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Books  >  Scholarly Publications and Exhibition Catalogues  >  Art Reference, Theory, Criticism, Techniques, and Conservation  
The Gubbio Studiolo and Its Conservation
The Gubbio Studiolo and Its Conservation
ENLARGE

This two-volume publication is an in-depth treatment of the small private study, the Gubbio studiolo, the masterpiece of Italian Renaissance woodwork and perspectival inlay that was reinstalled in The Metropolitan Museum of Art in 1996. This private study is valued not only for its perspectival inlay but also for its rich historical associations and, of course, its beauty.

In the first volume, Olga Raggio focuses on the creation of the studiolo, Gubbio's political history and development, the achievements of Federico da Montefeltro and his role in the creation of the studiolo. Martin Kemp examines the perspectival system. The second volume, by Antoine M. Wilmering, discusses the conservation of the studiolo and the history, materials, and techniques of intarsia work. Bibliography and index in both volumes.

Volume 1: Federico da Montefeltro's Palace at Gubbio and Its Studiolo
by Olga Raggio, with an essay by Martin Kemp, 1999
232 pages, 238 illustrations (183 in full color).

Volume 2: Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
by Antoine M. Wilmering, 1999
272 pages, 254 illustrations (207 in full color).

8 1/2 in. x 11 in. Cloth. Two-volume set, with slipcase.

The Gubbio Studiolo and Its Conservation
05-007232
Member Price: $112.50 each
Non-Member Price: $125.00 each


Quantity:



Studiolo from the Ducal Palace in Gubbio, XV century
(ca. 1479-1482)
Designed by Francesco di Giorgio Martini
Italian/Gubbio; Provenance Gubbio, Italy
Inatarsia of walnut, beech, rosewood, oak and fruitwoods on walnut base;
190 15/16 x 203 15/16 x 151 3/16 in. (485 x 518 x 384 cm)
Rogers Fund, 1939 (39.153)

This is a detail from a small room (studiolo) intended for meditation and study. Its walls are carried out in a technique of wood-laying known as intarsia. The latticework doors of the cabinets, shown open or partly closed, are evidence of the great interest in linear perspective at the time. The cabinets contain objects reflecting Duke Federico's wide-ranging artistic and scientific interests; the depictions of books recall his extensive library. Imprese (emblems) of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439–1502) and others; it was executed by Baccio Pontelli (ca. 1450–1492) with assistants. A similar room, still in situ, was carried out for the duke's palace in Urbino.


Baccio Pontelli: Gubbio Studiolo Panel
Art, Biology, and Conservation: Biodeterioration of Works of Art
Baccio Pontelli: Gubbio Studiolo Panel
02-002061
Member Price: $139.50
Non-Member Price: $155.00
Art, Biology, and Conservation: Biodeterioration of Works of Art
05-007158
Member Price: $58.50
Non-Member Price: $65.00

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