Works of Art (175)
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The Afternoon Meal (La Merienda), ca. 1771,
Luis Egidio Meléndez (or Menéndez) (Spanish),
Oil on canvas (1982.60.39) |
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Allée of Chestnut Trees,
Alfred Sisley (English),
Oil on canvas (1975.1.211) |
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An Unusual Assembly, late 19th–early 20th century, Iran, Ink, transparent colors, and gold on paper (1979.461) |
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Approaching Thunder Storm, 1859, Martin Johnson Heade (American), Oil on canvas (1975.160) |
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Ariadne, 1913, Giorgio de Chirico (Italian, born Greece), Oil and graphite on canvas (1996.403.10), |
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Autumn Grasses in Moonlight, Meiji period, ca. 1872–91, Shibata Zeshin (Japanese), Two-panel folding screen; ink, lacquer, and silver leaf on paper (1975.268.137) |
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Bamboo in Wind, Ming dynasty, ca. 1460, Xia Chang, China
Hanging scroll; ink on paper (1989.235.1) |
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Bandits on a Rocky Coast, Salvator Rosa (Italian, Neapolitan), Oil on canvas (34.137) |
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The Battles of Hogen and Heiji, Edo period, 17th century, Japanese, Pair of six-panel folding screens; ink, color, and gold on paper (57.156.4-5) |
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The Beeches, 1845, Asher B. Durand (American), Oil on canvas (15.30.59) |
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Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2) |
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Birth of the Buddha, Muromachi period, ca. 1400, Unidentified artist, Japan, Section of a wall panel; ink, color, and gold on silk (1993.478.1) |
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Black Columns in a Landscape, 1919, Paul Klee (German), Watercolor, pen, and ink on paper (1987.455.1) |
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Black Place II, 1944, Georgia O'Keeffe (American), Oil on canvas (59.204.1) |
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Black Stork in a Landscape, ca. 1780,
India (Lucknow),
Watercolor on European paper (2000.266) |
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Blind Orion Searching for the Rising Sun, 1658, Nicolas Poussin (French), Oil on canvas (24.45.1) |
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The Bodmer Oak, Fontainebleau Forest, 1865, Claude Monet (French), Oil on canvas (64.210) |
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Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b) |
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Border #8, 1997–98,
Michal Rovner (Israeli),
Paint on canvas (1999.240) |
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Brush holder, Ming dynasty, early 17th century, Zhang Xihuang (active early 17th century), China, Bamboo (1994.208) |
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Côte des Grouettes, near Pontoise, probably 1878,
Camille Pissarro (French),
Oil on canvas (1991.277.2) |
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Clouds and Water, 1930,
Arthur Dove (American),
Oil on canvas (49.70.40) |
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Clump of Trees with a Vista, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of two (20.46.4) |
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Coast Guard Station, Two Lights, Maine, 1927,
Edward Hopper (American),
Watercolor, gouache, and charcoal on paper (1974.356.25) |
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Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (49.30) |
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Day: From the series Dreams, 1891, Odilon Redon (French), Lithograph (44.8 x 31.6 cm) (20.30.6) |
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Dragon Pine, Ming dynasty, ca. 1400, Wu Boli (Chinese), Hanging scroll; ink on paper (1984.475.3) |
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Eastern Coast of Rügen Island with Shepherd, ca. 1805–6,
Caspar David Friedrich (German),
Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260) |
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Easy chair, 1758, Caleb Gardner (American), American; Newport, Rhode Island, Walnut, maple (50.228.3) |
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Eaton's Neck, Long Island, 1872, John F. Kensett (American), Oil on canvas (74.29) |
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The Edge of the Woods at Monts-Girard, 1854, Pierre-Étienne-Théodore Rousseau (French), Oil on wood (96.27) |
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Embroidered fan with landscape: Ancient Mountains, Green Pines, Qing dynasty, 19th century, China, Fan: silk embroidery on silk gauze; rim and handle: lacquered wood (62.97.25a) |
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Evening Snow at Kanbara, Edo period, 1834, Ando Hiroshige (Japanese), Woodblock print; ink and color on paper (JP2492)
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Evening: Landscape with an Aqueduct, 1818,
Jean-Louis-André-Théodore Gericault (French),
Oil on canvas (1989.183) |
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Falconer's Bag, 1695, Jan Weenix (Dutch), Oil on canvas (50.55) |
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Fantastic Landscape, Francesco Guardi (Italian, Venetian), Oil on canvas (53.225.3) |
