Subject Index: Literature and Literary Connections

Indexes

Works of Art (165)

	[Abu Simbel], 1850, Maxime Du Camp (French), Salted paper print (Blanquart-Evrard Process) from paper negative (1981.1229.2)
	Academy of Baccio Bandinelli, 1550, Enea Vico (Italian), Engraving (17.50.16)
	[Aesopus moralitus] Vita, Fabulae (The Moralized Aesop; Life, Fables): Folio 4v, Author: Aesop, Translator and editor: Francesco del Tuppo, Naples: Francesco del Tuppo, February 13, 1485, Printed book with woodcut (or metalcut?) illustrations (31.62.9)
	*Alexander Visits the Sage Plato: Page from a dispersed manuscript of the Khamsa* (Quintet) of Amir Khusrau Dihlavi**, dated 1597—98; Mughal, Attributed to Basawan, Pakistan (Lahore), Ink, colors, and gold on paper (13.228.30)
	*Allegory of Worldly and Otherworldly Drunkenness: Page from the Divan* of Hafiz (Collected Poems of Hafiz)**, ca. 1526–27, Sultan Muhammad (Tabriz, Iran), Tabriz, Iran, Opaque watercolor, ink, and gold on paper (1988.430)
	Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
	Amphoriskos (flask) in the form of a bird-man, late 5th century B.C.; Classical, Greek, Attic, Terracotta (1999.68)
	And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
	Apulegio volgare (Apuleius in the Vernacular): Signature E2v, Author: Lucius Apuleius, Translator: Matteo Maria Boiardo, Venice: Nicolo daristotele da Ferrara & Vincenzo de Polo da Venetia, 1519, 2d ed. (1st ed., 1518), Printed book with woodcut illustrations (56.608.1)
	Armorial Plate (Tondino), ca. 1520–25 (or 1519?), Nicolò da Urbino (probably Nicola di Bagriele Sbarage) (Italian), Majolica (1975.1.1019)
	Autograph quilt, ca. 1856–63, Adeline Harris Sears (American), Rhode Island, Silk with inked signatures (1996.4)
	Balzac Toward the Light, Midnight, 1908, Edward Steichen (American, born Luxembourg), Direct carbon print (33.43.38)
	Benjamin Franklin (1706–1790), 18th century (1778), Jean-Antoine Houdon (French), French (Paris), Marble (72.6)
	Biographies of Lian Po and Lin Xiangru, ca. 1095, Huang Tingjian (Chinese), Handscroll; ink on paper (1989.363.4)
	Blind Homer Led by the Genius of Poetry, 1851, Edward Sheffield Bartholomew (American), Marble (1996.74)
	Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b)
	Bookstand, 1839, Designer: Charles-Auguste Questel (French); Maker: Georges-Alphonse Jacob Desmalter (French), France; Paris, Oak, maple, ebony, ebony veneer, ebonized maple, snakewood, ivory, mother-of-pearl, silk velvet, gilt bronze, and brass (2006.518)
	Brünnhilde Sleeps, 1980, Anselm Kiefer (German), Acrylic and gouache on photograph (1995.14.30)
	Bridal Chamber of Herse, Tapestry, ca. 1550, Workshop of Willem de Pannemaker (Flemish), Made/manufactured: Brussels, Southern Netherlands, Wool, silk, silver (41.190.135)
	Bust of Jean-Jacques Rousseau (1712–1778), after a model of 1778, After a model by Jean-Antoine Houdon (French), Plaster, painted to imitate terracotta (08.89.2a)
	Bust of Voltaire (François-Marie Arouet, 1694–1778), 18th century (1778), Jean-Antoine Houdon (French), French (Paris), Marble (1972.61)
	Bust of Voltaire (François-Marie Arouet, 1694–1778), after a model of 1778, After a model by Jean-Antoine Houdon (French), French, Plaster, painted to imitate terracotta (08.89.1a)
	*Case (étui) with an amorous inscription, 1450–1500, Italy, Leather (cuir bouilli*) over a wooden core, red cord (50.53.1)
	Cento favole morali (One Hundred Moral Tales): The Crow and the Serpent (page 35), Author and illustrator: Giovanni Maria Verdizotti, Venice: Giordano Ziletti, 1570, Printed book with woodcut illustrations (48.165)
