Augustan Rule (27 B.C.–14 A.D.)

See works of art
  • Marble statue of a draped seated man
  • Head of Augustus
  • Marble statue of a togatus (man wearing a toga)
  • Wall painting on black ground: Aedicula with small landscape, from the imperial villa at Boscotrecase
  • Marble statue of a member of the imperial family
  • Sard ring stone
  • Terracotta bowl
  • Glass garland bowl
  • Banded agate amphoriskos (perfume bottle)
  • Gilt-silver ceremonial box lid
  • Glass ribbed bowl
  • Marble portrait of the emperor Augustus
  • Marble head of a deity wearing a Dionysiac fillet
  • Marble statue of an old woman
  • Marble pilaster with acanthus scrolls

Works of Art (16)


By the first century B.C., Rome was already the largest, richest, and most powerful city in the Mediterranean world. During the reign of Augustus, however, it was transformed into a truly imperial city. Writers were encouraged to compose works that proclaimed its imperial destiny: the Histories of Livy, no less than the Aeneid of Virgil, were intended to demonstrate that the gods had ordained Rome “mistress of the world.” A social and cultural program enlisting literature and the other arts revived time-honored values and customs, and promoted allegiance to Augustus and his family. The emperor was recognized as chief state priest, and many statues depicted him in the act of prayer or sacrifice. Sculpted monuments, such as the Ara Pacis Augustae built between 14 and 9 B.C., testify to the high artistic achievements of imperial sculptors under Augustus and a keen awareness of the potency of political symbolism. Religious cults were revived, temples rebuilt, and a number of public ceremonies and customs reinstated. Craftsmen from all around the Mediterranean established workshops that were soon producing a range of objects—silverware, gems, glass—of the highest quality and originality. Great advances were made in architecture and civil engineering through the innovative use of space and materials. By 1 A.D., Rome was transformed from a city of modest brick and local stone into a metropolis of marble with an improved water and food supply system, more public amenities such as baths, and other public buildings and monuments worthy of an imperial capital.

Department of Greek and Roman Art, The Metropolitan Museum of Art

October 2000


Department of Greek and Roman Art. “Augustan Rule (27 B.C.–14 A.D.).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2000)

Further Reading

Bartman, Elizabeth. Portraits of Livia: Imaging the Imperial Woman in Augustan Rome. New York: Cambridge University Press, 1999.

Milleker, Elizabeth J., ed. The Year One: Art of the Ancient World East and West. Exhibition catalogue. New York: Metropolitan Museum of Art, 2000. See on MetPublications

Winkes, Rolf, ed. The Age of Augustus: Interdisciplinary Conference Held at Brown University, April 30–May 2, 1982. Providence, R.I.: Center for Old World Archaeology and Art, Brown University, 1985.

Zanker, Paul. The Power of Images in the Age of Augustus. Ann Arbor: University of Michigan Press, 1988.