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Eternal Ancestors: The Art of the Central African Reliquary

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Enlarge Ntsambi pluriarc
Lumbo or Punu peoples; Gabon, 19th–20th century
Wood, vegetal fiber, pigment; H. 26 1/4 in. (66.6 cm)
Indiana University Art Museum, Bloomington (77.34.3)

The pluriarc has been extensively drawn upon in ancestral veneration rites north and south of the Ogooué River. It consists of five musical bows and a simple resonator. When played, the resonator is held against the stomach as the strings are plucked. Stylistically the figurative element at the summit of this elaborate example's resonator is related to idealized portraits created by sculptors in southern Gabon. The use of white kaolin on the face elevates the subject to an otherworldly state of transcendence.

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