Works of Art (17)
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Apollo and Diana, ca. 1500–1505, Jacopo de' Barbari (Italian), Engraving (20.92.2) |
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Childbirth bowl (scodella) with confinement-chamber scene (interior) and Diana and Actaeon (exterior), ca. 1530s,
Circle of Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (41.49.2) |
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The Destruction of the Children of Niobe: From a set of The Horses, early 1630s, Francis Cleyn; Woven at the Mortlake manufactory, 1650–70, English, Wool and silk (36.149.1) |
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Diana and Actaeon, 1836,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (1975.1.162) |
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Diana and Actaeon, ca. 1590,
Bartholomeus Spranger (Netherlandish),
Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk (1997.93)
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Diana and Cupid, 1761, Pompeo Girolamo Batoni (Italian, Roman), Oil on canvas (1982.438) |
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Diana and Her Nymphs: From a set of Mythological Scenes, 1644, Laurent de La Hyre; Probably woven in the workshop of Hippolyte de Comans in the Faubourg Saint-Marcel, Paris, before 1662, French (Paris) Wool, silk, and silver-gilt thread (20.44.3) |
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Diana the Huntress, after 1526,
Giampietrino (Giovanni Pietro Rizzoli) (Italian, Milanese),
Oil on wood 1989.21 |
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Diana, 1888–89; this cast, 1890, Frederick William MacMonnies (American), Bronze (27.21.9) |
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Diana, 1892–93; this cast, 1928, Augustus Saint-Gaudens (American), Bronze, gilt (28.101) |
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Diana, 1893–94; this cast, 1894 or after,
Augustus Saint-Gaudens (American),
Bronze (1985.353) |
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Diana: From the series Gods in Niches, 1526, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving, as retouched by Franceso Villamena (Italian) (49.97.233) |
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Drowning of Britomartis, 1547–59, Probably designed by Jean Cousin the Elder (French); possibly woven by Pierre II Blasse and Jacques Langlois (both French), Wool and silk (42.57.1) |
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Mantel Clock (Telleruhr), ca. 1710, Movement by Franz Xaver Gegenreiner (German); Repoussé silver by Johann Andreas Thelot (German), Case: tortoiseshell veneer and silver, partly gilt; Dial: champlevé silver with black numerals; Movement: brass and steel (46.162) |
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Mirror with a support in the form of a nude girl, second half of 6th century B.C.,
Laconian; Said to be from southern Italy,
Bronze (38.11.3) |
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Quatriregio (Four Realms): Signatures B2v and B3,
Author: Federico Frezzi,
Florence: For Piero Pacini da Pescia, July 26, 1508,
Book with printed text and woodcut illustrations (21.4.1) |
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Themis (goddess of custom and law), second half of 4th century B.C., Greek, Marble (03.12.17) |
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Thematic Essays (11)
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