	Chariot Mount with Three Figures, 300–500, Byzantine; Probably made in Gaul, Copper alloy (47.100.42)
	Charles Baudelaire, ca. 1863, Étienne Carjat (French), Woodburytype (64.677.4)
	Classic of Filial Piety, Northern Song dynasty, ca. 1085, Li Gonglin (Chinese), Handscroll; ink on silk (1996.479)
	Clytie, 1869–70; this carving, 1872, William Henry Rinehart (American), Marble (11.68.1)
	Couplet, dated 1867, Zhao Zhiqian (Chinese), Pair of hanging scrolls; ink on paper (2000.345.1,2)
	De gli habiti antichi et moderni di diverse parti del mondo libri due . . . (Of Ancient and Modern Dress of Diverse Parts of the World in Two Books . . .), 1590, Cesare Vecellio (Italian, ca. 1521–1601), Published Venice: Damiano Zenaro, Printed book with woodcuts by Christoph Krieger (Cristoforo Guerra) (21.36.146)
	The Death of Socrates, 1787, Jacques-Louis David (French), Oil on canvas (31.45)
	Diana and Actaeon, ca. 1590, Bartholomeus Spranger (Netherlandish), Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk (1997.93)
	The Dream of Aeneas, ca. 1663–66, Salvator Rosa (Italian, Neapolitan), Oil on canvas (65.118)
	Edward James in Front of On the Threshold of Liberty, 1937, Réné Magritte (Belgian), Gelatin silver print (1987.1100.157)
	Elijah Boardman, 1789, Ralph Earl (American), Oil on canvas (1979.395)
	Ernest Hemingway, 1957, Yousuf Karsh (Canadian, born Turkey), Gelatin silver print (1986.1098.12)
	Eugène Pelletan, 1855–59, Nadar (Gaspard-Félix Tournachon) (French), Salted paper print from glass negative (1991.1198)
	The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662)
	The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Hendrick Goltzius (Netherlandish), Pen and red-brown ink, brush and brown wash, heightened with white, indented for transfer (1992.376)
	The Falls of Niagara, ca. 1825, Edward Hicks (American), Oil on canvas (62.256.3)
	The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141)
	The Figure 5 in Gold, 1928, Charles Demuth (American), Oil on cardboard (49.59.1)
	Final Study of the Monument to Balzac, modeled 1897, this bronze cast 1972, Auguste Rodin (French), Bronze (1984.364.15)
	Firdausi Visits the Author to Inspire Him: Page from a dispersed manuscript of the Khavarannama, ca. 1480; Aq Quyunlu, Iran (Shiraz), Ink, colors, and gold on paper (55.184.1)
	Fireflies over the Uji River by Moonlight, Meiji period, Suzuki Shonen (Japanese), Hanging scroll; ink, gold, and color on silk (1979.72)
	The Fireside, ca. 1876–77, Hilaire-Germain-Edgar Degas (French), Monotype in black ink on white heavy laid paper (68.670)
	Fisherman, Yuan dynasty, ca. 1350, Wu Zhen (Chinese), Handscroll; ink on paper (1989.363.33)
	The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, 1843, Thomas Cole (American), Graphite and white gouache on green wove paper (1977.182.7)
	Four Anecdotes from the Life of Wang Xizhi, ca. 1310 Zhao Mengfu (Chinese), Handscroll, ink on paper (1989.363.30)
	Fragment of A Long Tale for an Autumn Night, Nanbokucho period, late 14th century, Japan, Ink and color on paper (2005.312)
	From Oscar Wilde, 1974, Anselm Kiefer (German), Watercolor and gouache on paper (2000.96.3)
	George Lippard, 1850–54, Unknown Artist, American School, Daguerreotype (2000.280)
	Gertrude Stein, 1906, Pablo Picasso (Spanish), Oil on canvas (47.106),
	Gioacchino Rossini, 1856, Nadar (Gaspard-Félix Tournachon) (French), Salted paper print from glass negative (1993.233)
	The Golden Age, 1605, Joachim Wtewael (Dutch), Oil on copper (1993.333)
	Groom and Horse, dated 1296, Zhao Mengfu (Chinese), Handscroll, ink and color on paper (1988.135)
