• Grand Prince Ferdinando de
  • Grand Prince Ferdinando de
  • Grand Prince Ferdinando de
  • Grand Prince Ferdinando de

Giovanni Battista Foggini (Italian, 1652–1725)
Grand Prince Ferdinando de' Medici (1669–1713) and Grand Duke Cosimo III de' Medici (1642–1723), ca. 1676–82
Marble; H. (including base) 39 in. (99.0 cm)
The Metropolitan Museum of Art, New York, Purchase, The Annenberg Foundation Gift, 1993 (1993.332.1, .2)

Curator Comment

These meltingly carved busts of father and son are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period. 

Johanna Hecht, associate curator, Department of European Sculpture and Decorative Arts

Provenance

Medici Collection, possibly Villa Lappeggi or Palazzo Capponi-Covoni, Florence; [Stefano Bardini, Florence]; [Wilhelm von Bode, Berlin]; Prince Karl Egon IV von Fürstenberg, Donaueschingen, 1895; The Princes Fürstenberg, Donaueschingen, Germany, until 1993; [Alain Moatti, Paris].

Bibliography

Klaus Lankheit, Florentinische Barockplastik: Die Kunst am Hofe der letzten Medici, 1670–1743 (Munich: F. Bruckmann, 1962), pp. 75–77; The Twilight of the Medici: Late Baroque Art in Florence, 1670–1743 (Detroit: Wayne State University Press, 1974), pp. 70–73, cat. nos. 34–35; Olga Raggio, "Bust of Grand Duke Cosimo III de' Medici," Recent Acquisitions: A Selection, 1993–1994. The Metropolitan Museum of Art Bulletin 52, no. 2 (Fall 1994): 30–31; La Principessa saggia: L'eredità di Anna Maria Luisa de' Medici Elettrice Palatina (Florence: Sillabe, 2006), pp. 135, 140, 142–43.