Heilbrunn Timeline of Art History

• World Regions

  All regions

  Select a region

  • North America
  • Europe
  • Central and North Asia
  • East Asia
  • Central America
  • South America
  • Africa
  • West Asia
  • Oceania
  • South and Southeast Asia

  Select a time period

  • 8000–2000 B.C.
  • 2000–1000 B.C.
  • 1000 B.C.–1 A.D.
  • 1–500 A.D.
  • 500–1000 A.D.
  • 1000–1400 A.D.
  • 1400–1600 A.D.
  • 1600–1800 A.D.
  • 1800–1900 A.D.
  • 1900 A.D.–Present
• Timelines

  by Time Period 8,000–2,000 b.c. 2,000–1,000 b.c. 1,000 b.c.–1 a.d. 1–500 a.d. 500–1,000 a.d. 1,000–1400 a.d. 1400–1600 a.d. 1600–1800 a.d. 1800–1900 a.d. 1900 a.d.–present

  by Geographical Region Africa   Central America   Central and North Asia   East Asia   Europe   North America   Oceania   South America   South and Southeast Asia  West Asia

• Thematic Essays
  • Recent Additions  |  All Thematic Essays
  • 
    Select a Thematic Category African Art American Art Ancient Near Eastern Art Art of the Americas Asian Art Byzantine Art Egyptian Art European Art Greek and Roman Art Islamic Art Medieval Art Modern and Contemporary Art Oceanic/Pacific Art Prehistory Select a Department American Decorative Arts American Paintings and Sculpture Ancient Near Eastern Art Arms and Armor Arts of Africa, Oceania, and the Americas Asian Art The Costume Institute Drawings and Prints Education Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art The Libraries Medieval Art and The Cloisters Musical Instruments Nineteenth-Century, Modern, and Contemporary Art Objects Conservation Paintings Conservation Paper Conservation Photographs Robert Lehman Collection Scientific Research Textile Conservation

    ---

  • Select a Geographical Region Africa Central America Central and North Asia East Asia Europe North America Oceania South America South and Southeast Asia West Asia All Geographical Regions Select a Time Period 20,000–8000 B.C. 8000–2000 B.C. 2000–1000 B.C. 1000 B.C.–1 A.D. 1–500 A.D. 500–1000 A.D. 1000–1400 A.D. 1400–1600 A.D. 1600–1800 A.D. 1800–1900 A.D. 1900 A.D.–Present All Time Periods
    
• Works of Art
  Recent Additions
  
  

  Title Description
  Artist
  Material and Technique
  Credit Line
  Accession Number

• Index

  Artist (A–Z) | All Artists

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

  ---

  Subject (A–Z)

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

Fashion in European Armor

• 
  Aquamanile in the Form of a Knight on Horseback, mid-13th century
  German (Lower Saxony, probably Hildesheim)
  Copper alloy

  14 11/16 x 5 5/8 x 12 7/8 in. (37.3 x 14.3 x 32.7 cm)
  Gift of Irwin Untermyer, 1964 (64.101.1492)

• 
  Armor, ca. 1400 and later
  Italian
  Steel, brass, textile

  H. 66 1/2 in. (168.9 cm)
  Bashford Dean Memorial Collection, Gift of Helen Fahnestock Hubbard, in memory of her father, Harris C. Fahnestock, 1929 (29.154.3)

• 
  Sallet in the Shape of a Lion's Head, 1470–80
  Italian
  Steel, copper-gilt, glass, polychromy

  H. 11 3/4 in. (30 cm), Wt. 8 lb. 4 oz. (3.7 kg)
  Harris Brisbane Dick Fund, 1923 (23.141)

• 
  Elements of a Light-Cavalry Armor, ca. 1505–10
  Christian Schreiner the Younger (Mühlau, recorded 1499–1528)
  Austrian (Innsbruck/Mühlau)
  Steel

  Purchase, Mr. and Mrs. Arthur Ochs Sulzberger Gift, in honor of Helmut Nickel, 1991 (1991.4)

• 
  Elements of a Light-Cavalry Armor, ca. 1510
  Italian (Milan)
  Steel, etched and gilded

  Wt. 19 lb. 13 oz. (9kg)
  Gift of William H. Riggs, 1913 (14.25.716)

• 
  Portions of a Costume Armor, ca. 1525
  Kolman Helmschmid (1471–1532)
  German (Augsburg)
  Steel, embossed, etched, and gilded

  Backplate and rump defense: Gift of Bashford Dean, 1924; Arms: Mrs. Stephen V. Harkness Fund, 1926 (24.179; 26.188.1,2)

• 
  Armor of George Clifford, Third Earl of Cumberland, ca. 1580–85
  Made in the Royal Workshops
  English (Greenwich)
  Steel, etched, blued, and gilded

  H. 69 1/2 in. (176.5 cm), Wt. 60 lb. (27.2 kg)
  Munsey Fund, 1932 (32.130.6)

View SlideshowView Thumbnails

Armor was subject not only to technical advances but also to changes in taste as well as aesthetic and artistic expression within each period of its development.

