Subject Index: Europe, Renaissance Art

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Timelines (10) Balkan Peninsula, 1400–1600 A.D. British Isles, 1400–1600 A.D. Central Europe (including Germany), 1400–1600 A.D. Eastern Europe and Scandinavia, 1400–1600 A.D. Florence and Central Italy, 1400–1600 A.D. France, 1400–1600 A.D. Iberian Peninsula, 1400–1600 A.D. Low Countries, 1400–1600 A.D. Rome and Southern Italy, 1400–1600 A.D. Venice and Northern Italy, 1400–1600 A.D.

Thematic Essays (106) Albrecht Dürer (1471–1528) Anatomy in the Renaissance Annibale Carracci (1560–1609) Architecture in Renaissance Italy Arms and Armor in Renaissance Europe Arms and Armor—Common Misconceptions and Frequently Asked Questions Botanical Imagery in European Painting Bronze Sculpture in the Renaissance Burgundian Netherlands: Court Life Burgundian Netherlands: Private Life Caravaggio (Michelangelo Merisi) (1571–1610) and his Followers The Chopine Claudio Monteverdi (1567–1643) Collecting for the Kunstkammer Commedia dell'arte Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world Couples in Art The Decoration of Arms and Armor The Decoration of European Armor The Development of the Recorder Direct versus Indirect Casting of Small Bronzes in the Italian Renaissance Domestic Art in Renaissance Italy Donatello (ca. 1386–1466) Dutch and Flemish Artists in Rome, 1500–1600 East and West: Chinese Export Porcelain El Greco (Domenico Theotocopulos) (1541–1614) Elizabethan England Europe and the Age of Exploration Europe and the Islamic World, 1600–1800 European Tapestry Production and Patronage, 1400–1600 European Tapestry Production and Patronage, 1600–1800 Famous Makers and European Centers of Arms and Armor Production Fashion in European Armor Fashion in European Armor, 1400–1500 Fashion in European Armor, 1500–1600 Fashion in European Armor, 1600–1700 Filippino Lippi (1456/47–1504) Fire Gilding of Arms and Armor Fontainebleau Fra Angelico (1395/1400–1455) The Function of Armor in Medieval and Renaissance Europe Gardens of Western Europe, 1600–1800 The Ghent Altarpiece The Golden Harpsichord of Michele Todini (1616–1690) The Guitar Hendrick Goltzius (1558–1617) Heroes in Italian Mythological Prints The Holy Roman Empire and the Habsburgs, 1400–1600 How Medieval and Renaissance Tapestries Were Made The Idea and Invention of the Villa Intentional Alterations of Early Netherlandish Painting Islamic Art and Culture: the Venetian Perspective Jan van Eyck (ca. 1380/90–1441) Leonardo da Vinci (1452–1519) List of Rulers: Europe Lovers in Italian Mythological Prints Maiolica Mannerism: Bronzino (1503–1572) and his Contemporaries Manuscript Illumination in Italy, 1400–1600 Manuscript Illumination in Northern Europe Military Music in American and European Traditions Music in the Renaissance Northern Italian Renaissance Painting Northern Mannerism in the Early Sixteenth Century The Nude in the Middle Ages and the Renaissance The Odhecaton Painting in Oil in the Low Countries and Its Spread to Southern Europe The Papacy and the Vatican Palace The Papacy during the Renaissance Patronage at the Early Valois Courts (1328–1461) Patronage at the Later Valois Courts (1461–1589) Pieter Bruegel the Elder (ca. 1525/30–1569) Poets in Italian Mythological Prints Poets, Lovers, and Heroes in Italian Mythological Prints Portraiture in Renaissance and Baroque Europe Prague during the Rule of Rudolph II (1583–1612) The Printed Image in the West: Aquatint The Printed Image in the West: Drypoint The Printed Image in the West: Engraving The Printed Image in the West: Etching The Printed Image in the West: History and Techniques The Printed Image in the West: Mezzotint The Printed Image in the West: Woodcut The Rediscovery of Classical Antiquity The Reformation Renaissance Drawings: Material and Function Renaissance Keyboards Renaissance Lutes Renaissance Organs Renaissance Violins Shoes in The Costume Institute Sienese Painting Sixteenth-Century Painting in Emilia-Romagna Sixteenth-Century Painting in Lombardy Sixteenth-Century Painting in Venice and the Veneto Techniques of Decoration on Arms and Armor Titian (ca. 1488–1576) Trade Relations among European and African Nations Venetian Color and Florentine Design Venice and the Islamic World, 828–1797 Venice's Principal Muslim Trading Partners: the Mamluks, the Ottomans, and the Safavids Violin Makers: Nicol˜ Amati (1596–1684) and Antonio Stradivari (ca. 1644–1737) Woodcut Book Illustration in Renaissance Italy: Florence in the 1490s Woodcut Book Illustration in Renaissance Italy: The First Illustrated Books Woodcut Book Illustration in Renaissance Italy: Venice in the 1490s Woodcut Book Illustration in Renaissance Italy: Venice in the Sixteenth Century