In the late seventeenth century, the imprint of European painting appears in the style of certain Persian artists such as Muhammad Zaman. Here it can be seen in the use of perspective, the thick-foliaged trees, the shaded hills, and the bellpull in the pavilion. The terrace with its openwork railing and the river with its bank just beyond reflect the influence of painting of Mughal India, where the artist may have resided at one time.

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