Related

Timelines (12)

• Central Europe (including Germany), 1000–1400 A.D.
• Central Europe (including Germany), 1400–1600 A.D.
• Central Europe (including Germany), 1600–1800 A.D.
• Florence and Central Italy, 1400–1600 A.D.
• Great Britain and Ireland, 1400–1600 A.D.
• Great Britain and Ireland, 1600–1800 A.D.
• Iberian Peninsula, 1000–1400 A.D.
• Iberian Peninsula, 1600–1800 A.D.
• Italian Peninsula, 1000–1400 A.D.
• Rome and Southern Italy, 1400–1600 A.D.
• Venice and Northern Italy, 1400–1600 A.D.
• Venice and Northern Italy, 1600–1800 A.D.

Primary Thematic Essays (7)

• The Decoration of Arms and Armor
• Fashion in European Armor, 1000–1300
• Fashion in European Armor, 1300–1400
• Fashion in European Armor, 1400–1500
• Fashion in European Armor, 1500–1600
• Fashion in European Armor, 1600–1700
• The Function of Armor in Medieval and Renaissance Europe

Other Thematic Essays (16)

• Arms and Armor in Medieval Europe
• Arms and Armor in Renaissance Europe
• Arms and Armor—Common Misconceptions and Frequently Asked Questions
• The Crusades (1095–1291)
• The Decoration of European Armor
• The Decoration of Tibetan Arms and Armor
• Early Netherlandish Painting
• Elizabethan England
• Famous Makers and European Centers of Arms and Armor Production
• Feudalism and Knights in Medieval Europe
• Fire Gilding of Arms and Armor
• The Holy Roman Empire and the Habsburgs, 1400–1600
• Islamic Arms and Armor
• List of Rulers of Europe
• Techniques of Decoration on Arms and Armor
• Tibetan Arms and Armor

Maps (4)

• Europe, 1000–1400 a.d.
• Europe, 1400–1600 a.d.
• Europe, 1600–1800 a.d.
• World, 1400–1600 a.d.

Index Terms (22)

Art Movement/Style

• Byzantine Art from Europe

Artist

• Cranach, Lucas, the Elder (German, 1472–1553)
• Helmschmid, Kolman (German, 1471–1532)
• Schreiner, Christian, the Younger (Muhlau, recorded 1499–1528)

Geography/Place

• Byzantium
• European Medieval Art
• European Renaissance Art
• Seventeenth– and Eighteenth–Century European Art

Material and Technique

• Brass from Europe
• Gilt Copper
• Steel

Object

• Arms and Armor
• Body Armor
• Figural Vessel from Europe
• Helmet
• Vessel from Europe
• Vessel from West Asia

Subject Matter/Theme

• Feline
• Trade (1000–1400 A.D.)
• Trade (1400–1600 A.D.)
• Trade (1600–1800 A.D.)
• Warfare

Share

| More

Like most manmade objects, armor was subject not only to technical advances but also to changes in taste as well as aesthetic and artistic expression within each period of its development. In broad outline, this can already be witnessed in the armor worn by warriors throughout the ancient world. In medieval and Renaissance Europe, especially from the fourteenth century onward, it is apparent that armor was strongly influenced by contemporary civilian costume according to current tastes and regional fashions (in some rare instances, armor could even influence civilian fashion). Such influences and fashions could change relatively quickly, and it is probably no exaggeration to argue that, to medieval and Renaissance minds, a concept similar to our understanding of "the '50s," "the '60s," and "the '70s" for the taste of a particular age or decade would probably have been quite familiar. In addition to the influence civilian costume had on the general appearance of armor, such as form and outline, different tastes and fashions are also clearly recognizable in the decoration of armor. To some extent, finally, technical developments and constructional features could also be so confined to a certain region that they can be classified as a local or national style. The study of "fashion in armor" accordingly can provide scholars with valuable information for the dating and geographical identification of armor. The following texts will give a broad outline of fashion in European armor from the eleventh to the seventeenth century, including a selection of the most important developments as well as a number of lesser known trends.

Dirk H. Breiding Department of Arms and Armor, The Metropolitan Museum of Art

Citation Breiding, Dirk H. "Fashion in European Armor". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/afas/hd_afas.htm (October 2004) Related exhibitions and online features Special Exhibitions (including upcoming, current, and past exhibitions) The Armored Horse in Europe, ca. 1475 to 1675 Arms and Armor: Notable Acquisitions 1991–2002 European Helmets, 1450–1650: Treasures from the Reserve Collection Other Online Features Knights in Central Park

