Works of Art (276)
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The Afternoon Meal (La Merienda), ca. 1771,
Luis Egidio Meléndez (or Menéndez) (Spanish),
Oil on canvas (1982.60.39) |
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Allée of Chestnut Trees,
Alfred Sisley (English),
Oil on canvas (1975.1.211) |
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Alpine Pool, 1907, John Singer Sargent (American), Oil on canvas (50.130.15) |
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[Amateur Snapshot Album], 1890–92, Unknown Artist, American School, 286 cyanotypes and gelatin silver prints (1997.54) |
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An Unusual Assembly, late 19th–early 20th century, Iran, Ink, transparent colors, and gold on paper (1979.461) |
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Antsahatsiroa (Madagascar), 1862–65,
William Ellis (British),
Albumen print from collodion negative (2000.608) |
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Approaching Thunder Storm, 1859, Martin Johnson Heade (American), Oil on canvas (1975.160) |
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Ariadne, 1913, Giorgio de Chirico (Italian, born Greece), Oil and graphite on canvas (1996.403.10), |
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Arques-la-Bataille, 1884, John Henry Twachtman (American), Oil on canvas (1991.130) |
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Arques-la-Bataille, 1885, John Henry Twachtman (American), Oil on canvas (68.52) |
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The Artist's Garden at Saint-Clair,
Henri-Edmond Cross (French),
Watercolor on paper (48.10.7) |
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Autumn Grasses in Moonlight, Meiji period, ca. 1872–91, Shibata Zeshin (Japanese), Two-panel folding screen; ink, lacquer, and silver leaf on paper (1975.268.137) |
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Bamboo in the Four Seasons, Muromachi period (1392–1573), Attributed to Tosa Mitsunobu (Japanese), Pair of six-panel folding screens; color, ink, and gold on paper (1975.268.44,45)
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Bamboo in Wind, Ming dynasty, ca. 1460, Xia Chang, China
Hanging scroll; ink on paper (1989.235.1) |
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Bandits on a Rocky Coast, Salvator Rosa (Italian, Neapolitan), Oil on canvas (34.137) |
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The Battles of Hogen and Heiji, Edo period, 17th century, Japanese, Pair of six-panel folding screens; ink, color, and gold on paper (57.156.4-5) |
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The Beeches, 1845, Asher B. Durand (American), Oil on canvas (15.30.59) |
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A Bird's-Eye View, 1889, Theodore Robinson (American), Oil on canvas (10.64.9) |
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Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2) |
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Birth of the Buddha, Muromachi period, ca. 1400, Unidentified artist, Japan, Section of a wall panel; ink, color, and gold on silk (1993.478.1) |
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Black Canyon, From Camp 8, Looking Above, 1871, Timothy O'Sullivan (American), Albumen silver print from glass negative (1986.1054.19) |
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Black Columns in a Landscape, 1919, Paul Klee (German), Watercolor, pen, and ink on paper (1987.455.1) |
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Black Place II, 1944, Georgia O'Keeffe (American), Oil on canvas (59.204.1) |
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Black Stork in a Landscape, ca. 1780,
India (Lucknow),
Watercolor on European paper (2000.266) |
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Blind Orion Searching for the Rising Sun, 1658, Nicolas Poussin (French), Oil on canvas (24.45.1) |
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The Bodmer Oak, Fontainebleau Forest, 1865, Claude Monet (French), Oil on canvas (64.210) |
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Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b) |
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Border #8, 1997–98,
Michal Rovner (Israeli),
Paint on canvas (1999.240) |
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Brig on the Water, 1856, Gustave Le Gray (French), Albumen silver print from glass negative (1976.645.1) |
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Bringing down Marble from the Quarries to Carrara, 1911, John Singer Sargent (American), Oil on canvas (17.97.1) |
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Brush holder, Ming dynasty, early 17th century, Zhang Xihuang (active early 17th century), China, Bamboo (1994.208) |
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Côte des Grouettes, near Pontoise, probably 1878,
Camille Pissarro (French),
Oil on canvas (1991.277.2) |
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Canyon of Kanab Wash, Looking South, 1872, William H. Bell (American), Albumen silver print from glass negative (2005.100.585 (1–35)) |
