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Pieter Bruegel the Elder: Drawings and Prints
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Mountain Landscape with River and Travelers, 1553
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and red-brown ink, with light wash
The British Museum, London
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Wooded Landscape with a Distant View toward the Sea, 1554
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink with brown wash, white gouache, and black chalk on blue paper
The Fogg Art Museum, Harvard University Art Museums, Cambridge, The Maida and George Abrams Collection
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Stream with an Angler, ca. 1554
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink
Bibliothèque Royale de Belgique, Cabinet des Estampes, Brussels
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Pagus Nemorosus (Wooded Region), ca. 155556
Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Etching with engraving; first state of two
Museum of Fine Arts, Boston, Helen and Alice Coburn Fund, 1934
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The Ass at School, 1556
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brush and gray-black and gray-brown ink; contours indented for transfer
Staatliche Museen zu Berlin, Kupferstichkabinett
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Big Fish Eat Little Fish, 1556
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brush and gray and black ink; contours indented for transfer
Graphische Sammlung Albertina, Vienna
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The Seven Deadly Sins, or The Vices: Desidia (Sloth), 1557
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and gray-brown ink; contours indented for transfer
Graphische Sammlung Albertina, Vienna
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Desidia (Sloth), 1558
Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Engraving; only state
The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1926 (26.72.34)
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Everyman, 1558
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink; contours indented for transfer
The British Museum, London
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The Alchemist, 1558?
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink; contours indented
Staatliche Museen zu Berlin, Kupferstichkabinett
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The Seven Virtues: Spes (Hope), 1559
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and dark brown ink; contours indented for transfer
Staatliche Museen zu Berlin, Kupferstichkabinett
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Journey to Emmaus, ca. 1560
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and gray and brown-gray ink, reworked in pen and brown-gray ink by a later hand, traces of framing line in brown ink at upper left and lower left
On permanent loan to Museum Boijmans Van Beuningen, Rotterdam
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 156162
Frans Huys after Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Engraving and etching; first state of two
The Metropolitan Museum of Art, New York, Bequest of Alexandrine Sinsheimer, 1958 (59.534.23)
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The Painter and the Connoisseur, mid-1560s
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and gray-brown ink, with touches of light brown ink
Graphische Sammlung Albertina, Vienna
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Spring, 1565
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink; contours indented for transfer
Graphische Sammlung Albertina, Vienna
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The Beekeepers, ca. 156768
Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Pen and brown ink
Staatliche Museen zu Berlin, Kupferstichkabinett
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The Battle about Money, after 1570
Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish, 1525/301569)
Engraving; second state of four
The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1926 (26.72.40)
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