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The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141) |
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The Ferryman, ca. 1865,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (14.40.811) |
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Fireflies over the Uji River by Moonlight, Meiji period, Suzuki Shonen (Japanese), Hanging scroll; ink, gold, and color on silk (1979.72) |
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The Flowering Orchard, 1888, Vincent van Gogh (Dutch), Oil on canvas (56.13) |
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Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Jean-Baptiste-Camille Corot (French), Oil on paper, laid down on wood (1979.404) |
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A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196) |
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The Forest in Winter at Sunset, 1845–67,
Pierre-Étienne-Théodore Rousseau (French),
Oil on canvas (11.4) |
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Fountain in Front of the Villa Aldobrandini (Villa Belvedere): From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 5), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.5) |
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The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, 1843, Thomas Cole (American), Graphite and white gouache on green wove paper (1977.182.7) |
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The Four Accomplishments, Muromachi period, mid-16th century,
Kano Motonobu (Japanese),
Pair of six-panel screens; ink and color on paper (1991.480.1,.2)
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23) |
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Francis Brinley, 1729, John Smibert (Scottish), American, Oil on canvas (62.79.1) |
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Gardanne, 1885–86, Paul Cézanne (French), Oil on canvas (57.181) |
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Garden at Sainte-Adresse, 1867, Claude Monet (French), Oil on canvas (67.241) |
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Garden Landscape and Fountain, ca. 1905–15,
Louis Comfort Tiffany (American); Tiffany Studios,
Favrile glass, cement (1976.105) |
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The Garden of Love (Improvisation Number 27), 1912, Wassily Kandinsky (French, born Russia), Oil on canvas (49.70.1) |
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Garden of the Unsuccessful Politician, Ming dynasty, dated 1551, Wen Zhengming (Chinese), Album of eight paintings with facing pages of calligraphy; ink on paper (1979.458.1) |
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Gardens of the Villa d'Este at Tivoli, Charles-Joseph Natoire (French), Pen and brown ink, brown and gray wash, watercolor, heightened with touches of white, over black and red chalk (65.65) |
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A Gathering at Woods' Edge, ca. 1765–73,
Jean-Honoré Fragonard (French),
Red chalk (1995.101) |
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A Gorge in the Mountains (Kauterskill Clove), 1862, Sanford Robinson Gifford (American), Oil on canvas (15.30.62) |
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Harvesters, 1565, Pieter Bruegel the Elder (Netherlandish), Oil on wood (19.164) |
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Haystacks: Autumn, ca. 1874,
Jean-François Millet (French),
Oil on canvas (60.71.12) |
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The Heart of the Andes, 1859, Frederic Edwin Church (American), Oil on canvas (09.95) |
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Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13) |
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Hills III, 1986,
Avner Moriah (Israeli),
Oil on canvas (1987.205.1) |
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Hortus Palatinus (plate 32), bound with Les raisons des forces mouvants, 1620, Salomon de Caus (Flemish, active in Germany), Jan Norton, Frankfurt, Etching (49.122) |
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Huis ten Bosch, view of the garden facade, dated ca. 1668, Jan van der Heyden (Dutch), Oil on wood (64.65.2) |
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In the Woods, 1855, Asher B. Durand (American), Oil on canvas (95.13.1) |
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Inter artes et naturam (Between Art and Nature),
Pierre Puvis de Chavannes (French),
Oil on canvas (58.15.2) |
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The Iron Forge between Dolgelli and Barmouth in Merioneth Shire: Plate 6 of XII Views in North Wales, 1776, Paul Sandby (British), London, Etching and aquatint printed in brown ink (36.8.30) |
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Italian Landscape with an Old Woman Holding a Spindle (after Domenico Campagnola), ca. 1715, Jean Antoine Watteau (French), Red chalk (1972.118.237) |
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Kalamkari wall hanging, ca. 1640–50; Mughal, India, Madras region, perhaps Pulicat, Cotton, resist dyed and painted (20.79) |
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The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai, Qing dynasty, 1698,
Wang Hui (Chinese) and assistants,
Handscroll; ink and color on silk (1979.5) |
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La Grenouillère, 1869, Claude Monet (French), Oil on canvas (29.100.112) |