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Cape Horn near Celilo, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.109) |
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Celia Thaxter's Garden, Isles of Shoals, Maine, 1890,
Childe Hassam (American),
Oil on canvas (1994.567) |
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Clearing after Rain over Streams and Mountains, Qing dynasty, dated 1662,
Wang Hui (Chinese),
Hanging scroll; ink on paper (1989.363.141) |
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Clouds and Water, 1930,
Arthur Dove (American),
Oil on canvas (49.70.40) |
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Clump of Trees with a Vista, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of two (20.46.4) |
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Coast Guard Station, Two Lights, Maine, 1927,
Edward Hopper (American),
Watercolor, gouache, and charcoal on paper (1974.356.25) |
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Coast Scene, Isles of Shoals, 1901, Childe Hassam (American), Oil on canvas (09.72.6) |
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Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
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The Colors of Mount Taihang, Qing dynasty, dated 1669,
Wang Hui (Chinese),
Handscroll; ink and color on silk (1978.423) |
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Cosmological Mandala with Mount Meru, Yuan dynasty (1271–1368),
China,
Silk tapestry (kesi) (1989.140) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (49.30) |
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Day: From the series Dreams, 1891, Odilon Redon (French), Lithograph (44.8 x 31.6 cm) (20.30.6) |
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The Dayspring from on High, 1890s–1900s, Alexander Keighley (British), Carbon print (54.549.20)
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Desert, 1985, Peter Booth (Australian, born England), Oil on canvas (1986.219) |
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Devil's Canyon, Geysers, Looking Down, 1868–70, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1082) |
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Dragon Pine, Ming dynasty, ca. 1400, Wu Boli (Chinese), Hanging scroll; ink on paper (1984.475.3) |
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Dunes, Oceano, 1936, Edward Weston (American), Gelatin silver print (1987.1100.129) |
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Early View from the Dell, 1859,
Samuel Masury (American),
Albumenized salted paper print (2005.100.869) |
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Eastern Coast of Rügen Island with Shepherd, ca. 1805–6,
Caspar David Friedrich (German),
Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260) |
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Easy chair, 1758, Caleb Gardner (American), American; Newport, Rhode Island, Walnut, maple (50.228.3) |
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The Edge of the Woods at Monts-Girard, 1854, Pierre-Étienne-Théodore Rousseau (French), Oil on wood (96.27) |
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Embroidered fan with landscape: Ancient Mountains, Green Pines, Qing dynasty, 19th century, China, Fan: silk embroidery on silk gauze; rim and handle: lacquered wood (62.97.25a) |
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Entrance to the Port of Boulogne, 1855, Édouard Baldus (French, born Prussia), Salted paper print from paper negative (1992.5000) |
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Evening Snow at Kanbara, Edo period, 1834, Ando Hiroshige (Japanese), Woodblock print; ink and color on paper (JP2492)
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Evening: Landscape with an Aqueduct, 1818,
Jean-Louis-André-Théodore Gericault (French),
Oil on canvas (1989.183) |
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Everyone Stands Under His Own Dome of Heaven, 1970,
Anselm Kiefer (German),
Watercolor, gouache, and graphite pencil on joined paper (1995.14.4) |
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The Fairy Tree at Colinton, ca. 1846, David Octavius Hill (Scottish,); Robert Adamson (Scottish), Salted paper print from paper negative (1997.382.29) |
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Falconer's Bag, 1695, Jan Weenix (Dutch), Oil on canvas (50.55) |
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The Falls of Niagara, ca. 1825, Edward Hicks (American), Oil on canvas (62.256.3) |
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Fantastic Landscape, Francesco Guardi (Italian, Venetian), Oil on canvas (53.225.3) |
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The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141) |
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The Ferryman, ca. 1865,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (14.40.811) |
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Fireflies over the Uji River by Moonlight, Meiji period, Suzuki Shonen (Japanese), Hanging scroll; ink, gold, and color on silk (1979.72) |