	Guillaume Budé, ca. 1536, Jean Clouet (French), Tempera and oil on wood (46.68)
	Gustave Flaubert Beholds His Beloved, 1966, Gerhard Richter (German), Gelatin silver print (2003.234)
	Habiti delle donne venetiane (Costumes of Venetian Women), ca. 1591–1609, Giacomo Franco (Italian), Published Venice: Giacomo Franco Printed book with engraved plates (34.68)
	Hanako, probably ca. 1908, Auguste Rodin (French), Graphite, pen and brown ink, gouache, and traces of red chalk (10.66.2)
	Harriet Beecher Stowe, 1850s, Albert Sands Southworth (American); Josiah Johnson Hawes (American), Daguerreotype (37.14.40)
	Head of Balzac, 1891, Auguste Rodin (French), Terracotta (12.11.1)
	Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208)
	Hypnerotomachia Poliphili (Poliphilo's Dream about the Strife of Love), Author: Francesco Colonna, Venice: Aldus Manutius, 1499, Woodcut illustrations with printed text; bound volume (23.73.1)
	*Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi)*, Kamakura period, 13th century, Unidentified artist, Japan, Handscroll; ink and color on paper (25.224a–e)
	Imperial Library of the Louvre, 1856–57, Édouard Baldus (French, born Prussia), Salted paper print from glass negative (1994.137)
	In the Woods, 1855, Asher B. Durand (American), Oil on canvas (95.13.1)
	Iris, Messenger of the Gods, also known as Another Voice, Called Iris, modeled ca. 1895, this bronze cast 1965, Auguste Rodin (French), Bronze, on a black marble base (1984.364.7)
	Isfandiyar's Third Course: He Slays a Dragon: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1520–25, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.51)
	Jaharis Lectionary, ca. 1100, Byzantine (Constantinople), Tempera, ink, and gold leaf on parchment, leather binding (2007.286)
	Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
	Julius Caesar, ca. 1541, Couly II Nouailher (French, Limoges), Enamel, painted and partly gilded, on copper (28.217.2)
	*Khusrau Hunting: Page from a manuscript of the Khusrau and Shirin* of Hatifi**, dated 1498; Ottoman, Turkey (probably Istanbul), Ink, colors, and gold on paper (69.27)
	Kylix, ca. 540–530 B.C.; black-figure, Attributed to the Amasis Painter, Greek, Attic, Terracotta (1989.281.62)
	La giostra di Giuliano de' Medici (The Joust of Giuliano de' Medici): Title page (signature 1a), Author: Angelo Poliziano (Politian), [Florence: Tubini, Alopa e Ghirlandi?, ca. 1495–1500], Book with printed text and woodcut illustrations (25.30.22)
	Lady Lilith, 1867, Dante Gabriel Rossetti (British), Watercolor and gouache on paper (08.162.1)
	Lady of the Xiang River, dated 1947, Fu Baoshi (Chinese), Album leaf; ink and color on paper, Signed: "Baoshi" (1986.267.277)
	Lady Suhui and Her Verse Puzzle, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk (33.167)
	Laila and Majnun at School: Page from the Khamsa of Nizami (Quintet of Nizami), A.H. 835 /1431–32 A.D., Artist: possibly Mir Khalil; calligrapher: Ja'far, Herat, present-day Afghanistan, Ink, opaque watercolors, and gold on paper (1994.232.4)
	Lamenting the Death of Adonis, mid-16th century, After Luca Cambiaso (Italian), Woodcut (17.37.33)
	Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44)
	Landscapes and Trees, Qing dynasty, ca. 1679, Gong Xian (Chinese), Album of twelve paintings; ink on paper (1979.499)
	Leaf from the Razmnama, ca. 1616–17; Mughal, period of Jahangir, India, Ink, colors, and gold on paper (55.121.30)
	Lekythos (oil flask), ca. 470–460 B.C.; Classical; White ground with red-figure, Attributed to the Painter of the Yale Lekythos, Greek, Attic, Terracotta (07.286.44)
