Works of Art (52)
 |
After Sir Christopher Wren, 1920,
Charles Demuth (American),
Watercolor, gouache, and pencil on cardboard (1984.433.156)
|
 |
Allan Melville, 1810, John Rubens Smith (American), Watercolor, gouache, and graphite on smooth surfaced off-white wove paper (46.192.4) |
 |
American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438) |
 |
Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30) |
 |
A Basket of Clams, 1873, Winslow Homer (American), Watercolor on wove paper (1995.378) |
 |
Beauty Revealed, 1828,
Sarah Goodridge (American),
Watercolor on ivory (2006.235.74) |
 |
Boys in a Dory, 1873,
Winslow Homer (American),
Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper (2001.608.1) |
 |
The Brush House, 1916, Childe Hassam (American), Watercolor and graphite on off-white wove paper (17.31.1) |
 |
Coast Guard Station, Two Lights, Maine, 1927,
Edward Hopper (American),
Watercolor, gouache, and charcoal on paper (1974.356.25) |
 |
Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
 |
Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94,
Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company,
Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4) |
 |
Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)
Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84) |
 |
Elijah Boardman, ca. 1790,
John Ramage (Irish, act. America),
Watercolor on ivory (1989.204) |
 |
Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10) |
 |
Fishing Boats, Key West, 1903, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.1) |
 |
Flower Garden and Bungalow, Bermuda, 1899, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.10) |
 |
Fraktur Motifs, ca. 1770–1800, Johann Heinrich Otto (American), Watercolor, pen and iron gall ink, and graphite on off-white laid paper (66.242.1) |
 |
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71) |
 |
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17) |
 |
Golgotha, 1945,
Romare Bearden (American),
Watercolor, pen and India ink, and pencil on paper (54.143.9) |
 |
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67) |
 |
In the Generalife, 1912, John Singer Sargent (American), Watercolor, wax crayon, and graphite on white wove paper (15.142.8) |
 |
Inside the Bar, 1883, Winslow Homer (American), Watercolor and graphite on off-white wove paper (54.183) |
 |
John Biglin in a Single Scull, ca. 1873, Thomas Eakins (American), Watercolor on off-white wove paper (24.108) |
 |
Lady in Gray, ca. 1883, James Abbott McNeill Whistler (American), Watercolor and gouache on dark brown wove paper (06.312) |
 |
Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6) |
 |
Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42) |
 |
Man with Red Drapery, after 1900, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.73) |
 |
Members of the City Troop and Other Philadelphia Soldiery, 1811–ca. 1813, John Lewis Krimmel (American), Watercolor, gouache, and graphite on white laid paper (42.95.21) |
 |
Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
 |
Negro Boy Dancing, 1878, Thomas Eakins (American), Watercolor on off-white wove paper (25.97.1) |
 |
Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287) |
 |
The Photographer, 1942,
Jacob Lawrence (American),
Watercolor, gouache, and pencil on paper (2001.205) |
 |
Piazza di San Marco, ca. 1898–99, Maurice Prendergast (American), Watercolor and graphite on off-white wove paper (52.126.6) |
 |
Plums, 1870, John William Hill (American), Watercolor, graphite, and gouache on off-white Bristol board (82.9.1) |
 |
Pool Parlor, 1942, Jacob Lawrence (American), Watercolor and gouache on paper (42.167) |
 |
Portrait of a Lady, ca. 1827
Henry Inman (American); Thomas Seir Cummings (American)
Watercolor on ivory (2003.520) |
 |
Saltillo Mansion, 1943,
Edward Hopper (American),
Watercolor on paper (45.157.2) |
 |
Schreckhorn, Eismeer (from the Splendid Mountain Watercolours Sketchbook), 1870, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (50.130.146f recto) |
 |
The Shoemaker, 1945,
Jacob Lawrence (American),
Watercolor and gouache on paper (46.73.2) |
 |
The Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York, NY, 1816–20,
Unknown Artist,
New York City,
Watercolor, black ink, and gouache on white laid paper (22.28.1) |
 |
Sketch for Jesus the Son of Man, ca. 1923,
Gibran Khalil Gibran (American, born Lebanon),
Pencil and watercolor on paper (32.45.5) |
 |
Sketch of enamel bowl, ca. 1898–99,
Tiffany Glass and Decorating Company (American),
New York, New York,
Watercolor and graphite (2005.495) |
 |
St. Paul's, Manhattan, 1914, John Marin (American), Watercolor and charcoal on paper (49.70.110) |
 |
Street in Portsmouth, 1916, Childe Hassam (American), Watercolor on off-white wove paper (17.31.2) |
 |
Study for Distortions; Isometric Systems in Isotropic Space—Map Projections: The Cube, 1978, Agnes Denes (American), Watercolor on graph paper, pen and ink on clear plastic overlay (1983.501.3) |
 |
Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419) |
 |
Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291) |
 |
Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55) |
 |
Tommies Bathing, 1918, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.48) |
 |
View of South Street, from Maiden Lane, New York City, ca. 1827, William James Bennett (American), Watercolor on off-white wove paper (54.90.130) |
 |
Wild Roses and Irises, 1887, John La Farge (American), Gouache and watercolor on white wove paper, 1950 (50.113.3) |
|
Thematic Essays (14)
|