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The Fishermen (Fantastic Scene), ca. 1875, Paul Cézanne (French), Oil on canvas (2001.473) |
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Fishing Boats, Collioure, 1905, André Derain (French), Oil on canvas (1982.179.29) |
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The Floods of 1856, Avignon, 1856, Édouard Baldus (French, born Prussia), Salted paper print from paper negative (1997.52) |
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Flower Garden and Bungalow, Bermuda, 1899, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.10) |
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The Flowering Orchard, 1888, Vincent van Gogh (Dutch), Oil on canvas (56.13) |
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Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Jean-Baptiste-Camille Corot (French), Oil on paper, laid down on wood (1979.404) |
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A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196) |
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The Forest in Winter at Sunset, 1845–67,
Pierre-Étienne-Théodore Rousseau (French),
Oil on canvas (11.4) |
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Fountain in Front of the Villa Aldobrandini (Villa Belvedere): From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 5), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.5) |
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The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, 1843, Thomas Cole (American), Graphite and white gouache on green wove paper (1977.182.7) |
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The Four Accomplishments, Muromachi period, mid-16th century,
Kano Motonobu (Japanese),
Pair of six-panel screens; ink and color on paper (1991.480.1,.2)
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23) |
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Francis Brinley, 1729, John Smibert (Scottish), American, Oil on canvas (62.79.1) |
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Gardanne, 1885–86, Paul Cézanne (French), Oil on canvas (57.181) |
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Garden at Sainte-Adresse, 1867, Claude Monet (French), Oil on canvas (67.241) |
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Garden Landscape and Fountain, ca. 1905–15,
Louis Comfort Tiffany (American); Tiffany Studios,
Favrile glass, cement (1976.105) |
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The Garden of Love (Improvisation Number 27), 1912, Wassily Kandinsky (French, born Russia), Oil on canvas (49.70.1) |
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Gardens of the Villa d'Este at Tivoli, Charles-Joseph Natoire (French), Pen and brown ink, brown and gray wash, watercolor, heightened with touches of white, over black and red chalk (65.65) |
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A Gathering at Woods' Edge, ca. 1765–73,
Jean-Honoré Fragonard (French),
Red chalk (1995.101) |
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Gibbons, Muromachi period (1392–1573),Sesson Shukei (Japanese),
Pair of six-panel screens; ink on paper (1992.8.1,2)
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Golden Afternoon, 1908, Childe Hassam (American), Oil on canvas (11.40) |
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A Gorge in the Mountains (Kauterskill Clove), 1862, Sanford Robinson Gifford (American), Oil on canvas (15.30.62) |
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The Great Wave, Sète, 1856–59, Gustave Le Gray (French), Albumen silver print from glass negative (1976.646) |
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Harvesters, 1565, Pieter Bruegel the Elder (Netherlandish), Oil on wood (19.164) |
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Haystacks (Effect of Snow and Sun), 1891, Claude Monet (French), Oil on canvas (29.100.109) |
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Haystacks: Autumn, ca. 1874,
Jean-François Millet (French),
Oil on canvas (60.71.12) |
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The Heart of the Andes, 1859, Frederic Edwin Church (American), Oil on canvas (09.95) |
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Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13) |
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Hills III, 1986,
Avner Moriah (Israeli),
Oil on canvas (1987.205.1) |
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Hortus Palatinus (plate 32), bound with Les raisons des forces mouvants, 1620, Salomon de Caus (Flemish, active in Germany), Jan Norton, Frankfurt, Etching (49.122) |
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Huis ten Bosch, view of the garden facade, dated ca. 1668, Jan van der Heyden (Dutch), Oil on wood (64.65.2) |
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In the Woods, 1855, Asher B. Durand (American), Oil on canvas (95.13.1) |
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Inter artes et naturam (Between Art and Nature),
Pierre Puvis de Chavannes (French),
Oil on canvas (58.15.2) |
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The Iron Forge between Dolgelli and Barmouth in Merioneth Shire: Plate 6 of XII Views in North Wales, 1776, Paul Sandby (British), London, Etching and aquatint printed in brown ink (36.8.30) |
