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William Blake

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Enlarge Beatrice addressing Dante from the Car, ca.1824–27
William Blake (British, 1757–1827)
Pen and black ink and watercolor on paper; 14 5/8 x 20 3/4 in. (37.2 x 52.7 cm)
Purgatorio 29: 92–129; 30: 31–33, 64–81
Tate; purchased with the assistance of a special grant from the National Gallery and donations from the National Art Collections Fund, Lord Duveen and others, and presented through the National Art Collections Fund 1919

Description

Description

Virgil departs from Dante as he enters the Earthly Paradise. There, Dante encounters his deceased beloved, Beatrice (representing Theology), who stands on a car (the Church) drawn by a gryphon (Christ) and is attended by maidens dressed in white, green, and red (the three theological virtues, Faith, Hope, and Charity). By giving Beatrice a golden crown, rather than the laurel wreath described in Dante's text, and by presenting the wheel of her car as a swirling vortex, Blake transforms her into a symbol of materialism and suggests the dangers of submitting to her will.
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