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Lake George, 1869, John F. Kensett (American), Oil on canvas (15.30.61) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6) |
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Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44) |
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Landscape and Chinese Figures, Nagasawa Rosetsu (Japanese), Pair of six-panel folding screens; ink on gilded paper (1975.268.75, 76) |
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Landscape of the Four Seasons, Muromachi period, early 16th century, Kangaku Shinso (Soami) (Japanese), Pair of six-fold screens, ink on paper (41.59.1,2) |
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Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27) |
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Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2) |
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Landscape with Goat, Titian (Tiziano Vecellio) (Italian, Venetian), Italian, Pen and brown ink (1991.462) |
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Landscape with Pheasants, Qing dynasty, 19th century, China, Tapestry-woven (kesi) silk (13.220.101) |
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Landscape with Trees, Aelbert Cuyp (Dutch, Black chalk, gray wash, watercolored in brown, yellow, and green, partly brushed with gum arabic (07.282.14) |
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Landscape with Wine Harvest, ca. 1628–30,
Pietro da Cortona (Pietro Berrettini) (Italian),
Brush and gray wash, touches of pen and brown ink, over traces of black chalk, illusionistic frame in yellow and brown wash (2003.101) |
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Landscapes and Trees, Qing dynasty, ca. 1679, Gong Xian (Chinese), Album of twelve paintings; ink on paper (1979.499) |
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Landscapes in the Style of An Kyôn: Evening Bell from Mist-Shrouded Temple and Autumn Moon over Lake Dongting, Chosôn dynasty, Unidentified artist, Korean, Pair of hanging scrolls, ink on silk (1987.278a) |
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Landscapes in the Style of An Kyôn: Evening Bell from Mist-Shrouded Temple and Autumn Moon over Lake Dongting, Chosôn dynasty, Unidentified artist, Korean, Pair of hanging scrolls, ink on silk (1987.278b) |
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Landscapes Painted for Yuweng, Qing dynasty, dated 1673, Fan Qi (Chinese), Album of eight leaves; ink and color on paper (1989.363.131) |
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A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7) |
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Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88) |
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Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4) |
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The Lighthouse at Two Lights, 1929,
Edward Hopper (American),
Oil on canvas (62.95) |
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Living Aloft: Master Liu's Retreat, dated 1543, Wen Zhengming (Chinese), Hanging scroll; ink and color on paper (L.2001.85.2) |
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Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Etching, first state; sheet, trimmed to platemark (26.70.3 [102]) |
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Magnolia and Irises, ca. 1908,
Louis Comfort Tiffany (American); Tiffany Studios,
Leaded Favrile glass (1981.159) |
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A Meadow Bordered by Trees, ca. 1845,
Pierre-Étienne-Théodore Rousseau (French),
Oil on wood (11.45.5) |
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Milites Requiescentes (Soldiers at Rest), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.56) |
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85, Paul Cézanne (French), Oil on canvas (29.100.64) |
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Mountain Market in Clearing Mist, Southern Song dynasty, Xia Gui (Chinese), Album leaf; ink on silk (13.100.102) |
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Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
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Newburyport Meadows, ca. 1876–81, Martin Johnson Heade (American), Oil on canvas (1985.117) |
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Old Trees, Level Distance, Northern Song dynasty (960–1127), ca. 1080,
Guo Xi (Chinese),
Handscroll; ink and color on silk (1981.276) |
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Olive Orchard, 1889, Vincent van Gogh (Dutch), Oil on canvas (1998.325.1) |
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Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287) |
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Paneling from Marmion, the Fitzhugh House, ca. 1758; painting ca. 1770-80,
King George County, Virginia (16.112) |
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Panoramic view of the the Palace and Gardens of Versailles, 1818–19, John Vanderlyn (American), Oil on canvas (52.184) |
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Pen box, late 17th–early 18th century, Signed by Haji Muhammad, Iran, Lacquer (2000.491a,b) |
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Penitence of Saint Jerome, triptych, ca. 1518, Joachim Patinir (Netherlandish), Oil on wood (36.14a–c) |
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Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3) |