	*Liber chronicarum* (Nuremberg Chronicle), 1493, Wilhelm Pleydenwurff (German), Engraver and Publisher: Michel Wolgemuth (German), Author: Hartmann Schedel, Printed book with woodcut illustrations (21.36.145)
	*Liber Chronicarum (Nuremberg Chronicle)*, Author: Hartmann Schedel, Illustrators: Michael Wolgemut (German), and Wilhelm Pleydenwurff (German), Nuremberg: Anton Koberger, 1493, Woodcut illustrations with printed text; bound volume (1981.1178.29)
	The Liberation of Oriane, ca. 1590–95, Karel van Mander (Netherlandish); workshop of Frans Spiering, Delft, Wool and silk (2006.36)
	Living Aloft: Master Liu's Retreat, dated 1543, Wen Zhengming (Chinese), Hanging scroll; ink and color on paper (L.2001.85.2)
	Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895), 1878, Pierre-Auguste Renoir (French), Oil on canvas (07.122)
	Manuscript Leaf from a Choir Book, second half of 15th century, Mariano del Buono (Italian, Florentine(?)), Parchment, tempera, ink, gold leaf (96.32.15)
	Mephistopheles in Flight, 1828, Eugène Delacroix (French), From Goethe's Faust, Paris, C. Motte, 1828, Lithograph (17.12)
	Midas Washing at the Source of the Pactolus, 1624, Nicolas Poussin (French), Oil on canvas (71.56)
	Mlle Bécat at the Café des Ambassadeurs, Paris, 1877–78, Hilaire-Germain-Edgar Degas (French), Lithograph on wove paper (only state) (19.29.3)
	The Mountain Nymph, Sweet Liberty, 1866, Julia Margaret Cameron (British), Albumen silver print from glass negative (41.21.15)
	Mrs. Schuyler Van Rensselaer (Mariana Griswold), 1888; this cast, 1890, Augustus Saint-Gaudens (American), Bronze (17.104)
	Mrs. William Morris (Jane Burden, 1840–1914), Dante Gabriel Rossetti (British), Red, black, and white chalk on paper (47.66)
	My Father Pledged Me a Sword, 1974–75, Anselm Kiefer (German), Watercolor, gouache, and ballpoint pen on paper (1995.14.14)
	The Natchez, 1835, Eugène Delacroix (French), Oil on canvas (1989.328)
	Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi
	Nolan neck-amphora with triple handles, ca. 470–460 B.C.; red-figure, Attributed to the Achilles Painter, Greek, Attic, Terracotta (25.189.2)
	Nymphs and Satyrs in a Landscape, 1599 or before, Joseph Heintz the Elder (Swiss), Pen and brown ink, brown wash, red chalk, heightened with white body color, on yellow tinted paper (2007.174)
	Oleanders, 1888, Vincent van Gogh (Dutch), Oil on canvas (62.24)
	Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
	Orchids and Rocks, Muromachi period (1392–1573), Gyokuen Bompo (Japanese), Japan, Hanging scroll; ink on paper (1975.268.38)
	Orpheus and Eurydice, probably modeled before 1887, executed 1893, Auguste Rodin (French), Marble (10.63.2)
	*Outer robe (uchikake) with scenes of filial piety*, Edo period, late 18th century, Japan, Resist-dyed and embroidered silk crepe (49.32.109)
	Ovidio metamorphoseos vulgare (Ovid's Metamorphoses in the Vernacular), by Giovanni Bonsignore, 2d ed. (Venice: Lucantonio Giunta, 1501), Woodcut illustrations by 15th-century Venetian school (22.16)
	Papyrus fragment with lines from Homer's Odyssey, Early Hellenistic, 285–250 B.C., Greek, Ptolemaic (09.182.50)
	Parallèlement, 1900, Pierre Bonnard (French), From Paul Verlaine's Parallèlement, Paris, A. Vollard, 1900, Color lithograph (1970.713)
	"Penelope Unraveling Her Work at Night," 1886, Dora Wheeler (American), for Associated Artists (New York City), Silk embroidered with silk thread (2002.230)
