Subject Index: Baroque and Rococo

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Works of Art (78) Adoration, ca. 1760–70, François Boucher (French), Gouache over black chalk on paper (1997.95) Allegory of Earth, ca. 1750, Attributed to Jean-Pierre Defrance (French), Marble (64.93.1-4) Allegory of Music, 1649, Laurent de La Hyre (French), Oil on canvas (50.189) Anatomical Studies: A Left Forearm in Two Positions and a Right Forearm, 1600–1608, Peter Paul Rubens (Flemish), Drawing, pen and brown ink (1996.75) Archlute, ca. 1725, David Tecchler (German, active Rome), Italy (Rome), Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, various other materials (1988.87) Armchair (bergère en cabriolet) (one of a pair), ca. 1760–70, Stamped by Claude-Louis Burgat (French), Carved and gilded beechwood (1982.60.89) Armchair, ca. 1710 French, Carved and gilded walnut, covered in late 17th-century wool, velvet (1983.526) Armchair, ca. 1775, American, Mahogany, red oak, sweet gum (1984.287) Bacchanal: A Faun Teased by Children, ca. 1616–17, Gian Lorenzo Bernini (Italian), Italian (Rome), Marble (1976.92) Basket, 1760–70, Myer Myers (American), Maker, American; Made in Mid-Atlantic, New York, New York, America, Silver (54.167) Blindman's Buff, 1982–83, Komar and Melamid (Vitaly Komar, Russian; Aleksandr Melamid, Russian), Oil on canvas (1991.466) Brocaded silk, design dated 1748, Anna Maria Garthwaite, designer; Thomas Brant, weaver, English (Spitalfields), Silk (62.136.1) Bust of Marsyas, ca. 1680–85, Balthasar Permoser (German), Marble, ebony socle inlaid with marble (2002.468) Capriccio View from the Campo Vaccino, 1734, François Boucher (French), Oil on canvas (1982.60.44) Chalice, late 18th century, Mexican, Silver gilt (33.120.68a) Chasuble, 18th century, Italian (probably Sicily), Silk and metal thread (1984.462.1) Chest of drawers, ca. 1762–75, American; Made in Mid-Atlantic, Philadelphia, Pennsylvania, America, Mahogany, tulip poplar, yellow pine (18.110.4) Chocolate pot, 1700–1710, Edward Winslow (American), Made in New England, Boston, Massachusetts, Silver (33.120.221) The Collation: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher; Woven at the Beauvais workshop under André Charlemagne Charron, 1762, French, Wool and silk (64.145.3) Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33) Covered bowl and stand, 1774, Marked by Louis Landes (French), French; Toulouse, Silver (48.187.7ab,.8) Design for a Tablet for a Chimney Piece: Plate 5 of a A New Book of Ornaments, 1762, Published by Thomas Johnson (British), British, Crayon manner and stipple engraving (1985.1099) Don Manuel Osorio Manrique de Zuñiga (1784–1792), possibly 1790s, Francisco de Goya y Lucientes (Spanish), Oil on canvas (49.7.41)an Embroidered sampler, 1721, Anne Chase (American), Newport, Rhode Island, Silk on wool (L.2001.53.4) Ewer and basin (lavabo set), ca. 1680–85, Moldavia (Chisinau), most likely court workshop, Partially gilded silver (2005.62.1,.2a,b) Ewer and basin, 1745–46, Marked by Marc Bazille (French), French; Montpellier, Silver (58.60.1,.2) Falconer's Bag, 1695, Jan Weenix (Dutch), Oil on canvas (50.55) Firescreen, 1771, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany (49.51a,b) Frame, ca. 1765, American, White pine (08.1a) Grand Duke Cosimo III de' Medici (1642–1723) and Grand Prince Ferdinando de' Medici (1669–1713), ca. 1676–82, Giovanni Battista Foggini (Italian), Marble (1993.332.1,.2) Harpsichord, ca. 1675, Made by Michele Todini (Italian), Rome, Italy, Wood, various materials (89.4.2929) Holy-water stoup with relief of Saint Mary of Egypt, Giovanni Giardini (Italian), Gilt