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Pirna: The Obertor from the South, Bernardo Bellotto (Italian, Venetian), Oil on canvas (1991.306) |
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The Plantation, ca. 1825, Unknown artist (American), Oil on wood (63.201.3) |
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Planting Chrysanthemums, Ming dynasty Lu Zhi (Chinese), Hanging scroll; ink and pale color on paper (1986.266.3) |
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Plum, Bamboo, and Rock, 1942,
Xu Beihong (Chinese),
Hanging scroll: ink and color on paper (2005.509.13) |
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Preparations for a Hunt, ca. 1680; Mughal,
India,
Opaque watercolor on paper (2005.235a) |
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Prince and Ladies in a Garden, mid-18th century; Mughal, Attributed to Nidha Mal, Lucknow, India, Watercolor and gold on paper (2001.302) |
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Princely Couple with Attendants, second quarter of 15th century; Timurid, Iran or Central Asia, Colors and gold on silk (57.51.24) |
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Princely Hawking Party in the Mountains, ca. 1575; Safavid, Attributed to Mirza cAli, Iran (Qazvin), Colors and gold on paper (12.223.1) |
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Promenade among the Olive Trees, 1905–6, Henri Matisse (French), Oil on canvas (1975.1.194) |
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Queen Esther Approaching the Palace of Ahasuerus, 1658,
Claude Lorrain (Claude Gellée) (French),
Pen and brown ink, brown wash over black chalk, heightened with white (1997.156) |
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Rabbit Hunt, 1560, Pieter Bruegel the Elder (Netherlandish), Etching (25.2.11) |
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Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Page from a dispersed Ramayana (Story of King Rama), ca. 1780, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper (1976.15) |
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The Rest on the Flight into Egypt, ca. 1627, Nicolas Poussin (French), Oil on canvas (1997.117.6) |
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Returning Home, Qing dynasty, ca. 1695, Shitao (Zhu Ruoji) (Chinese), Album of twelve paintings; ink and color on paper (1976.280a) |
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A River Landscape with Storks, 1864,
Charles-François Daubigny (French),
Oil on wood (14.40.818) |
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Road in Etten, 1881, Vincent van Gogh (Dutch), Chalk, pencil, pastel, watercolor (1975.1.774) |
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The Rocky Mountains, Lander's Peak, 1863, Albert Bierstadt (American), Oil on canvas (07.123) |
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The Roman Campagna, dated ca. 1639, Claude Lorrain (Claude Gellée) (French), Oil on canvas (65.181.12) |
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Saint Anthony Abbot Tempted by a Heap of Gold, ca. 1435, Osservanza Master (Italian [Siena]), Tempera on panel (1975.1.27) |
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Saint Jerome in the Wilderness, ca. 1525–30, Italian School, after Titian (Tiziano Vecellio) (Italian, Venetian), Woodcut (22.73.119) |
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Scholar by a Waterfall, Southern Song dynasty, late 12th–early 13th century, Ma Yuan (Chinese), Album leaf: ink and color on silk (1973.120.9) |
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The Semicircular Water Theater of the Villa Mondragone: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 18), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching; (1991.1073.145.18) |
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Simple Retreat, Yuan dynasty, ca. 1370, Wang Meng (Chinese), Hanging scroll; ink and color on paper (L.1997.24.8) |
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Splashed-color Landscape, dated 1965, Zhang Daqian (Chinese), Hanging scroll; ink and color on paper (1986.267.361) |
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Springtime, ca. 1894–99,
Maurice Denis (French),
Oil on canvas (1999.180.2ab) |
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Stage Fort across Gloucester Harbor, 1862, Fitz Henry Lane (formerly Fitz Hugh Lane) (American), Oil on canvas (1978.203) |
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Stately Pines on Mount Hua, ca. 1972, Shi Lu (Chinese), Hanging scroll; ink on paper (1986.267.351) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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Summer Mountains, Northern Song dynasty, 11th century, Attributed to Qu Ding (Chinese), Handscroll; ink and pale color on silk (1973.120.1) |
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Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23) |
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The Swing, 1777–79, Hubert Robert (French), Oil on canvas (17.190.27) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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The Trout Pool, 1870, Worthington Whittredge (American), Oil on canvas (21.115.4) |
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Twin Pines, Level Distance, Yuan dynasty, ca. 1300, Zhao Mengfu (Chinese), Handscroll: ink on paper (1973.120.5) |
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Two Satyrs in a Landscape, ca. 1509–15,
