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Catalogue: 1–10 of 138

Sketches of Infants (verso; detail). Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488). Pen and dark brown ink, over traces of leadpoint or soft black chalk; 158 x 210 mm (6 1/4 x 8 1/4 in.). Département des Arts Graphiques du Musée du Louvre, Paris RF 2. (Cat. no. 4).

Young Woman in Bust Length in Three-Quarter View Facing to the Left
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Soft black chalk or charcoal, partly reworked in pen and golden brown ink, brush with brown ink and gray wash; outlines pricked for transfer; 411 x 327 mm (16 3/16 x 12 7/8 in.)
Christ Church, Oxford 0005
Head of a Young Boy (recto)
Fragment of a Head of a Young Boy (verso)
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Soft black chalk or charcoal, highlighted with white chalk, outlines pricked for transfer; traces of framing outlines in pen and brown ink; 185 x 160 mm (7 5/16 x 6 5/16 in.)
Staatliche Museen zu Berlin—Preussischer Kulturbesitz, Kupferstichkabinett, Berlin KdZ 5095
Head of a Young Woman in Three-Quarter View Facing to the Left (recto)
Head of a Young Woman in Three-Quarter View (verso)
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Charcoal reworked with black chalk, highlighted with white chalk, on paper with a layer of cream color preparation (recto); charcoal on paper with a layer of cream color preparation (verso); 324 x 273 mm (12 3/4 x 10 3/4 in.)
The British Museum, London 1895-9-15-785
Sketches of Infants (recto and verso)
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Pen and dark brown ink, over traces of leadpoint or soft black chalk; 158 x 210 mm (6 1/4 x 8 1/4 in.)
Département des Arts Graphiques du Musée du Louvre, Paris RF 2
Study for a Funerary Monument to Doge Andrea Vendramin
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Leadpoint, partly reworked with pen and brown ink, brush and brown wash, and some ruling in leadpoint; glued to secondary paper support; 272 x 174 mm (10 3/4 x 6 7/8 in.)
Victoria and Albert Museum, London 2314
Child in Bust Length in Three-Quarter View Facing to the Right
Attributed to Andrea del Verrocchio
Metalpoint reworked with brush and brown wash, highlighted with white gouache on beige prepared paper; arch motif in pen and brown ink, brush and brown wash with reddish wash accents; 229 x 158 mm (9 x 6 3/16 in.)
The Syndics of the Fitzwilliam Museum, Cambridge, England. Purchased with grants from the National Lottery through the Heritage Lottery Fund, the National Art Collections Fund and the Pilgrim Trust 2930
Standing Saint John the Baptist (Study for the Pistoia Altarpiece)
Lorenzo di Credi (Lorenzo di Andrea di Oderigo) (Florence, ca. 1457–Florence, 1536)
Metalpoint, reworked with pen and brown ink, brush with brown and gray wash, highlighted with white gouache, on light red-orange prepared paper; glued to secondary paper support; 262 x 101 mm (10 5/16 x 3 15/16 in.); enlarged with similar paper, 276 x 128 mm (10 7/8 x 5 in.)
Département des Arts Graphiques du Musée du Louvre, Paris RF 455
Standing Bishop Saint Donatus (Study for the Pistoia Altarpiece) and Other Figures (recto)
A Male Head in Three-Quarter View Facing to the Left and Other Figural Sketches (verso)
Lorenzo di Credi (and Andrea del Verrocchio?)
Metalpoint, pen and brown ink, brush and brown wash, highlighted with white gouache, on pink prepared paper (recto); pen and brown ink on off-white unprepared paper (verso); 285 x 201 mm (11 1/4 x 7 7/8 in.)
National Gallery of Scotland, Edinburgh 642
Measured Drawing of a Horse in Profile Facing to the Left
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Pen and dark brown ink, over traces of black chalk; 249 x 298 mm (9 13/16 x 11 3/4 in.)
The Metropolitan Museum of Art, New York
Frederick C. Hewitt Fund, 1917 (19.76.5)
Horse in Profile Facing to the Right; Unrelated Small Figural Sketch at Bottom Center (recto)
Measured Drawings of a Horse in Rear View, a Horse in Frontal View, and Detail of Its Foreleg in Profile (verso)
Andrea del Verrocchio (Andrea di Michele Cione) (Florence, 1434/37–Venice, 1488)
Pen and dark brown ink, over traces of black chalk (recto and verso); 293 x 275 mm (11 1/2 x 10 13/16 in.), irregular borders
Istituto Nazionale per la Grafica, Rome F. C. 127615

The material in this section was derived from the exhibition catalogue, Leonardo da Vinci, Master Draftsman. Edited by Carmen C. Bambach, with contributions by Carmen C. Bambach, Alessandro Cecchi, Claire Farago, Varena Forcione, Martin Kemp, Anne-Marie Logan, Pietro C. Marani, Carlo Pedretti, Carlo Vecce, Françoise Viatte, and Linda Wolk-Simon. Published by The Metropolitan Museum of Art, New York, 2003. Distributed by Yale University Press. The catalogue is available in the Museum's bookshops and in the online Met Store.

Many thanks to the Museum's Editorial Department for making portions of the exhibition catalogue available for online use.

Photograph Credits