bronze, lapis lazuli, and silver (1995.110) Hunting Sword, ca. 1740–50, Ivory grip attributed to Joseph Deutschmann, German (possibly Munich), Steel, silver-gilt, ivory, leather (26.145.243) The Interrupted Sleep, 1750, François Boucher (French), Oil on canvas (49.7.46) The Investiture of Bishop Harold as Duke of Franconia, sketch, ca. 1751–52, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (71.121) Jewel box, 1920, Dagobert Peche (Austrian); Manufacturer: Wiener Werkstätte, Gilded silver (1978.8a-c) Kast, 1690–1720, American; New York City, Yellow poplar, red oak, white pine (09.175) La Petite Reposée, 1756, François Boucher (French), Etching (1998.524) Lace border, 17th century, Italian, Linen (33.90.35) Landscape with Wine Harvest, ca. 1628–30, Pietro da Cortona (Pietro Berrettini) (Italian), Brush and gray wash, touches of pen and brown ink, over traces of black chalk, illusionistic frame in yellow and brown wash (2003.101) Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88) Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4) Looking glass, ca. 1775, American, Pine (1990.18) Loving cup with cover, 1742–43, Paul Lamerie (English), Silver gilt (25.15.58ab) Madonna in the Clouds, ca. 1581 (no later than 1582), Federico Barocci (Italian), Etching and engraving; sheet (17.50.18.147) Nymph and Satyr Carousing, ca. 1780–90, Clodion (Claude Michel) (French), French (Paris), Terracotta (14.40.687) Pair of sauceboats, ca. 1765, Paul Revere, Jr. (American), Silver (46.40.1-.2) Pair of wine coolers, 1766, Zacharias Deichman the Elder, Russian; Saint Petersburg, Silver (1981.367.1,.2) Parade helmet à l'antique, ca. 1620–30, French (possibly Paris), Steel, brass, paint, and textile (1997.341) Pickle stand, 1770–72, Made by Bonnin and Morris (Philadelphia), American, Porcelain (1990.19) Queen Esther Approaching the Palace of Ahasuerus, 1658, Claude Lorrain (Claude Gellée) (French), Pen and brown ink, brown wash over black chalk, heightened with white (1997.156) The Rape of Proserpina, ca. 1760–95, Gaetano Gandolfi (Italian, Bolognese), Etching (60.611.66) The Russian Dance, 1769, Jean-Baptiste Le Prince (French), Etching and aquatint printed in brown ink (22.64.1) Salver, 1754–69, Daniel Christian Fueter (American), New York City, Silver (24.109.37) Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro . . . Pamphilio (View of the side facade of the Palazzo Pamphilj and its garden): Plate 20 of Li Giardini di Roma, 1670 and 1683, Giovanni Battista Falda (Italian), Giovanni Giacomo de' Rossi (Italian), Etching (61.532.26.20) The Seehof garden furniture, ca. 1763–64, German, Painted and gilded lindenwood (1974.356.114-.121) Settee, 1760–90, American, Mahogany, maple, cedar, birch, white pine (30.120.59) Side chair, 1765–75, American, Mahogany, yellow pine (51.140) Side chair, ca. 1770, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany, northern white cedar (1974.325) Side chairs, 1765–90, American, Mahogany, maple, white pine (39.88.1,2) Staircase, ca. 1677–80, Attributed to Edmund Pearce (English), From Cassiobury Park, Watford, Hertfordshire, England (destroyed 1922), Pine, ash, oak (32.152) Studies after Pietro da Cortona, Jacques-Louis David (French), Black chalk (63.92.1) Study of Two Heads, Peter Paul Rubens (Flemish), Oil on wood (67.187.99) Sugar bowl, 1760–75, John Bayly (American), Silver (39.23a,b) Table snuffbox, ca. 1745–50, Russian; Probably region of Velikiy Ustyg, Partially polished green turban snail; gilded, matted, punched, and engraved silver; niello (1995.327) Tankard, ca. 1700, By Johann Berend (Livonian), Silver, partly gilt (32.75.84) Teapot, 1745–55, Josiah