan, Castello Sforzesco. Washington, D.C., 1983. Italian edition: Leonardo: Studi per il Cenacolo della Biblioteca Reale nel Castello di Windsor. References in the exhibition catalogue are to the English edition.

Pedretti and Dalli Regoli 1985
Pedretti, Carlo, and Gigetta Dalli Regoli. I disegni di Leonardo da Vinci e della sua cerchia nel Gabinetto Disegni e Stampe della Galleria degli Uffizi a Firenze. Florence, 1985.

Pedretti and Hauser 1990
P[edretti], C[arlo], and E[nrique] H[auser]. "The 'Inhabited Draperies.'" Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3 (1990), pp. 165–69, and unpaginated figures.

Pedretti and Marani 1988
Pedretti, Carlo, and Pietro C. Marani. Leonardo da Vinci, architetto militare prima di Gradisca. Milan, 1988.

Pedretti and Roberts 1981–83
Pedretti, Carlo, and Jane Roberts. Leonardo da Vinci: The Codex Hammer, formerly The Codex Leicester. Exh. cat., Washington, D.C., Corcoran Gallery of Art; Los Angeles County Museum of Art; London, Royal Academy of Arts; Florence, Palazzo Vecchio; Paris, Musée Jacquemart André; Edinburgh, Royal Scottish Academy; Stockholm, Nationalmuseum; Baltimore, The Walters Art Gallery; Moscow, Pushkin Museum of Fine Arts; Leningrad, Hermitage Museum. Los Angeles, 1981. Florentine and American editions: The Codex Hammer of Leonardo da Vinci: The Waters, the Earth, the Universe; Italian edition: Il Codice Hammer di Leonardo da Vinci: Le acque, la terra, l'universo; French edition: Le Codex Hammer de Léonard de Vinci: Les eaux, la terre, l'univers. Swedish and Russian editions were also published. References in the exhibiton catalogue are to the English edition.

Pedretti and Roberts 1984–86
Pedretti, Carlo, and Jane Roberts. Leonardo's Horses: Studies of Horses and Other Animals by Leonardo da Vinci from the Royal Library at Windsor Castle. Exh. cat., Florence, Palazzo Vecchio; Washington, D.C., National Gallery of Art; Houston, The Museum of Fine Arts; The Fine Arts Museums of San Francisco. Florence and New York, 1984. American edition: Leonardo da Vinci: Drawings of Horses and Other Animals from the Royal Library at Windsor Castle; Italian edition: I cavalli di Leonardo: Studi sul cavallo e altri animali di Leonardo da Vinci dolla Biblioteca Reale nel Castello di Windsor.

Pedretti and Trutty-Coohill 1993
Pedretti, Carlo, and Patricia Trutty-Coohill. The Drawings of Leonardo da Vinci and His Circle in America. Florence, 1993.

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Popham 1948b
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Popham 1949
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Popham 1952
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Popham 1954
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Popp 1927a
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Wood 2002a
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Leonardo's Manuscripts: Abbreviations

Ar. = Codex Arundel 263, British Library, London. The diverse compilation of material dates from ca. 1478–1518.

C. A. = Codex Atlanticus, 12 vols., Biblioteca Ambrosiana, Milan. The drawings and notes pasted into these volumes also represent an amalgamation of material from dates that range from ca. 1478 to 1518. Here citations refer to the foliation of the codex both before its restoration in 1977–1980 (to correspond with Jean Paul Richter's anthology of Leonardo's notes; Richter 1883, 1970) and after restoration.

C. Urb. = Codex Urbinas Latinus 1270, Biblioteca Apostolica Vaticana. This is the Libro di Pittura, posthumously compiled by Francesco Melzi, based on Leonardo's notes. The anthology of precepts was produced between 1515 and 1570.

C. V. U. = Codice del Volo degli Uccelli, or Codex on the Flight of Birds, Biblioteca Reale Cod. Varia 95, Turin. This manuscript was originally part of Paris Ms. B, Institut de France, Paris, and was probably extracted in the theft by Count Guglielmo Libri (1803–1869) around 1840–47. The manuscript is dated 1505.

Fo. I, Fo. II, Fo. III = Codex Forster I, Codex Forster II, Codex Forster III, Victoria and Albert Museum, London. The first part of Forster I (fols. 1–40) is dated 1505, the second part (fols. 41–55) is probably from ca. 1487–90. The first part of Forster II (fols. 1–63) probably dates from ca. 1495–97, while the second part (fols. 64–159) dates from ca. 1494–97. Forster III appears to date from ca. 1490–97.

Leic. = Codex Leicester (formerly, Leicester 699, Holkham Hall; formerly called the Codex Hammer, when it was owned by Armand Hammer), Collection of Bill and Melinda Gates, Seattle, Washington. The codex dates from ca. 1508–12. See cat. no. 114 in the exhibition catalogue.

Libro di Pittura = C. Urb. = Codex Urbinas Latinus 1270, Biblioteca Apostolica Vaticana (see C. Urb. above).

Ma. I, Ma. II = Codex Madrid I (8937), Codex Madrid II (8936), Biblioteca Nacional, Madrid. Codex Madrid I dates from ca. 1493–99. Codex Madrid II bears the dates 1491, 1493, and other material in this volume seems to date ca. 1503–5.