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Italian Landscape with an Old Woman Holding a Spindle (after Domenico Campagnola), ca. 1715, Jean Antoine Watteau (French), Red chalk (1972.118.237) |
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Kalamkari wall hanging, ca. 1640–50; Mughal, India, Madras region, perhaps Pulicat, Cotton, resist dyed and painted (20.79) |
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The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai, Qing dynasty, 1698,
Wang Hui (Chinese) and assistants,
Handscroll; ink and color on silk (1979.5) |
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La Grenouillère, 1869, Claude Monet (French), Oil on canvas (29.100.112) |
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Lake George, 1869, John F. Kensett (American), Oil on canvas (15.30.61) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6) |
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Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44) |
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Landscape (recto and verso), 1489–90,
Perugino (Pietro Vannucci) (Italian),
Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (1993.327) |
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Landscape and Chinese Figures, Nagasawa Rosetsu (Japanese), Pair of six-panel folding screens; ink on gilded paper (1975.268.75, 76) |
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Landscape of the Four Seasons, Muromachi period, early 16th century, Kangaku Shinso (Soami) (Japanese), Pair of six-fold screens, ink on paper (41.59.1,2) |
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Landscape with a Double Spruce in the Foreground, ca. 1520–22, Albrecht Altdorfer (German), Etching printed from iron (1993.1097) |
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Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27) |
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Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2) |
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[Landscape with Clouds], probably 1856,
Roger Fenton (British),
Salted paper print from glass negative (1997.382.35) |
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Landscape with Cottage, 1845, Marie-Charles-Isidore Choiselat (French); Stanislas Ratel (French), Daguerreotype (1994.417) |
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Landscape with Goat, Titian (Tiziano Vecellio) (Italian, Venetian), Italian, Pen and brown ink (1991.462) |
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Landscape with Moses and the Burning Bush, 1610–16,
Domenichino (Domenico Zampiari) (Italian, Bolognese),
Oil on copper (1976.155.2) |
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Landscape with Pheasants, Qing dynasty, 19th century, China, Tapestry-woven (kesi) silk (13.220.101) |
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Landscape with Trees, Aelbert Cuyp (Dutch, Black chalk, gray wash, watercolored in brown, yellow, and green, partly brushed with gum arabic (07.282.14) |
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Landscape with Wine Harvest, ca. 1628–30,
Pietro da Cortona (Pietro Berrettini) (Italian),
Brush and gray wash, touches of pen and brown ink, over traces of black chalk, illusionistic frame in yellow and brown wash (2003.101) |
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Landscape, 1892,
Hilaire-Germain-Edgar Degas (French),
Monotype in oil colors, heightened with pastel (1972.636) |
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Landscapes after Ancient Masters, Qing dynasty, dated 1674 and 1677,
Wang Hui (Chinese) and Wang Shimin (Chinese),
Album of 12 paintings; ink and color on paper; 10 paintings by Wang Hui (1989.141.4) |
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Landscapes after Ancient Masters, Qing dynasty, dated 1677,
Gao Cen (Chinese),
Album of ten paintings: ink and color on silk (2007.50) |
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Landscapes and Trees, Qing dynasty, ca. 1679, Gong Xian (Chinese), Album of twelve paintings; ink on paper (1979.499) |
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Landscapes in the Style of An Kyôn: Evening Bell from Mist-Shrouded Temple and Autumn Moon over Lake Dongting, Chosôn dynasty, Unidentified artist, Korean, Pair of hanging scrolls, ink on silk (1987.278a) |
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Landscapes in the Style of An Kyôn: Evening Bell from Mist-Shrouded Temple and Autumn Moon over Lake Dongting, Chosôn dynasty, Unidentified artist, Korean, Pair of hanging scrolls, ink on silk (1987.278b) |
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Landscapes Painted for Yuweng, Qing dynasty, dated 1673, Fan Qi (Chinese), Album of eight leaves; ink and color on paper (1989.363.131) |
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[The Large Tree at La Verrerie, Romesnil], ca. 1852, Louis-Rémy Robert (French), Salted paper print from paper negative (2005.100.38) |
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A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7) |