Austin (American), Silver (24.109.7) The Toilet of Venus, 1751, François Boucher (French), Oil on canvas (20.155.9) Tray, dated 1784, Italian (Pesaro); Made at the Casali and Galigari Factory (59.208.26) Two Winged Putti, ca. 1748–50, François Boucher (French), Black chalk, brush and gray wash, heightened with white chalk, on beige paper (60.175.1) Vertumnus and Pomona, ca. 1760–70, François Boucher (French), Brown chalk (60.176.2) View of the Palazzo Mancini, Rome, 1752, Giovanni Battista Piranesi (Italian), Etching (41.71.1.16.29) View of the Vestibule of Santa Maria Maggiore, Rome, 1765, Georges-François Blondel (French), Mezzotint (67.797.6) Villa Borghese: From Li giardini di Roma (plate 15), after 1677, Artist: Simone Felice (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[15]) Violin, 1693, Made by Antonio Stradivari (Italian), Cremona, Italy, Wood (55.86a-c) The Wedding of Stephen Beckingham and Mary Cox, 1729, William Hogarth (British), Oil on canvas (36.111) Wine coolers, ca. 1760–70, Italian; Doccia, Tin-glazed hard-paste porcelain (1985.384.1,.2) Woodwork from the Great Hall of Van Rensselaer Manor House, 1765–69, Albany, New York (28.143); Doors from the Great Hall of Van Rensselaer Manor House, 1765–69, Albany, New York (31.95.1-2,6); Wallpaper, ca. 1768, Tempera on watercolor paper (28.224)

Thematic Essays (55) American Georgian Interiors (Mid-Eighteenth-Century Period Rooms) American Revival Styles, 1840–1876 American Rococo Annibale Carracci (1560–1609) Art of the Seventeenth and Eighteenth Centuries in Naples Baroque Rome Caravaggio (Michelangelo Merisi) (1571–1610) and his Followers Coffee, Tea, and Chocolate in Early Colonial America Commedia dell'arte Couples in Art Eighteenth-Century European Dress English Pattern Books in Eighteenth Century America European Revivalism European Tapestry Production and Patronage, 1600–1800 François Boucher (1703–1770) Francisco de Goya (1746–1828) and the Spanish Enlightenment The French Academy in Rome French Furniture in the Eighteenth Century: Case Furniture French Furniture in the Eighteenth Century: Seat Furniture French Silver in the Seventeenth and Eighteenth Centuries From Italy to France: Gardens in the Court of Louis XIV and After Gardens of Western Europe, 1600–1800 Gian Lorenzo Bernini (1598–1680) Giovanni Battista Piranesi (1720–1778) Giovanni Battista Tiepolo (1696–1770) The Golden Age of French Furniture in the Eighteenth Century The Golden Harpsichord of Michele Todini (1616–1690) The Grand Tour Heroes in Italian Mythological Prints The Idea and Invention of the Villa Interior Design in England, 1600–1800 Italian Painting of the Later Middle Ages: Fresco Jean Antoine Watteau (1684–1721) Jean-Honoré Fragonard (1732–1806) Lovers in Italian Mythological Prints Musical Terms for the Seventeenth and Eighteenth Centuries The Opera Paul Revere, Jr. (1734–1818) Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Paintings Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Works on Paper Poets in Italian Mythological Prints Poets, Lovers, and Heroes in Italian Mythological Prints Portraiture in Renaissance and Baroque Europe The Printed Image in the West: Aquatint The Printed Image in the West: Drypoint The Printed Image in the West: Etching The Printed Image in the West: Mezzotint Rembrandt Harmensz. van Rijn (1606–1669): Paintings Rembrandt Harmensz. van Rijn (1606–1669): Prints Saint Petersburg Still-Life Painting in Northern Europe, 1600–1800 Textile Production in Europe: Lace, 1600–1800 Velázquez (1599–1660) Venice in the Eighteenth Century Violin Makers: Nicol˜ Amati (1596–1684) and Antonio Stradivari (ca. 1644–1737)