	Pierrot Laughing, 1855, Nadar (Gaspard-Félix Tournachon) (French); Adrien Tournachon (French), Coated salted paper print from glass negative (1998.57)
	Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603)
	Planting Chrysanthemums, Ming dynasty Lu Zhi (Chinese), Hanging scroll; ink and pale color on paper (1986.266.3)
	*Plate (Piatto)*, 1532, Francesco Xanto Avelli da Rovigo (Italian), Maiolica (1975.1.1131)
	Plate with a hunting scene from the tale of Bahram Gur and Azadeh, 5th century; Sasanian period, Iran, Silver, mercury gilding (1994.402)
	Poem page mounted as a hanging scroll, Momoyama period, dated 1606, Painting by Tawaraya Sotatsu (Japanese); Calligraphy by Hon'ami Koetsu (Japanese), Ink on paper decorated with gold and silver (1975.268.59)
	The Poet, Jusepe de Ribera (Spanish), Etching, only state (30.54.69)
	Poetry, ca. 1465–67, Engraving with applied gilding (59.570.32); The Muse Euterpe, ca. 1465–67, Ferrarese school, Engraving (19.52.18)
	Polyphemus and Galatea in a Landscape, last decade of 1st century B.C.; mid-Augustan, Third Style, Roman, Fresco (20.192.17)ar
	Portia (Kate Dolan), 1886, Sir John Everett Millais (British), Oil on canvas (06.1328)
	Portrait bust of Denis Diderot (1713–1784), 18th century (signed and dated 1773), Jean-Antoine Houdon (French), French (Paris), Marble (1974.291)
	Portrait of a Young Man, 1530s, Bronzino (Agnolo di Cosimo di Mariano) (Italian, Florentine) Oil on wood (29.100.16)
	The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (active Rome), after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.328)
	The Punishment of Evil Counselors, 1864, Gustave Doré (French), From Dante's The Vision of Hell (Inferno), London, Cassell, 1866, Wood engraving (21.36.133)
	Quatriregio (Four Realms): Signatures B2v and B3, Author: Federico Frezzi, Florence: For Piero Pacini da Pescia, July 26, 1508, Book with printed text and woodcut illustrations (21.4.1)
	The Rape of Ganymede, 1505–15, Giovanni Battista Palumba (Master IB with the Bird) (Italian, active northern Italy and Rome), Woodcut (25.2.9)
	Relief plaque, ca. 450 B.C., Greek, Melian, Terracotta (25.78.26)
	Returning Home, Qing dynasty, ca. 1695, Shitao (Zhu Ruoji) (Chinese), Album of twelve paintings; ink and color on paper (1976.280a)
	Robert Louis Stevenson, 1887–88; this cast, 1910, Augustus Saint-Gaudens (American), Bronze (12.76.1)
	Sailing on the Wu River, Northern Song Dynasty (960–1127), ca. 1096, Mi Fu (Chinese), Handscroll; ink on paper (1984.174)
	Saint-Maclou, Rouen, 1852–54, Edmond Bacot (French), Salted paper print from glass negative (1995.96.10)
	A Scene in a Library, 1843–44 William Henry Fox Talbot (British) Salted paper print from paper negative (2005.100.172)
	Seated Voltaire (after the original model of 1778), 18th century (?), Jean-Antoine Houdon (French), French (Paris), Plaster, tinted to imitate terracotta (52.211)
	Sketch for Jesus the Son of Man, ca. 1923, Gibran Khalil Gibran (American, born Lebanon), Pencil and watercolor on paper (32.45.5)
	Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825, William Blake (British), Copy Y, ca. 1825, Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42)
	Sorgheloos in Poverty, 1510–1520, North Lowlands, Colorless glass with vitreous paint and silver stain (1999.243)
	Stanze: Signature a1, Author: Pietro Aretino, Venice: Francesco Marcolini, January 23, 1537, Printed book with frontispiece printed as a chiaroscuro woodcut from two blocks (37.37.2)
	Stately Pines on Mount Hua, ca. 1972, Shi Lu (Chinese), Hanging scroll; ink on paper (1986.267.351)
