• Rubens, His Wife, Helena Fourment, and One of Their Children
  • Rubens, His Wife, Helena Fourment, and One of Their Children
  • Rubens, His Wife, Helena Fourment, and One of Their Children
  • Rubens, His Wife, Helena Fourment, and One of Their Children

Peter Paul Rubens (Flemish, 1577–1640)
Rubens, His Wife, Helena Fourment, and One of Their Children
Oil on wood; 80 1/4 x 62 1/4 in. (203.8 x 158.1 cm)
The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Charles Wrightsman, in honor of Sir John Pope-Hennessy, 1981 (1981.238)

Curator Comment

Two works in the Museum's great collection of paintings by Rubens are personal works, both of them given by Charles and Jayne Wrightsman. Portrait of a Woman, Probably Susanna Lunden (given in 1976) almost certainly depicts the older sister of Helena Fourment, who is very much the heroine of the present family portrait. Rubens had known the seven Fourment sisters for some time before he married Helena in December 1630, since their eldest brother, Daniel, was married to the sister of Rubens's first wife, Isabella Brandt (d. 1626).

There is some uncertainty about the identity of the child. Scholars have argued in favor of each of the four children born to Helena during Rubens's lifetime (a fifth was born eight months after he died). The Museum's earlier identification of the child as Peter Paul (b. March 1637) has been doubted because that would date the picture quite late and the parents would be older than they appear. The child may be the firstborn Clara Joanna (b. January 1632) or Frans (b. July 1633). The latter might have been presented without his sister if the portrait were intended to celebrate not only Helena's role as mother but also her provision of a male heir. Less open to question is Rubens's use of a theme he had treated memorably elsewhere, the Garden of Love, to emphasize the happiness (known also from several letters) of his marriage to the young and beautiful Helena.

Walter Liedtke, curator, Department of European Paintings

Provenance

The children of Rubens and Helena Fourment, Antwerp, from 1640; Rubens's nephew, Philip Rubens, Antwerp, 1676; city of Brussels, until ca. 1706/8; John Churchill, 1st Duke of Marlborough, Blenheim Palace, near Woodstock, Oxfordshire, ca. 1706/8–d. 1722; Dukes of Marlborough, Blenheim Palace, 1722–1883; George Charles Spencer-Churchill, 8th Duke of Marlborough, Blenheim Palace, 1883–84; Baron Mayer Alphonse de Rothschild, Paris, 1884–d. 1905; his son, Baron Édouard de Rothschild, Paris, 1905–d. 1949; his widow, Baroness Germaine de Rothschild, Paris, 1949–d. 1975; [Wildenstein & Co., Paris and New York, 1976–78]; Mr. and Mrs. Charles Wrightsman, Palm Beach and New York, 1978–81.

Bibliography

Walter Liedtke, Flemish Paintings in the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 1984), pp. 176–87; Everett Fahy, ed., The Wrightsman Pictures (New Haven: Yale University Press, 2005), pp. 117–22.

Related Links

Heilbrunn Timeline of Art History

Listen to a conversation between Philippe de Montebello and curator Everett Fahy about this work of art.