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William Blake Back to main page for this exhibition King Sebert, the North Front of his Monument, 1775 William Blake (British, 1757–1827) Watercolor, pen and black ink, and shell gold over traces of graphite on paper Society of Antiquaries of London Henry III, from the Wall-Painting in the Sedilia above the Monument of King Sebert, 1775 William Blake (British, 1757–1827) Watercolor, pen and black ink, and shell gold on paper Society of Antiquaries of London The Angel of the Divine Presence Bringing Eve to Adam, ca.1803 William Blake (British, 1757–1827) Watercolor, pen and black ink over graphite on paper Rogers Fund, 1906 (06.1322.2) The Angel Gabriel Appearing to Zacharias, ca.1799–1800 William Blake (British, 1757–1827) Pen and black ink, tempera and glue size on canvas Bequest of William Church Osborn, 1951 (51.30.1) The Parable of the Wise and Foolish Virgins, ca.1805 William Blake (British, 1757–1827) Watercolor, brush and gray wash, pen and black ink over graphite on paper Rogers Fund, 1914 (14.81.2) The Angel of the Revelation, ca.1803–5 William Blake (British, 1757–1827) Watercolor, brush and gray wash, pen and black ink over graphite on paper Rogers Fund, 1914 (14.81.1) Capaneus the Blasphemer, ca.1825 William Blake (British, 1757–1827) Pen and black ink and watercolor on paper The National Gallery of Victoria, Melbourne; Felton Bequest 1920 Beatrice addressing Dante from the Car, ca.1824–27 William Blake (British, 1757–1827) Pen and black ink and watercolor on paper Tate; purchased with the assistance of a special grant from the National Gallery and donations from the National Art Collections Fund, Lord Duveen and others, and presented through the National Art Collections Fund 1919 Songs of Innocence and of Experience, 1794/ca.1825 William Blake (British, 1757–1827) Copy Y ca.1825 Plate 1: Combined Title-page Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders Rogers Fund, 1917 (17.10.1) Catherine Blake, ca.1805 William Blake (British, 1757–1827) Graphite on paper Tate; bequeathed by Miss Alice G.E. Carthew, 1940 Oberon, Titania and Puck with Fairies Dancing, ca.1785 William Blake (British, 1757–1827) Watercolor over graphite on paper Tate; presented by Alfred A. de Pass in memory of his wife Ethel, 1910 The Ghost of a Flea, ca.1819–20 William Blake (British, 1757–1827) Tempera heightened with gold leaf on mahogany panel Tate; bequeathed by W. Graham Robertson 1949 Pity, ca.1795 William Blake (British, 1757–1827) Color print finished with pen and ink and watercolor on paper, second impression Gift of Mrs. Robert W. Goelet, 1958 (58.603) Newton, 1795/ca.1805 William Blake (British, 1757–1827) Color print finished in pen and ink and watercolor on paper Tate; presented W. Graham Robertson 1939 Nebuchadnezzar, 1795/ca.1805 William Blake (British, 1757–1827) Color print finished in pen and ink and watercolor on paper Tate; presented by W. Graham Robertson 1939 Europe a Prophecy, 1824 William Blake (British, 1757–1827) Plate 1: Frontispiece, The Ancient of Days Relief etching finished in gold, watercolor and gouache on paper The Whitworth Art Gallery, The University of Manchester, Great Britain

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