	The Story of Esther, 1460–70, Marco del Buono Giamberti (Italian, Florentine); Apollonio di Giovanni di Tomaso (Italian, Florentine), Tempera and gold on wood (18.117.2)
	Study for a Triton (recto); Anatomical Studies (?) (verso), 1642–44, Gian Lorenzo Bernini (Italian), Drawing in red chalk, background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso) (1973.265)
	*Study for the Modeling Stand of the Ugolino* Group**, ca. 1860, Jean-Baptiste Carpeaux (French), Pen and brown ink (1975.98.1)
	Su Dongpo in Straw Hat and Wooden Shoes, Muromachi period, second half of 15th century, Artist Unknown, Japan, Hanging scroll; ink on paper (1975.268.39)
	Tahmuras Defeats the Divs: From the *Shahnama* (Book of Kings) of Shah Tahmasp, ca. 1520–25, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.3)
	Tale à la Hoffmann, 1921, Paul Klee (German), Watercolor, pencil, and transferred printing ink on paper, bordered with metallic foil (1984.315.26)
	Tale of a Strange Marriage, Edo period, ca. 1858, Ukita Ikkei (Japanese), Handscroll; ink and color on paper (57.156.7)
	Talismanic shirt, 15th or early 16th century, India (north India or the Deccan), Ink, gold, and colors on stiffened cotton (1998.199)
	The Titian's Goblet, 1833, Thomas Cole (American), Oil on canvas (04.29.2)
	The Tomb of Sir Walter Scott, in Dryburgh Abbey, 1844, William Henry Fox Talbot (British), Salted paper print from paper negative (1997.382.4)
	**The Triumph of Fame, from a set of The Triumphs of Petrarch**, ca. 1502–4, Flemish (probably Brussels), Wool and silk tapestry (1998.205)
	Two Eagles, dated 1702, Bada Shanren (Zhu Da) (Chinese), Hanging scroll, ink on paper (L.1997.30)
	Ugolino and His Sons, modeled ca. 1860–61, executed in marble 1865–67, Jean-Baptiste Carpeaux (French), Saint-Béat marble (67.250)
	*Ulysses at the Table of Circe: Plate 16 of The Odyssey of Homer Engraved from the Compositions of John Flaxman R.A.,* 1805, John Flaxman (British), Printmaker: James Parker (British), London, England, Etching (1977.595.53)
	The Unknown Masterpiece, 1982, Anselm Kiefer (German), Watercolor, gouache, graphite pencil, cut-and-pasted printed papers on paper (2000.96.8)
	Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28)
	Venus and Adonis, Titian (Tiziano Vecellio) (Italian, Venetian), Oil on canvas (49.7.16)
	Vertumnus and Pomona, ca. 1760–70, François Boucher (French), Brown chalk (60.176.2)
	Victor Hugo, Three-Quarter View, 1885, Auguste Rodin (French), Drypoint, second of eight described states (16.37.2)
	The Viking Punchbowl, ca. 1893, Paulding Farnham (American), designer; Tiffany & Company (American), manufacturer and retailer, Iron, silver, gold, wood (69.4)
	Vivien and Merlin, 1874, Julia Margaret Cameron (British), Albumen silver print from glass negative, Published in Alfred Tennyson's Idylls of the King, and Other Poems, 1874 (52.524.3.5)
	Wang Xizhi Watching Geese, Yuan dynasty, ca. 1295, Qian Xuan (Chinese), Handscroll; ink, color, and gold on paper (1973.120.6)
	Wind among the Trees on the Riverbank, dated 1363, Ni Zan (Chinese), Hanging scroll, ink on paper (1989.363.39)
	*Wineglass or sweetmeat cup (confittiera) with scenes of Virgil and Febilla*, ca. 1475–1500, Venice (Murano), Barovier Glass House, Enameled and gilded glass (17.190.730a,b)
	*Women of Allah: From Way In Way Out* portfolio (published 1996)**, 1994, Shirin Neshat (American, born Iran), Pen and ink on photograph (1997.129.8)
	Yggdrasil, ca. 1980, Anselm Kiefer (German), Gouache and acrylic on photograph (1995.14.36)
	Zoe, Maid of Athens, 1866?, Julia Margaret Cameron (British), Albumen silver print from glass negative (1997.382.38)