These related Museum Bulletin or Journal articles may or may not represent the most current scholarship. Pyhrr, Stuart W. "Armor for America: The Duc de Dino Collection": The Metropolitan Museum Journal, v. 47 (2012) Breiding, Dirk H., and Helmut Nickel. "A Book of Tournaments and Parades from Nuremberg": The Metropolitan Museum Journal, v. 45 (2010) Nickel, Helmut. "An Illustrated Manuscript Inventory of an Armory for Sale by Lottery." Metropolitan Museum Journal, Vol. 41 (2006). Wardropper, Ian. "The Flowering of the French Renaissance." The Metropolitan Museum of Art Bulletin, v. 62, no. 1 (Summer, 2004). JSTOR | PDF | Supplemental PDFs "Director's Note" PDF Terjanian, Pierre. "Armor Made in Basel: A Fifteenth-Century Sallet Attributed to Hans Blarer the Younger." Metropolitan Museum Journal, Vol. 36 (2001). JSTOR | PDF Williams, Alan. "The Steel of the Negroli." Metropolitan Museum Journal, Vol. 34 (1999). JSTOR | PDF Musacchio, Jacqueline Marie. "The Medici-Tornabuoni Desco da Parto in Context." Metropolitan Museum Journal, Vol. 33 (1998). JSTOR | PDF LaRocca, Donald J. "An English Armor for the King of Portugal." Metropolitan Museum Journal, Vol. 30 (1995). JSTOR | PDF LaRocca, Donald J. "A Neapolitan Patron of Armor and Tapestry Identified." Metropolitan Museum Journal, Vol. 28 (1993). JSTOR | PDF Nickel, Helmut. "Arms and Armor: From the Permanent Collection." The Metropolitan Museum of Art Bulletin, v. 49, no. 1 (Summer, 1991). JSTOR | PDF | Supplemental PDFs "Director's Note" PDF "Introduction" PDF Meyer, Daniel . "A Lost Opportunity for the Musee de Versailles, 1852." Metropolitan Museum Journal, Vol. 26 (1991). JSTOR | PDF Nickel, Helmut. "A Crusader's Sword: Concerning the Effigy of Jean d'Alluye." Metropolitan Museum Journal, Vol. 26 (1991). JSTOR | PDF Nickel, Helmut. "Some Heraldic Fragments Found at Castle Montfort/Starkenberg in 1926, and the Arms of the Grand Master of the Teutonic Knights." Metropolitan Museum Journal, Vol. 24 (1989). JSTOR | PDF Pyhrr, Stuart W. "European Armor from the Imperial Ottoman Arsenal." Metropolitan Museum Journal, Vol. 24 (1989). JSTOR | PDF Pyhrr, Stuart W. "Some Elements of Armor Attributed to Niccolò Silva." Metropolitan Museum Journal, Vol. 18 (1983). JSTOR | PDF Nickel, Helmut. "Carpaccio's Young Knight in a Landscape: Christian Champion and Guardian of Liberty." Metropolitan Museum Journal, Vol. 18 (1983). JSTOR | PDF Nickel, Helmut. "The Judgment of Paris by Lucas Cranach the Elder: Nature, Allegory, and Alchemy." Metropolitan Museum Journal, Vol. 16 (1981). JSTOR | PDF Williams, Alan R. "On the Manufacture of Armor in Fifteenth-Century Italy, Illustrated by Six Helmets in The Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 13 (1978). JSTOR | PDF Nickel, Helmut. "Arms and Armor." The Metropolitan Museum of Art Bulletin, v. 32, no. 4 (1974) JSTOR | PDFs "The Art of Chivalry" PDF "Battle Armor" PDF "The Crusades" PDF "Director's Note" PDF "Gentlemen's Jewelry" PDF "Orders of Chivalry" PDF "The Tournament" PDF Nickel, Helmut. "'A Harnes all Gilte': A Study of the Armor of Galiot de Genouilhac and the Iconography of Its Decoration." Metropolitan Museum Journal, Vol. 5 (1972). JSTOR | PDF Grancsay, Stephen V. "Lucio Piccinino: Master Armorer of the Renaissance." Metropolitan Museum of Art Bulletin, New ser., v. 22, no. 8 (April, 1964) Grancsay, Stephen V. "Sculpture in Steel: A Milanese Renaissance Barbute." Metropolitan Museum of Art Bulletin, New ser., v. 21, no. 5 (January, 1963). JSTOR | PDF Grancsay, Stephen V. "Royal Armorers: Antwerp or Paris?." Metropolitan Museum of Art Bulletin, New ser., v. 18, no. 1 (Summer, 1959) JSTOR | PDF Grancsay, Stephen V. "Medieval Armor in a Prayer Book." Metropolitan Museum of Art Bulletin, New ser., v. 16, no. 10 (June, 1958) JSTOR | PDF Grancsay, Stephen V. "The Armor of Henry II of France from the Louvre Museum." Metropolitan Museum of Art Bulletin, New ser., v. 11, no. 2 (October, 1952) JSTOR | PDF Grancsay, Stephen V. "Museum Armor and a Van Dyck Portrait from Vienna." Metropolitan Museum of Art Bulletin, New ser., v. 8, no. 9 (May, 1950) JSTOR | PDF