Paris Ms. A = Manuscript A (2172; 2185), Institut de France, Paris. Sometime between ca. 1840 and 1847, the second part of this manuscript (fols. 81–114) was stolen by Count Guglielmo Libri, from whom it was bought by Lord Ashburnham in 1875 (designated as Ms. Ashburnham 1875/2). This part was acquired by the Bibliothèque Nationale as Ms. B.N. It. 2038 around 1888, and was then restituted to the Institut de France. Fols. 54, 65–80 were probably lost at the time of Libri's theft. The modern reconstitution of the two parts of the manuscript postdates the publication of the first edition of the famous anthology of Leonardo's notes by Jean Paul Richter (Richter 1883). In the early Leonardo literature, the second part of Paris Ms. A is referred to as Ms. Ashburnham II. In the later literature this second part is also designated as Ms. B.N. 2038 (the citation used in Richter 1939), while the recent Leonardo literature presents the foliation of the fully reconstituted manuscript. The first part of Paris Ms. A is dated 1492, but was begun earlier, ca. 1490–91.

Paris Ms. B = Manuscript B (2173; 2184), Institut de France, Paris. The second part of this manuscript (fols. 91–100) was also stolen ca. 1840–47 by Count Guglielmo Libri, and has the same history as the second part of Paris Ms. A, until it was acquired by the Bibliothèque Nationale as Ms. B.N. It. 2037, and then restituted to the Institut de France. When in Lord Ashburnham's collections, this part of Paris Ms. B was known as Ms. Ashburnham 1875/1. Fols. 3, 84–87 of Paris Ms. B were probably lost at the time of Libri's theft. The parts of Paris Ms. B were also reconstituted after the publication of the first edition of Richter's famous anthology. In the early Leonardo literature the second part of Paris Ms. B is referred to as Ashburnham I. In the later literature this second part is also designated as Ms. B.N. 2037, while the recent Leonardo literature presents the foliation of the fully reconstituted manuscript. Paris Ms. B dates from ca. 1486–90.

Paris Ms. C = Manuscript C (2174), Institut de France, Paris. This is dated 1490, 1491.

Paris Ms. D = Manuscript D (2175), Institut de France, Paris. The notebook seems to have been produced ca. 1508.

Paris Ms. E = Manuscript E (2176), Institut de France, Paris. Fols. 80–96 of this manuscript were lost probably at the time of Libri's theft ca. 1840–47. The manuscript seems to date from 1513–14.

Paris Ms. F = Manuscript F (2177), Institut de France, Paris. This is dated 1508.

Paris Ms. G = Manuscript G (2178), Institut de France, Paris. The material probably dates from 1510 to 1515.

Paris Ms. H = Manuscript H (2179), Institut de France, Paris. The firs part (fols. 1–48) is dated March 1494, the second part (fols. 49–94) is dated January and February 1494, and the third part (fols. 95–142) is dated 1493, 1494.

Paris Ms. I = Manuscript I (2180), Institut de France, Paris. The first part (fols. 1–48) probably dates ca. 1497–99, while the second part (fols. 49–139) from ca. 1497.

Paris Ms. K = Manuscript K (2181), Institut de France, Paris. The first part (fols. 1–48) and second part (fols. 49–80) seem to date from ca. 1503–4 (and possibly 1505), while the third part (fols. 81–128) appears to be from ca. 1506–7 (and possibly 1508).

Paris Ms. L = Manuscript L (2182), Institut de France, Paris. Ms. L probably dates ca. 1497–1502 (and possibly 1504).

Paris Ms. M = Manuscript M (2183), Institut de France, Paris. The majority of the notebook probably dates from ca. 1498–1500, but was probably begun ca. 1495.

Tr. = Codex Trivulzianus N 2162, Castello Sforzesco, Milan. This codex dates ca. 1487–90.

All of Leonardo's manuscripts are now available in facsimile reproductions published by Giunti Barbèra–Giunti Gruppo Editoriale (the Giunti Publishing Group), Florence, under the direction of Carlo Pedretti. Earlier partial or full facsimile editions are listed in the Bibliography under the manuscript name.

Sources

Adorno 1991; Bambach 1999a; Bambach 1999b; B=Beltrami 1919a; Bernacchioni 1992; Brown 1998b; Butterfield 1997; Calvi 1916; Calvi 1925a; Davies and Hemsoll 1996; Elam 1996a; Elam 1996b; Fiorio 1996a; Fiorio 1996b; Frey 1892; F=Frey 1909; Fusco and Corti 1992; Guicciardini 1984; Kemp 1989; Kemp 1995; Kirwin 1995; Legacy of Leonardo, 1998; Letze and Buchsteiner 1997; Marani 1989; Marani 1996; M=Marani 2000b; Morozzi 1988–89; Passavant 1969; Pedretti 1953; Pedretti 1973a; P=Pedretti 1977; Pedretti 1995a; Pedretti and Roberts 1984–96; R=Richter 1970; Schofield and Shell 1996; Shell and Sironi 1991; S=Sironi 1981; Smiraglia Scognamiglio 1900; Uzielli 1896; Vasari–Milanesi 1906; Vecce 1998a; V=Villata 1999; Wilde 1944.

The material in this section was derived from the exhibition catalogue, Leonardo da Vinci, Master Draftsman. Edited by Carmen C. Bambach, with contributions by Carmen C. Bambach, Alessandro Cecchi, Claire Farago, Varena Forcione, Martin Kemp, Anne-Marie Logan, Pietro C. Marani, Carlo Pedretti, Carlo Vecce, Françoise Viatte, and Linda Wolk-Simon. Published by The Metropolitan Museum of Art, New York, 2003. Distributed by Yale University Press. The catalogue is available in the Museum's bookshops and in the online Met Store.

Many thanks to the Museum's Editorial Department for making portions of the exhibition catalogue available for online use.



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