This striking example of a seated Buddha has the broad shoulders, narrow waist, full and slightly pursed lips, and arched eyebrows characteristic of Chinese Buddhist figures made during the later Tang dynasty. The quality of workmanship, furthermore, suggests that it was probably produced in an urban area, possibly the capital city of Chang'an.

This seated figure performs a graceful variation of the dharmachakra mudra or hand gesture indicating teaching (literally, turning or setting in motion the Wheel [of Buddhist law]). Because Shakyamuni spent more than forty years traveling and lecturing after his enlightenment, this figure could be a representation of the Historical Buddha. He also bears other corporeal markings of enlightened beings: the cranial protuberance (ushnisha) indicating wisdom, elongated earlobes referring to Shakyamuni's royal heritage but without the earrings that he put aside when he chose a spiritual path, and the three neck rings signifying auspiciousness. These physical signs, as well as the flowing monastic robes, derive from Indian prototypes but spread throughout the Buddhist world.

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