Subject Index: Literature and Literary Connections, Greek Poetry

Indexes

Works of Art (30)

	Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
	Apulegio volgare (Apuleius in the Vernacular): Signature E2v, Author: Lucius Apuleius, Translator: Matteo Maria Boiardo, Venice: Nicolo daristotele da Ferrara & Vincenzo de Polo da Venetia, 1519, 2d ed. (1st ed., 1518), Printed book with woodcut illustrations (56.608.1)
	Bridal Chamber of Herse, Tapestry, ca. 1550, Workshop of Willem de Pannemaker (Flemish), Made/manufactured: Brussels, Southern Netherlands, Wool, silk, silver (41.190.135)
	Clytie, 1869–70; this carving, 1872, William Henry Rinehart (American), Marble (11.68.1)
	Diana and Actaeon, ca. 1590, Bartholomeus Spranger (Netherlandish), Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk (1997.93)
	The Dream of Aeneas, ca. 1663–66, Salvator Rosa (Italian, Neapolitan), Oil on canvas (65.118)
	The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662)
	The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Hendrick Goltzius (Netherlandish), Pen and red-brown ink, brush and brown wash, heightened with white, indented for transfer (1992.376)
	The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141)
	The Golden Age, 1605, Joachim Wtewael (Dutch), Oil on copper (1993.333)
	Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208)
	Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
	Lamenting the Death of Adonis, mid-16th century, After Luca Cambiaso (Italian), Woodcut (17.37.33)
	Midas Washing at the Source of the Pactolus, 1624, Nicolas Poussin (French), Oil on canvas (71.56)
	Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi
	Nolan neck-amphora with triple handles, ca. 470–460 B.C.; red-figure, Attributed to the Achilles Painter, Greek, Attic, Terracotta (25.189.2)
	Nymphs and Satyrs in a Landscape, 1599 or before, Joseph Heintz the Elder (Swiss), Pen and brown ink, brown wash, red chalk, heightened with white body color, on yellow tinted paper (2007.174)
	Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
	Ovidio metamorphoseos vulgare (Ovid's Metamorphoses in the Vernacular), by Giovanni Bonsignore, 2d ed. (Venice: Lucantonio Giunta, 1501), Woodcut illustrations by 15th-century Venetian school (22.16)
	Papyrus fragment with lines from Homer's Odyssey, Early Hellenistic, 285–250 B.C., Greek, Ptolemaic (09.182.50)
	"Penelope Unraveling Her Work at Night," 1886, Dora Wheeler (American), for Associated Artists (New York City), Silk embroidered with silk thread (2002.230)
	The Poet, Jusepe de Ribera (Spanish), Etching, only state (30.54.69)
	Polyphemus and Galatea in a Landscape, last decade of 1st century B.C.; mid-Augustan, Third Style, Roman, Fresco (20.192.17)ar
	The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (active Rome), after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.328)
	The Rape of Ganymede, 1505–15, Giovanni Battista Palumba (Master IB with the Bird) (Italian, active northern Italy and Rome), Woodcut (25.2.9)
	Study for a Triton (recto); Anatomical Studies (?) (verso), 1642–44, Gian Lorenzo Bernini (Italian), Drawing in red chalk, background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso) (1973.265)
	*Ulysses at the Table of Circe: Plate 16 of The Odyssey of Homer Engraved from the Compositions of John Flaxman R.A.,* 1805, John Flaxman (British), Printmaker: James Parker (British), London, England, Etching (1977.595.53)
	Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28)
	Venus and Adonis, Titian (Tiziano Vecellio) (Italian, Venetian), Oil on canvas (49.7.16)
	Vertumnus and Pomona, ca. 1760–70, François Boucher (French), Brown chalk (60.176.2)