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Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88) |
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Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4) |
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The Lighthouse at Two Lights, 1929,
Edward Hopper (American),
Oil on canvas (62.95) |
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Living Aloft: Master Liu's Retreat, dated 1543, Wen Zhengming (Chinese), Hanging scroll; ink and color on paper (L.2001.85.2) |
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Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Etching, first state; sheet, trimmed to platemark (26.70.3 [102]) |
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Low Tide, Riverside Yacht Club, 1894,
Theodore Robinson (American),
Oil on canvas (2007.281.3) |
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Magdalena Poenitens (Penitent Magdalene), ca. 1555–56, Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching with engraving; first state of two (26.72.14) |
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Magnolia and Irises, ca. 1908,
Louis Comfort Tiffany (American); Tiffany Studios,
Leaded Favrile glass (1981.159) |
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The Manneporte near Étretat, 1886, Claude Monet (French), Oil on canvas (31.67.11) |
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A Meadow Bordered by Trees, ca. 1845,
Pierre-Étienne-Théodore Rousseau (French),
Oil on wood (11.45.5) |
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Milites Requiescentes (Soldiers at Rest), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.56) |
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The Mill of Montmartre, probably ca. 1820,
Georges Michel (French),
Oil on canvas (25.110.8) |
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[Miss Mary and Lotte at the Hill Crest], ca. 1910, Heinrich Kühn (Austrian, born Germany), Autochrome (2005.100.370) |
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85, Paul Cézanne (French), Oil on canvas (29.100.64) |
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Mother and Child by the Sea, 1830,
Johan Christian Dahl (Norwegian),
Oil on canvas (2007.164.2) |
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Motiv aux Pommern, 1895–96, printed 1902, Hugo Henneberg (Austrian), Gum bichromate print (33.43.412) |
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Mountain Market in Clearing Mist, Southern Song dynasty, Xia Gui (Chinese), Album leaf; ink on silk (13.100.102) |
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Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
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The Mountain, 1936–37,
Balthus (French),
Oil on canvas (1982.530) |
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Multnomah Falls Cascade, Columbia River, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.108) |
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Newburyport Meadows, ca. 1876–81, Martin Johnson Heade (American), Oil on canvas (1985.117) |
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Niagara Falls, ca. 1855, Attributed to Silas A. Holmes (American), Salted paper print from glass negative (1997.382.52) |
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Nocturne: The Thames at Battersea, 1878, James Abbott McNeill Whistler (American), Lithograph(17.3.159) |
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The North Country, 1923, Willard Metcalf (American), Oil on canvas (24.60) |
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[Oak Tree and Rocks, Forest of Fontainebleau], 1849–52, Gustave Le Gray (French), Salted paper print from paper negative (2000.13) |
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Old Trees, Level Distance, Northern Song dynasty (960–1127), ca. 1080,
Guo Xi (Chinese),
Handscroll; ink and color on silk (1981.276) |
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Olive Orchard, 1889, Vincent van Gogh (Dutch), Oil on canvas (1998.325.1) |
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Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287) |
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Orchids and Rocks, Muromachi period (1392–1573), Gyokuen Bompo (Japanese), Japan, Hanging scroll; ink on paper (1975.268.38) |
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Pair of square seals with cloud and rock pattern, 1912–49,
China,
Stone (2007.52a,b) |
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Palais de Gézyret, Pavillon Extérieur, 1870s,
J. Pascal Sébah (Turkish), Cairo, Albumen silver print from glass negative (1973.594.55) |
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Paneling from Marmion, the Fitzhugh House, ca. 1758; painting ca. 1770-80,
King George County, Virginia (16.112) |
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[Panorama of Machu Picchu], ca. 1930s,
Martín Chambi (Peruvian),
Two gelatin silver prints (2003.31) |
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Panoramic view of the the Palace and Gardens of Versailles, 1818–19, John Vanderlyn (American), Oil on canvas (52.184) |
