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Tapestry in the Renaissance: Art and Magnificence
Tapestry in the Renaissance: Art and Magnificence
By Thomas P. Campbell, 2002. Published in conjunction with the exhibition "Tapestry in the Renaissance: Art and Magnificence" at The Metropolitan Museum of Art, New York, March 12–June 19, 2002.

Tapestries—the art form of kings—were a principal element in the ostentatious magnificence used by powerful Renaissance rulers to broadcast their wealth and might. During the period between 1460 and 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. The Museum's beautifully illustrated catalogue is the first major survey of Renaissance tapestry. Contributing scholars examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day. Featured are examples designed by Italian masters Raphael, Giulio Romano, and Perino del Vaga. In addition, works by Netherlandish designers such as Bernaert van Orley and his followers are included to demonstrate how elements of the northern design tradition were fused with Italianate innovations, resulting in an extraordinarily rich aesthetic, ideally suited to the medium.

604 pages, 400 illustrations (250 in full color), 10 in. x 12 in. Hardcover; clothbound, with jacket.

Special offer, save 13%: set of 1 each Henry VIII and the Art of Majesty: Tapestries at the Tudor Court, Tapestry in the Renaissance: Art and Magnificence (Hardcover), and Tapestry in the Baroque: Threads of Splendor; see Henry VIII and the Art of Majesty: Tapestries at the Tudor Court to order


Tapestry in the Renaissance: Art and Magnificence, Hardcover
05-007430
Member Price: $67.50 each
Non-Member Price: $75.00 each


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