• Ritual Figure

Ritual Figure
Egyptian, 4th century B.C.early Ptolemaic Period (380–246 B.C.)
Wood, formerly clad in lead sheet; H. 8 1/4 in. (21.0 cm)
The Metropolitan Museum of Art, New York, Purchase, Anne and John V. Hansen Egyptian Purchase Fund, and Magda Saleh and Jack Josephson Gift, 2003 (2003.154)

Curator Comment

The fluid pose and chest-beating gesture of this extraordinary figure evoke a stately performance. Egyptian relief representations depict such figures as part of a troupe of similarly genuflecting divine beings with falcon and jackal heads. This troupe is usually seen attending the sunrise or the birth and coronation of a king; three-dimensional figures of the same type were set around the processional shrines of certain gods, doubtlessly to accompany the epiphany of the deity during a procession.

It is not easy to explain the presence among the animal-headed divinities of the human-headed figure wearing—as seen here—the regalia of a pharaoh. Some scholars interpret the figure as the representation of an actual king. Others understand it as a mythical being that introduces royal aspects into the otherworldly ritual. Whatever its exact meaning, this masterpiece of wood carving was certainly part of a temple's equipment. Its ritual character was further emphasized by a covering of lead sheet, now vanished.

Dorothea Arnold, Lila Acheson Wallace Chairman, Department of Egyptian Art

Provenance

Peytel Collection, Paris, by 1922; Comtesse Martine de Béhague (1870–1939), Paris; Jack A. Josephson, late 1980s.

Bibliography

Jack A. Josephson, Egyptian Royal Sculpture of the Late Period, 400–246 B.C. (Mainz: P. von Zabern, 1997), pp. 31–39; Dorothea Arnold, "Royal Ancestral Figure," Recent Acquisitions: A Selection, 2002–2003. The Metropolitan Museum of Art Bulletin 61, no. 2 (Fall 2003): 6; Marsha Hill, "Statuette for a Royal Cult(?)," in Marsha Hill, ed., Gifts for the Gods: Images from Egyptian Temples (New York: Metropolitan Museum of Art, 2007), pp. 160–64.

Related Links

Heilbrunn Timeline of Art History

Listen to a conversation between Philippe de Montebello and curator Dorothea Arnold about this work of art.