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Peach Blossoms—Villiers-le-Bel, ca. 1887–89, Childe Hassam (American), Oil on canvas (1979.490.9) |
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Pen box, late 17th–early 18th century, Signed by Haji Muhammad, Iran, Lacquer (2000.491a,b) |
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Penitence of Saint Jerome, triptych, ca. 1518, Joachim Patinir (Netherlandish), Oil on wood (36.14a–c) |
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Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3) |
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Pine Trees in Pushkin Park, 1927, Aleksandr Rodchenko (Russian), Gelatin silver print (1987.1100.5) |
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Pirna: The Obertor from the South, Bernardo Bellotto (Italian, Venetian), Oil on canvas (1991.306) |
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The Plantation, ca. 1825, Unknown artist (American), Oil on wood (63.201.3) |
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Planting Chrysanthemums, Ming dynasty Lu Zhi (Chinese), Hanging scroll; ink and pale color on paper (1986.266.3) |
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Plum, Bamboo, and Rock, 1942,
Xu Beihong (Chinese),
Hanging scroll: ink and color on paper (2005.509.13) |
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Poet Strolling by a Marshy Bank, Southern Song dynasty, Liang Kai (Chinese), Fan mounted as an album leaf; ink on silk (1989.363.14) |
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Polyphemus and Galatea in a Landscape, last decade of 1st century B.C.; mid-Augustan, Third Style, Roman, Fresco (20.192.17)ar |
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Pomegranates and Other Fruit in a Landscape
Abraham Brueghel (Flemish)
Oil on canvas (71.118) |
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Poppy Field, Argenteuil, 1875, Claude Monet (French), Oil on canvas (2001.202.5) |
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Porte de la Reine at Aigues-Mortes, 1867,
Jean-Frédéric Bazille (French),
Oil on canvas (1988.221) |
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Preparations for a Hunt, ca. 1680; Mughal,
India,
Opaque watercolor on paper (2005.235a) |
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Prince and Ladies in a Garden, mid-18th century; Mughal, Attributed to Nidha Mal, Lucknow, India, Watercolor and gold on paper (2001.302) |
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Princely Couple with Attendants, second quarter of 15th century; Timurid, Iran or Central Asia, Colors and gold on silk (57.51.24) |
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Princely Hawking Party in the Mountains, ca. 1575; Safavid, Attributed to Mirza cAli, Iran (Qazvin), Colors and gold on paper (12.223.1) |
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Promenade among the Olive Trees, 1905–6, Henri Matisse (French), Oil on canvas (1975.1.194) |
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Queen Esther Approaching the Palace of Ahasuerus, 1658,
Claude Lorrain (Claude Gellée) (French),
Pen and brown ink, brown wash over black chalk, heightened with white (1997.156) |
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Rabbit Hunt, 1560, Pieter Bruegel the Elder (Netherlandish), Etching (25.2.11) |
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Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Page from a dispersed Ramayana (Story of King Rama), ca. 1780, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper (1976.15) |
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Reapers Resting in a Wheat Field, 1885, John Singer Sargent (American), Oil on canvas (50.130.14) |
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The Rest on the Flight into Egypt, ca. 1627, Nicolas Poussin (French), Oil on canvas (1997.117.6) |
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Returning Home, Qing dynasty, ca. 1695, Shitao (Zhu Ruoji) (Chinese), Album of twelve paintings; ink and color on paper (1976.280a) |
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A River Landscape with Storks, 1864,
Charles-François Daubigny (French),
Oil on wood (14.40.818) |
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Road in Etten, 1881, Vincent van Gogh (Dutch), Chalk, pencil, pastel, watercolor (1975.1.774) |
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A Road in Louveciennes, ca. 1870, Pierre-Auguste Renoir (French), Oil on canvas (1974.356.32) |
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The Road West, 1938, Dorothea Lange (American), Gelatin silver print (1990.1005)
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[Rocky Hillside, Possibly near West Point, New York], ca. 1854, Victor Prevost (French), Salted paper print from paper negative (40.102.9) |
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The Rocky Mountains, Lander's Peak, 1863, Albert Bierstadt (American), Oil on canvas (07.123) |
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The Roman Campagna, dated ca. 1639, Claude Lorrain (Claude Gellée) (French), Oil on canvas (65.181.12) |