Titian (Tiziano Vecellio) (Italian, Venetian),
Pen and brown ink, white gouache, on fine off-white laid paper (1999.28) |
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The Valley of Wyoming, 1865, Jasper Francis Cropsey (American), Oil on canvas (66.113) |
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Vaprio d'Adda, 1744, Bernardo Bellotto (Italian, Venetian), Oil on canvas (39.142) |
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View of a Mosque and Gateway in Upper Bengal, ca. 1820–21,
Sita Ram (Indian),
India (Bengal), Watercolor on paper (2002.461) |
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View of Collioure and the Sea, 1907, Henri Matisse (French), Oil on canvas (1999.363.42) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of La Crescenza, 1648–50, Claude Lorrain (Claude Gellée) (French), Oil on canvas (1978.205) |
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View of Rome, Seen from the Janiculum Hill, Anton van den Wyngaerde (Flemish), Pen and brown ink, brown wash (52.124.1) |
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View of St. Peter's and the Vatican from the Janiculum (Gianicolo), 1754, Richard Wilson (British), British, Black and white chalks with stumping, on gray paper laid down on original artist's mount, colored with purple wash (1972.118.294) |
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View of the Grand Facade of the Louvre (Vue de la Grande Façade du Vieux Louvre), 1752, Jacques Rigaud (French), Etching (53.600.1191) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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View of the Queen's Theatre from the Rotunda, ca. 1739, Jacques Rigaud (French), Ink and wash (42.79.7) |
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View of the Villa La Petraia: From Vedute delle ville, e d'altri luoghi della Toscana (plate 33), 1744,
Artist: Filippo Morghen, after a drawing by Giuseppe Zocchi (Italian),
Florence: Giuseppe Allegrini, 1744,
Etching (36.31.10.33) |
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View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83, John Robert Cozens (British), British, Watercolor over traces of graphite on white laid paper (67.68) |
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View of the Wilderness at Kew, 1763, William Marlow (English), Sir William Chambers (English), Watercolor (25.19.43) |
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Viewing Plum Blossoms by Moonlight, Southern Song dynasty (1127–1279), Ma Yuan (Chinese), Fan mounted as an album leaf; ink and color on silk (1986.493.2) |
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Villa Borghese: From Li giardini di Roma (plate 15), after 1677,
Artist: Simone Felice (Italian),
Rome: Giovanni Giacomo de' Rossi, after 1677,
Etching (61.532.26[15]) |
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Villa d'Este, Tivoli, View of the Palace from the Lower Level Garden: From Le fontane di Roma, part 4, Le fontane del giardino Estense in Tivoli (plate 3 [foldout]), 1691,
Artist: Giovanni Franceso Venturini (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.3) |
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Villa Medici: From Li giardini di Roma (plate 7), after 1677,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, after 1677,
Etching (61.532.26[7]) |
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Ville-d'Avray, 1870,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (87.15.141) |
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Wangchuan Villa, Qing dynasty, dated 1711, Wang Yuanqi (Chinese), Handscroll; ink and color on paper (1977.80) |
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Warwick Castle: The East Front, 1752, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Pen and brown ink, gray wash (1975.1.297) |
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Wheat Field with Cypresses, 1889,
Vincent van Gogh (Dutch),
Oil on canvas (1993.132) |
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Whiling Away the Summer, Qing dynasty, dated 1679, Wu Li (Chinese), Handscroll; ink on paper (1977.81) |
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Wild Emperor, 1975, Anselm Kiefer (German), Watercolor and acrylic on paper (1995.14.11) |
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Wild Geese Descending to Sandbar, Chosôn dynasty, Unidentified artist, Korean, Hanging scroll, ink on silk (1992.337) |
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Wilton Garden (plate 1), ca. 1640, Written and designed by Isaac de Caus (French), Peter Stent (British), Thomas Rowlett, London, Etching (27.66.2) |
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The Windmill, 1641, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching (41.1.12) |
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Winjana Gorge, Kimberley, I, 1981, Fred Willams (Australian), Oil on canvas (1992.312.4) |
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Wooded Landscape at L'Hermitage, Pontoise, 1879,
Camille Pissarro (French),
Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1) |
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Wooded Mountains at Dusk, Qing dynasty, dated 1666, Kuncan (Chinese), Hanging scroll; ink and color on paper (1989.363.129) |
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Wooded Upland Landscape, probably 1783, Thomas Gainsborough (British), Oil on canvas (06.1279) |
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Thematic Essays (4)
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