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Romesnil, 1850–55, Louis-Rémy Robert (French), Salted paper print from paper negative (1996.363.2) |
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A Rushy Shore, 1887–88, Peter Henry Emerson (British, born Cuba), Platinum print (1994.520.2) |
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Saint Anthony Abbot Tempted by a Heap of Gold, ca. 1435, Osservanza Master (Italian [Siena]), Tempera on panel (1975.1.27) |
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Saint Jerome in the Wilderness, ca. 1525–30, Italian School, after Titian (Tiziano Vecellio) (Italian, Venetian), Woodcut (22.73.119) |
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Schiphol, 1994, Andreas Gursky (German), Chromogenic print (1995.191) |
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Scholar by a Waterfall, Southern Song dynasty, late 12th–early 13th century, Ma Yuan (Chinese), Album leaf: ink and color on silk (1973.120.9) |
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Schreckhorn, Eismeer (from the Splendid Mountain Watercolours Sketchbook), 1870, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (50.130.146f recto) |
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The Semicircular Water Theater of the Villa Mondragone: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 18), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching; (1991.1073.145.18) |
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Simple Retreat, Yuan dynasty, ca. 1370, Wang Meng (Chinese), Hanging scroll; ink and color on paper (L.1997.24.8) |
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Snow Clearing: Landscape after Li Cheng, Qing dynasty, dated 1669,
Wang Hui (Chinese),
Hanging scroll; ink and color on paper (1978.13) |
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Splashed-color Landscape, dated 1965, Zhang Daqian (Chinese), Hanging scroll; ink and color on paper (1986.267.361) |
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Springtime, ca. 1894–99,
Maurice Denis (French),
Oil on canvas (1999.180.2ab) |
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Stage Fort across Gloucester Harbor, 1862, Fitz Henry Lane (formerly Fitz Hugh Lane) (American), Oil on canvas (1978.203) |
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Stately Pines on Mount Hua, ca. 1972, Shi Lu (Chinese), Hanging scroll; ink on paper (1986.267.351) |
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Storm Clouds, 1935,
Arthur Dove (American),
Wax emulsion on canvas in artist's frame (2006.32.14)
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Strait of Carquennes, from South Vallejo, 1868–69, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.110) |
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Su Dongpo in Straw Hat and Wooden Shoes, Muromachi period, second half of 15th century, Artist Unknown, Japan, Hanging scroll; ink on paper (1975.268.39) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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Summer Mountains, Northern Song dynasty, 11th century, Attributed to Qu Ding (Chinese), Handscroll; ink and pale color on silk (1973.120.1) |
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Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23) |
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Sunset, ca. 1850,
Eugène Delacroix (French),
Pastel on blue laid paper, mounted on paper board (L.2000.64) |
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Surf, Isles of Shoals, 1913, Childe Hassam (American), Oil on canvas (1996.382) |
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The Swing, 1777–79, Hubert Robert (French), Oil on canvas (17.190.27) |
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Tantalus Canyon, Utah, 1870s, William Henry Jackson (American), Albumen silver print from glass negative (1973.641.3) |
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Temptation of Saint Anthony (recto); Fantastic Landscape (verso), ca. 1510–20, Jan Wellens de Cock (Netherlandish), Pen, or point of the brush, and gray ink, heightened with white, on green prepared paper (1972.118.276) |
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Ten Thousand Miles along the Yellow River, Qing dynasty, 1690–1722,
China,
Two handscrolls: ink, color, and gold on silk (2006.272a,b)
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The Terrace at Vernonnet, 1939, Pierre Bonnard (French), Oil on canvas (68.1) |
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Three Ages of Man, Dosso Dossi (Giovanni de Lutero) (Italian, Ferrarese), Oil on canvas (26.83) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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The Town on the Hill, New Almaden, 1863, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1083) |
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[Tree Study, Forest of Fontainebleau], ca. 1856,
Gustave Le Gray (French),
Albumen silver print from glass negative (1987.1011) |
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The Trout Pool, 1870, Worthington Whittredge (American), Oil on canvas (21.115.4) |
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